African American Studies. Latino/Latina Studies. "Up jumps the boogie. That's almost all one needs to say. Murillo is headbreakingly brilliant. I didn't have a favorite poet for this year: Now I do. But with this kind of verve and intelligence and ferocity Murillo just might be a favorite for many years to come."—Junot Diaz"The feel of now lives in John Murillo's UP JUMP THE BOOGIE, but it's tempered by bows to the tradition of soulful music and oral poetry. The lived dimensions embodied in this collection say that here's an earned street knowledge and a measured intellectual inquiry that dare to live side by side, in one unique voice. The pages of UP JUMP THE BOOGIE breathe and sing; the tributes and cultural nods are heartfelt, and in these honest poems no one gets off the hook."—Yusef Komunyakaa

    She's always been close to her mother, especially since the death of her father. But when Serena learns of a devastating family secret, she feels betrayed by the one she trusted most. As she questions how someone as devout as her mother could have lied to her for years, Serena pulls away from both family and faith. Without the haven of hearth and home, she flounders as she tries to help a girlfriend trapped in an abusive relationship. Burying herself in her prestigious career doesn't help either. With the help of a possible new love in her life, Serena realizes that, instead of resisting the voice, she needs to listen to the One who speaks to her heart.

    Here in Bonfire Opera, grief and Eros grapple in the same domain. A bullet-hole through the heart, a house full of ripe persimmons, a ghost in a garden. Coyotes cry out on the hill, and lovers find themselves kissing, “bee-stung, drunk” in the middle of road. Here, the dust is holy, as is the dark, unknown. These are poems that praise the impossible, wild world, finding beauty in its wake.  Excerpt from “Bonfire Opera”   In those days, there was a woman in our circle who was known, not only for her beauty, but also for taking off all her clothes and singing opera. And sure enough, as the night wore on and the stars emerged to stare at their reflections on the sea, and everyone had drunk a little wine, she began to disrobe, loose her great bosom and the tender belly, pale in the moonlight, the Viking hips, and to let her torn raiment fall to the sand as we looked up from the flames.

    First time in ebook. And on its surface, the Chappaquiddick Incident (as it has infamously become known) was a simple but tragic traffic accident. However, its political fallout caused it to become the most speculated-upon car accident until Princess Diana's fatal ride, some 28 years later: Was Kennedy drunk? Was he trying to conceal an affair by deliberately killing Kopechne? Why did he wait for so long before reporting the accident? And who else was involved? Olsen tells the tale with as much detail as was made available to him. Though there is apparently only a single living eye-witness to the accident (Kennedy himself, who described having the "sensation of drowning" on live television a week later), Olsen tracks down the incongruous statements made by others who were indirectly involved... and comes to a potential conclusion which would be difficult to refute. There is no legal evidence of this conclusion, of course, but his alternate explanation of events turns much of the circumstantial evidence into a logic-of-sorts.

