This book is an introduction to the Morrigan and several related goddesses who share the title, including Badb and Macha. It combines solid academic information with personal experience in a way that is intended to dispel the confusion that often surrounds who this goddess was and is. The Morrigan is as active in the world today as she ever was in the past but answering her call means answering the challenge of finding her history and myth in a sea of misinformation, supposition, and hard-to-find ancient texts. Here in one place, all of her basic information has been collected along with personal experiences and advice from a long-time priestess dedicated to a goddess who bears the title Morrigan.

    All argument is against it; but all belief is for it.” —Samuel Johnson   Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts—the fears they provoke, the forms they take—are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times.   Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

    The table of contents lists all of the addresses so that the reader may view and explore all of the sites personally. The work also contains a bibliography of thirty-three sources, one hundred thirty-one footnotes and an index of one hundred sixteen entries. It is fully illustrated with photographs, a map, and Marie Laveau's death certificate.It is the first book written exclusively about the ghosts of New Orleans since Jeanne de Lavigne's 1946 classic Ghost Stories of Old New Orleans. The author visited personally each of the sites, conducted interviews and took photographs. During the course of his research the author experienced two paranormal occurrences which are documented in the narratives.New Orleans Ghosts also contains an epilogue that articulates the six theories that apply to ghostly phenomenon. Each of the theories is further highlighted by being exemplified by reference to individual stories within the text.This book alone has been responsible for the creation of a growing arm of New Orleans tourism-- the "Ghost Tour." Before 1993 such tours did not exist. In 1998 the author is aware of ten such tours. Virtually all of these tour guides have informed the author that his book is the "Bible" for haunted tour guides.

    In Lost Goddesses of Early Greece, Charlene Spretnak recreates, the original, goddess-centered myths and illuminates the contemporary emergence of a spirituality based on our embeddedness in nature.

    Raising Hell weaves history with myths, quotes, anecdotes, and illustrations, to provide a vivid chronicle of the evolution of the occult arts. This definitive source offers a compelling look at the black arts and those who risked their lives to explore them.

    North America is home to a wide array of fearsome beasts, including hairy monsters, flying monsters, lake monsters, and other unexplained phenomena. "Monster Spotter's Guide "geographically catalogs more than one hundred legendary monsters reported to inhabit the continent.From the mythical Sasquatch of the Pacific Northwest to the vicious Mexican goatsucker known as El Chupacabra, you'll read about the legends and major sightings of the most widely feared creatures reported to exist–plus a few you might have never heard of.Within these pages you'll find detailed pen-and-ink drawings, helpful quick-reference boxes for immediate identification of key monster traits, a glossary of cryptozoology terms, useful appendices, case studies and more.Let this book be your guide, and explore the legends for yourself. Anyone can be a monster spotter when you start looking, you never know what you might find."

    Spence organizes a world's worth of magic -- from "Ab" (a magical month in the ancient Semitic calendar) to "Zulu witch-finders" -- into 2,500 dictionary-style entries that explore concepts and personalities both familiar (Freemasonry, Morgan le Fay) and obscure: palingenesy (a process by which plants or vegetables are destroyed and then "resurrected"), Leonora Galigai (a 17th-century Italian aristocrat who was burned as a witch). A delight for devotees of the weird and the strange, and a valuable resource for students of mythology and the evolution of scientific thought, this important volume is at home in the libraries of all book lovers. Scottish journalist and folklorist LEWIS SPENCE (1874 -1955) was a Fellow of the Royal Anthropological Institute of Great Britain and Ireland, and Vice-President of the Scottish Anthropological and Folklore Society. He published more than 40 works on mythology and the occult, including History of Atlantis, An Introduction to Mythology, and Myth and Ritual in Dance, Game and Rhyme.

