Limón has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a “huge beating genius machine” striving to embrace and understand the fullness of the present moment. “I am beautiful. I am full of love. I am dying,” the poet writes. Building on the legacies of forebears such as Frank O’Hara, Sharon Olds, and Mark Doty, Limón’s work is consistently generous and accessible—though every observed moment feels complexly thought, felt, and lived.

    But like his celebrated teacher, Elizabeth Bishop, Gioia is meticulously painstaking and self-critical about his own poems. In an active 25-year career he has published only two previous volumes of poetry. Although Gioia is often recognized as a leading force in the recent revival of rhyme and meter in American poetry, his own work does not fit neatly into any one style.Interrogations at Noon displays an extraordinary range of style and sensibility—from rhymed couplets to free verse, from surrealist elegy to satirical ballad. What unites the poems is not a single approach but their resonant musicality and powerful but understated emotion. This new collection explores the uninvited epiphanies of love and marriage, probing the quiet mysteries of a seemingly settled domestic life. Meditating on the inescapable themes of lyric poetry—time, mortality, nature, and the contradictions of the human heart—Gioia turns them to provocative and unexpected ends.

    Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    Translated by the American poet James Wright.

    Then the way to fame was leading him toward a mistake that could send him straight to hell...She never looked back.Lies, drugs, too many men-- golden skinned singer Topaz Black would do anything to get a hit to the top of the charts, even walk away from her friends and family. But surrounded by greed and lust, the love the longed for seemed to be slipping away forever.He broke all the rules.Brought up in South Central L.A., movie producer Gunther Lawrence learned early how to get the wealth and women he wanted-- and to turn his back on his roots. Now, blinded by Hollywood's glitter, his illusions may shatter when he discovers who really controls his career.As their lives touch, ignite, and explode, three talented African-Americans pursue fame at any cost...and the price may be their happiness...or their lives..An alternate selection of the Literary Guild and Doubleday Book Club

    The Discomfort Zone is his intimate memoir of his growth from a "small and fundamentally ridiculous person," through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions. It's also a portrait of a middle-class family weathering the turbulence of the 1970s, and a vivid personal history of the decades in which America turned away from its midcentury idealism and became a more polarized society.The story Franzen tells here draws on elements as varied as the explosive dynamics of a Christian youth fellowship in the 1970s, the effects of Kafka's fiction on his protracted quest to lose his virginity, the elaborate pranks that he and his friends orchestrated from the roof of his high school, his self-inflicted travails in selling his mother's house after her death, and the web of connections between his all-consuming marriage, the problem of global warming, and the life lessons to be learned in watching birds.These chapters of a Midwestern youth and a New York adulthood are warmed by the same combination of comic scrutiny and unqualified affection that characterize Franzen's fiction, but here the main character is the author himself. Sparkling, daring, arrestingly honest, The Discomfort Zone narrates the formation of a unique mind and heart in the crucible of an everyday American family.

    In the poem, Lowell's visit to the park leads to a series of associations that the dug-up park conjures. First, watching the construction of the underground parking garage beneath the Common makes him think about his childhood and how Boston had changed; in particular, the South Boston Aquarium that he'd visited as a child had recently been demolished in 1954.This leads him to think about the Robert Gould Shaw memorial and the history associated with the memorial (including Robert Gould Shaw and the all-black 54th Massachusetts Volunteer Infantry that he led). Finally, Lowell thinks of the then-controversial civil rights movement and the images of the integration of black and white schoolchildren that Lowell had recently seen on television.The final lines of the poem, which read, "The Aquarium is gone. Everywhere,/ giant finned cars nose forward like fish;/ a savage servility/ slides by on grease" are particularly well-known for their rather dark description of the large American cars that were popular at the time.

    It is this rare and marvelous sense of truth—of laughter, joy, and compassion and situations—that makes Keillor such a brilliant and beloved storyteller.The collection includes: Your Book Saved My Life, Mister, End of the Trail, Meeting Famous People, Family Honeymoon Al Denny, Basketball, After A Fall, The Babe, We Are Still Married, Drowning, Attitude, Letter From Ruth Luger to Joanne Leinenkranz, Nu Er Der Youl Igen, The Chuck Show of Television.

    It can be read in ten minutes. Please don't purchase this expecting a novel for your dollar.This story was written in a small cafe on the corner of Bleeker and Grove in New York City on Tuesday, May 27th. The idea came to me yesterday while walking across the Brooklyn Bridge. I saw the locks on several of the small cables on the bridge. I remembered my time in both London and Paris, taking pictures of all the love locks on bridges there. And I thought about all the couples those locks represent. I wondered how many are still together.Maybe this story isn't worth your dollar. If I could price a work on Amazon for less, I would. It is what it is. I hope this will be the first of many short pieces that I write and publish in a single day while recording what I'm thinking and where I am when I write them. For those who take the plunge, I hope you get your money's worth. Thank you for all of your support.-Hugh

    And just like that, Susan Young is drawn into a living nightmare.A stranger has kidnapped Sue’s daughter, Veda. But he doesn’t want her money, only her suffering–and he will kill Veda if Sue doesn’t follow his every command. With detailed instructions, the faceless abductor leads Sue into a blinding snowstorm on the longest night of the year, to a place she has not traveled to since childhood. The voice on the other end of the line somehow knows Sue’s deepest, most chilling secret–an ominous incident from her past, buried long ago...Across the loneliest back roads of Massachusetts, in the black expanse of a New England winter, Sue is forced to confront her most awful fears as she is met at each step by ever increasing horrors created by a monster who is surely something less than human. In the hope of saving her daughter from a kidnapper whose origin seems darker than anything she could ever have imagined, Sue will discover just how much trauma and fright the human body is capable of absorbing.Set over the course of a single night, Chasing the Dead is a fast-paced, ferociously tense supernatural thriller. With the skill of masters like Dean Koontz and David Morrell, Joe Schreiber has created a tableau of shock and horror, death and destruction, that will draw you in and never let you go.From the Hardcover edition.

    Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.Winner of the Oaklahoma Book Award for Poetry, In the Bear's House celebrates Momaday's extraordinary creative vision and evolution as one of our most gifted artists with transcendent dignity and gentleness.

    The Facts is the unconventional autobiography of a writer who has reshaped our idea of fiction--a work of compelling candor and inventiveness, instructive particularly in its revelation of the interplay between life and art.Philip Roth concentrates on five episodes from his life: his secure city childhood in the thirties and forties; his education in American life at a conventional college; his passionate entanglement, as an ambitious young man, with the angriest person he ever met (the "girl of my dreams" Roth calls her); his clash, as a fledgling writer, with a Jewish establishment outraged by Goodbye, Columbus; and his discovery, in the excesses of the sixties, of an unmined side to his talent that led him to write Portnoy's Complaint.The book concludes surprisingly--in true Rothian fashion--with a sustained assault by the novelist against his proficiencies as an autobiographer.

    Filled with anecdotes about her adventures in New York City, Diane di Prima's memoir shows her learning to "raise her rebellion into art," and making her way toward literary success. Memoirs of a Beatnik offers a fascinating narrative about the courage and triumphs of the imagination.

    

    This volume encapsulates the finest work from Seeing Things (1991) with its lines of loss and revelation; The Spirit Level (1996) where we experience "the poem as ploughshare that turns time / Up and over."; the landmark translation of Beowulf (1999); Electric Light (2001), a book of origins and oracles; and his final collections, District and Circle (2006) and Human Chain (2010), which limn the interconnectedness of being, our lifelines to our inherited past.