    Trained in classical Greek and Latin, Phillips seems to excavate as he forms words into lines, breaking images into tiny parts of thought as he digs for meaning and accuracy. As part of this excavation, Pastoral explores what flesh, wanting, and belief are made of. A finalist for both the National Book Award and the National Book Critics Circle Award, Phillips has produced four collections of accomplished verse in the past few years. In each book, the influence of classical syntax and rhythm can be heard. And with each book, Phillips refines his poetic voice, combining the prayerlike and the erotic, and often elegantly swooping from a whisper to a scream in the space of a few stanzas.This time, the poems fall along a wide range of tones, from italicized commands like "Let me" and "Now" in the poem "Lay Me Down" to a hesitant question, or a deepening well of self-doubt. Phillips is always original, and he's always remembering, even when a poem is firmly written in present tense. He is hyperaware not only of the ancient poets, but also of history, especially the great destructions.In the ominously titled "The Kill," he remembers a familiar daily scene. The speaker analyzes his own love for another in clinical detail that suddenly veers into longing. The way these lines break adds to the sense of tragic fragment, of an ache:      The last time I gave my body up,      to you, I was minded       briefly what it is made of,       what yours is, that      I'd forgotten, the flesh      which always       I hold in plenty no       little sorrow for because -- oh, do      but think on its predicament,      and weep.In just four stanzas, Phillips moves from an image of both love and surrender to a consideration of temporality -- the bald fact that his lover is mortal. This thought of "its predicament" makes him weep, even though death is not a stated issue here.In "The Kill," the last poem in the volume, the speaker anticipates the need to remember. The second poem in the book referred to Pompeii, and the shadow of Pompeii is still resonant as the speaker describes his lover's body, still current and alive despite the title's warning.He remembers a body he has felt before, and probably will feel again -- judging by the present tense of "what yours is." And yet, the speaker here feels the need to freeze that body in time, to memorialize it. The next stanza explains this strong urge to hold on:      We cleave most entirely      to what most we fear      losing. We fear loss      because we understand       the fact of it, its largeness, its      utter indifference to whether      we do, or don't,       ignore it. The "largeness" of loss is what these poems are loath to accept, even as they seek to understand. Each poem tries to break loss down into questions, confessions, prayers, or simple expressions of doubt. While the poems fight against death and inevitable loss, they also seem to seek moral guidance to help with these losses.Nowhere is the search for answers and guidance more apparent than at the endings of these poems, which are frequently questions. Phillips is fond of abrupt, mysterious dashes as conclusions. In his quest for a moral compass, he also quotes from "Lamentations" and draws on familiar Biblical stories. The wanderings of Cain, for example, seem to appear in the backgrounds of poems where man seeks. What's more, the epigraph is from George Herbert, the great poet of faith and the war between faith and flesh. The sense of struggle between opposing ideas is something Phillips incorporates and modernizes into a contemporary parable of carnal love and constant questioning of that love. There's a frequent seesawing in the book, a back-and-forth on the big questions that permeates even the simplest narrative. For example, in "Favor," the second section of a five-part poem called "And Fitful Memories of Pan," Phillips sees a man in the distance:      Even from a distance, I can tell:       a man, clearly.       Gods cast no shadow. The struggle between man and God, between flesh and faith, is hinted at in the first stanza. Man, for Phillips, is an instrument of struggle, a tortured wanderer. The poem continues:      Also, that he tires,       stops to rest, looks like      sleeping, or could use some.       How long he has been,       coming, how long it takes, just      to cross it, the lush      measure that -- all summer -- has      been these well-groomed,       well-fed grounds, the lake      unswum and gleaming, the light      catching, losing      the useless extravagancePhillips basically forms the scene of a man walking into a discussion of man's temporality, the fact that man tires. While what God makes -- "the lake unswum and gleaming" -- needs to make no effort to be beautiful, man exhausts himself just surviving. By the last two stanzas, the speaker concludes that the body must make bets with itself:      Always, the body      wagering --      up, through itself --       Give. What he wants, he shall have.In Phillips's work, man -- though mortal -- still has great power. Man can demand, man can inspire love, and man can pray. In the struggle between man and God, in that constant "wagering," man sometimes wins.&3151;Aviya Kushner

    She has moved back to Chicago, is considering her next career move (or temp job), and has absolutely no time to look for love—until a mysterious dating app called Met suddenly appears on her phone, and with it, an invitation for Corinne to reconnect with four missed connections from her past. One of them, Met says, is her soul mate…Corinne doesn’t believe the app for a second, but when she very quickly finds herself with back-to-back blasts from the past, she’ll have to consider if maybe she’s wrong about it. The thing is, Corinne’s also been introduced to a really great guy outside the app’s influence. As their feelings for each other grow, Corinne has to wonder: With her apparent true love still out there, should she tap yes to the next match?With help from a new group of friends, her loving if annoying family, and maybe a touch of fate, can Corinne come to terms with the loss she’s still reeling from, take control of her career, and find love along the way?

    Because so many of the world's greatest minds and bank accounts gathered together in virtual isolation for three months each year, history was made on Jekyll Island. A group of tycoons with surnames such as Rockefeller, Morgan, Vanderbilt, Pulitzer, Baker and others formed their exclusive Millionaires' Club on this island hideaway--the richest and most inaccessible club of that time.Between 1888 and 1942, Jekyll Island was open only to Club members' families and their guests for hunting, relaxing and playing in luxurious ease. In this sweeping historical saga, you will discover the Millionaires' pastimes and deeply guarded secrets--told through the unique voices of four Club employees. In this true story of their island getaway, discover how the decisions of these powerful titans changed the face of world finances, business and politics as they built modern America.-Mueller's love for Georgia's culture, people and history is infectious. Her easy, unrushed tone is soothing as is her description of the stunning scenery and wildlife. Splendid Isolation is an excellent read for anyone interested in the Gilded Age and in Georgia.- - Angela Tate/Sacramento Book Review -Pamela Bauer Mueller has really outdone herself this time, memorably linking a sleepy Georgia island to the birth of modern American industry and finance. Pam shares with us the America that once was, and the handful of men who shaped it for the ages. BRAVA!- - Carey Giudici/Award-winning journalist/marketer/editor -This non-fictional novel, based on old articles and interviews, reads as memoirs told through the Jekyll Island Club employees' voices, and presents glimpses into the lives of the famous financiers they served. We are treated to their joys and tribulations in a way that humanizes them, and then discover mutual respect, open communication and interest in each others' lives--quite a surprising revelation.- - Enid Grabiner/RebeccasReads -The richest people in the world, through the eyes of the people whose paychecks they sign. Splendid Isolation is a fine choice and intriguing reading featuring the characters of the great tycoons of a century ago.- - Midwest Book Review

    When a small-town beat cop comes home to bury his murdered father—the revered Philadelphia detective James Sangster Sr.—he begins to unravel a mystery that leads him down a path of horrors that will shake his beliefs to their core. The city that was once the symbol of liberty and freedom has fallen prey to corruption, poverty, unemployment, brutality… and vampires. Welcome to KILLADELPHIA.