    Beautiful and talented, Harriet will gain the affections of many of the men and women she meets and a bright future seems assured for her.But there is something strange about Harriet. Everyone she gets close to seems to sicken or die. Doctor Phillips has a theory: the blood of the vampire flows through Harriet's veins, and she is draining the life out of those she loves. Are the misfortunes that seem to follow Harriet merely coincidence? Or is she really afflicted with the curse of the vampire?One of the strangest novels by the prolific Florence Marryat (1837-1899), "The Blood of the Vampire" was the "other vampire novel" of 1897, appearing the same year as "Dracula." Marryat's novel is fascinating not only for its sensational plot and bizarre characters, but also because of its engagement with many of the issues that haunted the late Victorian imagination, such as race, heredity, women's roles, Spiritualism, and the occult. This edition includes the unabridged text of the exceedingly rare 1897 first edition and a new introduction by Brenda Hammack.

    A Deed Without a Name seeks to weave together some of this cutting-edge research with insider information and practical know-how. Utilising her own decades of experience in witchcraft and core-shamanism Lee Morgan pulls together information from trial records, folklore and modern testimonials to deepen our understanding of the ecstatic and visionary substrata of Traditional Witchcraft. Those who identify themselves as 'Traditional' tend to read a lot of scholarly texts on the subject and yet still there remains a vast gulf between this information and knowledgeably applying it in practice; this book aims to close that gap.

    S. dollar bill? Did a pharaoh inspire Moses to worship one God? What’s a Canaanite demoness doing at a rock concert?Since the beginning of time, people have been insatiably curious. They’ve asked questions about where we come from, why the stars shine and the seasons change, and what constitutes evil. The imaginative answers crafted by our ancestors have served as religion, science, philosophy, and popular literature. In this latest installment of the New York Times bestselling Don’t Know Much About® series, Kenneth C. Davis introduces and explains the great myths of the world using his engaging and delightfully irreverent question-and-answer style. He tackles the epic of Gilgamesh; Achilles and the Trojan War; Stonehenge and the Druids; Odin, Thor, and the entire Norse pantheon; Native American myths, and much more, including the dramatic life and times of the man who would be Buddha. From Mount Olympus to Machu Picchu, here is an insightful, lively look at the greatest stories ever told.

    Following the tragedy, their father, John, set out to teach his boys everything about the paranormal evil that lives in the dark corners and on the back roads of America . . . and how to kill it.Fans of the blockbuster television phenomenon can rejoice! A one-of-a-kind compilation of all of Sam and Dean's demon-busting knowledge, The Supernatural Book of Monsters, Spirits, Demons, and Ghouls contains illustrations and detailed descriptions that catalogue the more than two dozen otherworldly enemies that most people believe exist only in folklore, superstition, and nightmares: vampires, ghosts, revenants, reapers, and even bloody clowns. You'll find within these pages Sam and Dean's notes, observations, and memories interwoven with sections of John Winchester's invaluable journal, making this book the perfect companion to every thrilling episode — and an essential weapon in the secret war against the hidden creatures of the darkness!

    Original.

    These fascinating entries identify particular deities and giants, as well as the places where they dwell and the varied and wily means by which they forge their existence and battle one another. We meet Thor, one of the most powerful gods, who specializes in killing giants using a hammer made for him by dwarfs, not to mention myriad trolls, ogres, humans and strange animals. We learn of the ongoing struggle between the gods, who create the cosmos, and the jotnar, or giants, who aim to destroy it. In the enchanted world where this mythology takes place, we encounter turbulent rivers, majestic mountains, dense forests, storms, fierce winters, eagles, ravens, salmon and snakes in a landscape closely resembling Scandinavia. Beings travel on ships and on horseback; they eat slaughtered meat and drink mead.Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

    He examines its relation to religion, science, philosophy, art, literature and politics before introducing us to the different types of magic, the kinds of people who practiced magic, and the reasoning behind their beliefs. This book places magic at the crossroads of medieval culture, shedding light on many other aspects of life in the Middle Ages.

    A Lycanthropy Reader: Werewolves in Western Culture presents an overall examination of the history of the werewolf in Western culture, medicine, myth, and literature.TABLE OF CONTENTSIllustrationsContributorsPrefaceAcknowledmentsIntroductionsection I: Medical Cases, Diagnoses, DescriptionsSection II: Trial Records, Historical Accounts, SightingsSection II: Philosophical and Theological Approaches to MetamorphosisSection IV: Critical essays on LycanthropySection V: Myth and LEgendsSection VI: AllegoryBibliographyIndex