It is a time when mortal men and women are becoming gods and goddesses as news of their extraordinary adventures sweeps across the land. In this world, Epona, a woman whose life is celebrated in legend, meets Kazhak, a Scythian warrior and prince. Their stormy love affair sends them sweeping across eighth-century Europe, pursued from the Alps to the Ukraine by Kernunnos--a mysterious Druid priest known as the "Shapechanger."

    Here, collected in one volume, are tales and legends that range from the misty dawn of Gaelic history and the triumph of St Patrick to the Ireland of the present day - tales as beautiful, mystical, and enchanting as the ancient land itself.

    The story of Lugh Mac Romain, harper and reluctant warrior, as he struggles to escape the curse of the Queen Maeve of Connaught for killing her king and is caught up in the famous Cattle Raid of Cooley by his friendship with the great Champion of Ulster, Cuchulain of Muirthemne.

    These fantastic stories have travelled across cultural borders, and been passed down from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over her long writing career, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich collection of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. She makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.

    The book looks at the myths and legends of Babylonia and Assyria, and how these ancient tales reflect the beliefs and development of these early civilizations. The historical narrative of the book begins with the early Sumerian Age and concludes thirty centuries later with the periods of the Persian and Greek Empires.

    Here fairies and demons walk hand in hand with mortals and anything anything can happen. These tales are sometimes frightening, usually insightful, and always entertaining. But one does not have to be Irish to appreciate these marvelous stories, for as the great Irish poet, W.B. Yeats wrote, "everyone is a visionary if you scratch him deep enough."John Connors and the fairies --Fitzgerald and Daniel Donoghue --Fairies of Rahonain and Elizabeth Shea --The knights of Kerry --Rahonain castle --The cattle jobber of Awnascawil --The midwife of Listowel --Daniel Crowley and the ghosts --Tom Daly and the nut-eating ghost --Tom Connors and the dead girl --The farmer of Tralee and the fairy cows --The two gamblers and the fairies --The girl and the robber --Maurice Griffin and the fairy doctor --The three sisters and their husbands' three brothers --John Shea and the treasure --St. Martin's eve --James Murray and saint martin --Fairy cows --John Reardon and the sister ghosts --Maggie Doyle and the dead man --Pat Doyle and the ghost --The ghost of Sneem --The dead mother --Tim Sheehy sent back to this world to prove his innocence --Tom Moore and the seal woman --The four-leafed shamrock --John Cokeley and the fairy --Tom Foley's ghost --The blood-drawing ghost --Murderous ghosts

     Free History BONUS Inside! There was a time before England was united. This was a time before William the Bastard decided to prove to his contemporaries that his bastard moniker would be erased with a swift conquest of the biggest island northwest of Europe. A time before the Battle of Hastings and the year 1066. A time when many petty kingdoms ruled, conquered, and were liberated, time and time again, by a specific people group. A people group that is, in fact, a blend of many and that authors of later dates would collectively call the Anglo-Saxons. With this book, we want to let our readers know how vibrant and lively (as well as deadly) life in Britain was during the perhaps wrongly-titled “Dark Ages.” With the end of the Roman Empire, the local Britons were left to their devices, and it would be several people groups from a peninsula in Central Europe that would come to dominate the island, making sure their presence was known through a series of kingdoms, battles, clashes, victories, and defeats. But the Anglo-Saxons have a lot more to offer us history buffs. We can learn about their day-to-day life: how they dressed, what they ate and drank, how they waged war or had fun, how they buried their dead, and how they worshiped their gods. We can also learn about their art, their amazing metal and clay pieces, stunning bits of tapestries, and dozens of well-illuminated manuscripts. And if we lack any information on what they thought of the world around them, we can be happy that they were willing to tell us that themselves, all through hundreds of written texts of both religious and secular nature. The Anglo-Saxons were, indeed, an odd group of people to take control of Britain. But they didn’t do it all at once, and just like any other people in history, they had a period of adjustment, growth, reconstruction, and eventual rise to prominence. In Anglo-Saxons: A Captivating Guide to the People Who Inhabited Great Britain from the Early Middle Ages to the Norman Conquest of England, you will discover topics such as Anglo-Saxons Arrive Early Anglo-Saxons: Origins and Pre-Settlement History The Culture of Anglo-Saxons: Religion, Customs, Social Hierarchy, Early Christianity Everyday Life of Anglo-Saxon England: Jobs and Division of Labor, Food and Drink, Clothes, Architecture, Travel, Wars, Gender and Age Norms, Art, Written Works Anglo-Saxon Kingdoms Anglo-Saxon Legacy And much, much more! So if you want to learn more about the history of the Anglo-Saxons, scroll up and click the "add to cart" button!

