Collections of interviews with notable modern writers

    Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade, and his sixth decade of making movies.

    His experiences and thoughts on screenwriting, adapting novels, adapting one's own novels (a bad idea), and on the craft itself contain more useful information than a pile of how-to manuals. As in his novels, McMurtry is by turns witty, acerbic, and thoughtful; the pieces are surprisingly stylish in that the bulk of them (17 out of 21) were spun off on monthly deadlines (for American Film magazine, in 1975-77), and McMurtry admittedly can't remember writing most of them. A fine collection, from a fine writer.No Clue: Or Learning to Write for the Movies. --The Hired Pen. --The Deadline Syndrome. --The Telephone Booth Screenwriter. --The Fun of It All. --All the President's Men, Seven Beauties, History, Innocence, Guilt, Redemption, and the Star System. --The Screenplay as Non-Book: A Consideration. --Pencils West: Or a Theory for the Shoot-'Em Up. --"Mary Hartman, Mary Hartman" and the Movie-Less Novelists. --O Ragged Time Knit Up Thy Ravell'd Sleave. --The Situation in Criticism: Reviewers, Critics, Professors. --Character, the Tube, and the Death of Movies. --The Disappearance of Love. --Woody Allen, Keith Carradine, Lily Tomlin, and the Disappearance of Grace. --The Last Picture Shows. --The Seasons of L.A.. --The Last Movie Column. --The Last Picture Show: A Last Word. --Approaching Cheyenne ... Leaving Lumet. Oh, Pshaw!. --Movie-Tripping: My Own Rotten Film Festival. --A Walk in Pasadena with Di-Annie and Mary Alice

    Moving Pictures is his fascinating remembrance of growing up amidst the glamour, swank, courage, triumphs, defeats, cabals, and double-crosses of an industry in the making. His utterly candid account includes unsparing portraits of outsized characters in all their power, venality, charm, pettiness, and vindictiveness. As a book on the early days of the movies in Hollywood, this one is hard to beat. Abundantly illustrated with black-and-white photographs.

    This work also covers various political and social subtexts of the movies.

    Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

    Chapters: Living Dead in Dallas, Dead to the World, Definitely Dead, Club Dead, Dead Until Dark, Dead as a Doornail, Dead and Gone, All Together Dead, From Dead to Worse, a Touch of Dead, Dead in the Family. Excerpt: A Touch of Dead A Touch of Dead is a collection of short stories from Charlaine Harris 's series The Southern Vampire Mysteries . This title was released on October 6th, 2009. This book only contains the short stories Harris has published in which Sookie Stackhouse is present. Stories References (URLs online) A hyperlinked version of this chapter is at All Together Dead All Together Dead is the seventh book in Charlaine Harris 's series The Southern Vampire Mysteries . After being betrayed by her vampire love, Bill Compton, Sookie Stackhouse attends an all-important central U.S. Vampire Summit on the shores of Lake Michigan as a "human geiger counter" for Sophie-Anne Leclerq, Vampire Queen of Louisiana and who will be tried during the event for murdering her husband, King of Arkansas. The summit is a tense situation. The queen is in a precarious position, her power base weakened by hurricane damage to New Orleans. And there are some vamps who would like to finish what nature started. Sookie knows the queen is innocent, but she is hardly prepared for other shocking murders, not to mention protests by the Fellowship of the Sun, a right-wing anti-vampire movement. Sookie's bond with Eric Northman gets closer and she discovers Quinn 's past. Plot summary The summit, which has attracted undead power players from all over the central United States, is sure to be tense, due in no small part to the rampi...

    Tasked to recon a tunnel network in use by the Taliban it is just another day in the sandpit for the Delta Boys until something attacks them in the darkness.Presumed Killed in Action, Black is abducted by a shadowy figure before being forced to cross the inhospitable Afghan wilderness to be reunited with what is left of his team.Meanwhile a General from Russian Military Intelligence (GRU) arrives at Firebase Python brining news of a Cold War weapons experiment so shocking that its existence has until now remained top secret.Horrific secrets buried in the Afghan mountains for a quarter of a century are about to be unleashed.

    I've been cursed to serve a bad-tempered elemental in my beastly form for centuries!There's only one way to lift the curse: a kiss from three true loves. To garner even one is nearly impossible. How am I going to get three? Then three gorgeous-as-sin, yet clueless dragon princes stumble into my lair. Only they do not come to kiss me. They come to slay me without knowing who I really am. Unless they cut the three heads of the Furies - my heads - or make the Fury Queen fall in love with them, they'll never shift back to dragons!Not surprisingly, the princes all choose what they think is the easiest - to behead the beasts... The boxed set includes all three novels in the series: The Fury Queen's Harem The Dragon Queen's HaremThe Fae Queen's Harem Warning: This is a WhyChoose fantasy/paranormal romance that features one hell of a strong woman and her three hot Dragon princes and a demigod mate. It contains battles, steamy scenes, raw language, magic, swordfights, dark fae, dragon shifters, vampires, and otherworldly nightmares of creatures. And at last, true loves, with a happy ever after at the end of series.

    The only problem is that to him she's always just been one of the gang, if that. Now with the end of her high school career coming fast she has very little time to change the situation at all, before all hope is gone.Unfortunately Mitch loves Keeley Thomson, the new girl in school who's everything a guy could want. Thin, pretty and smart, all rolled into one perfect Mitch fantasy fulfilling package. It would be enough to make a girl hate her, if it weren't for the fact that Keeley is one of Becky's new best friends, and willing to do some truly outrageous things to help her get the man of her dreams.In the end this is a story about coming of age in the modern world, dealing with the fact that adulthood hits us all, and the knowledge that love, while powerful, can sometimes be far different than what it first seems.

    Adaptation, Hutcheon argues, has always been a central mode of the story-telling imagination and deserves to be studied in all its breadth and range as both a process (of creation and reception) and a product unto its own.Persuasive and illuminating, A Theory of Adaptation is a bold rethinking of how adaptation works across all media and genres that may put an end to the age-old question of whether the book was better than the movie, or the opera, or the theme park.

    . . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

    Filled with stunning revelations about the men in her life—Burton, Clift, Hilton, Dean, Fisher—it is a glorious celebration of the turbulent life of a brilliant star that none in Hollywood or heaven could ever outshine.

    Big deal. You should try the lunches they serve out of Newark. Compared with the chicken napalm I ate on my last flight, the men in Con Air are about as dangerous as balloons.”Anthony Lane on The Bridges of Madison County—“I got my copy at the airport, behind a guy who was buying Playboy’s Book of Lingerie, and I think he had the better deal. He certainly looked happy with his purchase, whereas I had to ask for a paper bag.” Anthony Lane on Martha Stewart—“Super-skilled, free of fear, the last word in human efficiency, Martha Stewart is the woman who convinced a million Americans that they have the time, the means, the right, and—damn it—the duty to pipe a little squirt of soft cheese into the middle of a snow pea, and to continue piping until there are ‘fifty to sixty’ stuffed peas raring to go.”For ten years, Anthony Lane has delighted New Yorker readers with his film reviews, book reviews, and profiles that range from Buster Keaton to Vladimir Nabokov to Ernest Shackleton. Nobody’s Perfect is an unforgettable collection of Lane’s trademark wit, satire, and insight that will satisfy both the long addicted and the not so familiar.

    Some of the country s finest theatre and film talents all at key stages in their careers participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it.Kundan Shah s Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humour that Hindi cinema just hasn t seen enough of. This is the story of how it came to be despite incredible odds and what it might have been. Jai Arjun Singh s engaging take on the making of the film and its cult following is as entertaining as the film itself.