    Always striving to be a better, stronger person, Wagamese shared his journey through writing, encouraging others to do the same.Following the success of Embers, which has sold over fifty thousand copies since its release in 2016, this new collection of Wagamese’s non-fiction works, curated by editor Drew Hayden Taylor, brings together more of the prolific author’s short writings, many for the first time in print, and celebrates his ability to inspire. Drawing from Wagamese’s essays and columns, along with preserved social media and blog posts, this beautifully designed volume is a tribute to Wagamese’s literary legacy.

    . .Life is certainly beginning to happen to Hubert Bird. But with the origin of his earlier isolation always lurking in the shadows will he ever get to live the life he's pretended to have for so long?From bestselling author Mike Gayle, All the Lonely People is by turns a funny and moving meditation on love, race, old age and friendship that will not only charm and uplift, but also remind you of the power of ordinary people to make an extraordinary difference.

    Deeply personal, these poems and accompanying line illustrations are playful and profound, sometimes darkly funny, and often acutely moving.

    Since childhood, she has idolized her favorite actress, Ursula Moore. She is stoked to find out that Ursula will be a guest at the Atlanta convention she’s attending with fellow fangirl friends Cree and Nia. When Temple’s girlfriend attempts to ruin her weekend, the only thing that can turn it around is meeting Ursula. To her surprise, more savory options than getting an autograph are presented. Temple has to decide if she is going to stay a devoted fan or cross the line and find out what it’s like to sleep with her favorite celebrity. Taryn’s and Nina’s lives unite in an intense and fiery connection through their one common link: Layne, the woman they both loved. Taryn, a reserved wife, is unaware of her own astounding beauty and lurking alter ego. Nina is Layne’s tempting mistress. With their damaged hearts, they challenge the unacceptable and cross boundaries into a disturbing affair that pushes the limits of erotic gratification and exploration. Their stormy battles are fought not only against one another, but also within. Secrets are exposed, hidden agendas are revealed, and the line to the forbidden is erased.Chloe has always had a crush on Kai, her mother’s best friend. She hoped that when she went away to college, her desire would go away, but when she returns home after losing her straight-out-of-college job, she finds that her attraction to Kai is stronger than ever. When she runs into Kai at a local fair, the sparks fly between the two women in a way that cannot be ignored. Chloe becomes determined to seduce Kai, vowing to have the older woman, no matter the cost.

    Here, though, the poet's electric narratives and portraits extend beyond the working class streets of urban New Jersey. Modeling poems on the kundiman, a song of unrequited love sung by Filipinos for their country in times of oppression, he professes his conflicted feelings for America, while celebrating and lamenting his various heritageswhether by chatting up St. Patrick, riffing on race relations, or channeling Lapu Lapu in a rejoinder to Magellan. Passionate, provocative, and irrepressible throughout, My American Kundiman further establishes Rosal as a poet to be reckoned with.

    He describes in very human terms 475 years of recorded history in the Palmetto State, including the experiences of all South Carolinians--those with roots in Africa and in Europe as well as Native Americans; male and female; rich and poor. In an eminently readable presentation, Edgar uses letters, diaries, and other writings to let voices from the past take part in telling the state's fascinating story.Recounting the period from the first Spanish exploration to the end of the Civil War, Edgar charts South Carolina's rising national and international prominence and its parallel economic ascendancy. He dispels myths about the state's early history--including the notion that the colony was inhabited by a homogeneous white population--and tells how South Carolina developed an agricultural economy that relied heavily on African American slave labor. Edgar examines, among other topics, the impact of the American revolution, Charleston's significance as a metropolis and major seaport, and the state's leadership in the Secession movement.With changes wrought by the Civil War, South Carolina slipped from national prominence into a period marked by economic, social, civil, and political strife. Edgar details the everyday life of blacks and whites during Reconstruction, the state's mixed efforts to join the New South, and Benjamin Ryan Tillman's rise to power. He also chronicles South Carolina's changing politics in the once-solid South, the state's reawakening after World War II, the casualties and victories of an extended civil rights struggle, and the Palmetto State's present economic, educational, and political challenges.

    River Hymns is the lyrical journey of a young black man’s spiritual reckoning with his family history.