    This study examines vampire lore in fantastic detail, constituting a record of folk beliefs unequaled in its sheer scope and depth. It features all the apparatus of an academic work, including footnotes and references to rare source documents, and it addresses such issues as how vampires came into existence, vampirish behavior, vampire-like ancient myths, and vampires in modern literature.

    Spanning the centuries from the first wars of the ancient Irish kings through the Celtic Renaissance of Yeats to our own time, they are set in cities, villages, fields and forestsfrom the wild Gaelic western coast to the modern streets of Dublin and Belfast.Part of the Pantheon Fairy Tale and Folklore Library

    Diana Paxson, author of historical novels and short stories on themes from Norse and Celtic mythology was clearly seized, somewhat to her own surprise. She here beautifully re-tells some classic stories from this mythic complex and relates how they are reflected in the ceremonial practices of the contemporary Neo-Pagan revival. I recommend it highly." --Ralph Metzner, Ph.D., author of The Well of Remembrance

    Siegfried, a great prince of the Netherlands, wins the hand of the beautiful princess Kriemhild of Burgundy, by aiding her brother Gunther in his struggle to seduce a powerful Icelandic Queen. But the two women quarrel, and Siegfried is ultimately destroyed by those he trusts the most. Comparable in scope to the Iliad, this skilfully crafted work combines the fragments of half-forgotten myths to create one of the greatest epic poems - the principal version of the heroic legends used by Richard Wagner, in The Ring.

    The names Tiw, Woden, Thunor and Frig/Freo have been preserved in place names and in the days of the week. The old Gods and the festivals and rituals associated with them lived on after the 'official' conversion to Christianity. Eostre, the Goddess associated with Spring, is still with us as Easter. The Yuletide celebrations which marked the turning of the year were deep-rooted so they were Christianised to give us Christmas. Ing the god associated with regrowth and renewal was replaced with Christ. Much the same happened with rituals for bringing fertility to the earth, and with healing charms. The author sifts through royal genealogy, charms, verse and other sources to find clues to the names and attributes of the Gods and Goddesses of the early English.

    Rather than working from the commonly known tree alphabet paradigm, Erynn Rowan Laurie takes us back to the roots of each letter's name, exploring its meanings in the context of Gaelic language and culture. Like the Norse runes, each letter is associated with an object or a concept -- "sulfur," "a bar of metal," "terror." These letters are deeply enmeshed in a web of meaning both cultural and spiritual, lending power and weight to their symbolism. With two decades of experience with the ogam and over thirty years of working with divination, Erynn offers insights into the many profound meanings hidden in the ogam letters and their lore. She explains each letter in context and shows how to expand the system in new and innovative ways while acknowledging and maintaining respect for ogam's traditional language and culture. In this book, you will find ways to use the ogam for divination, ideas on incorporating ogam into ritual, discussions of how ogam relates to Celtic Reconstructionist Paganism, and instructions for creating your own set of ogam feda or letters for your personal use.

    Despite the abandonment of the pagan gods, both Christian and pagan practices and beliefs continued to coexist for centuries, producing a system known as "dual faith."Russian Myths deals with mythic beliefs, notions, and customs--concerning the veneration of earth, water, fire, and air, demons and spirit-beings in the world of nature, the cult of the dead, and witchcraft--many of which have their roots in the pre-Christian past but still survive to the present day. To illuminate the evolution of major themes and motifs and set Russian myths in the context of mythology the world over, Elizabeth Warner draws upon a rich variety of sources, including anecdotal narrative forms and religious legends, epic songs, funeral laments and folk religion, and, of course, the folktales where the sacred gives way to pure imagination in the depiction of mythic themes and characters.

    A study of Arthurian romance and legend which draws together the different strands of Arthurian myth, from sources as diverse as Geoffrey of Monmouth, Malory, Chretien de Troyes, the Mabinogion, and the English Gawain cycles.