This retelling brings to life King Arthur and the adventures of his Knights, from the quest for the Holy Grail to the final tragedy of the Last Battle.

    The book chronicles the adventures of Arthur as he draws the sword Excalibur from the anvil, proving his right to the throne, and as he courts and wins the heart of Guinevere. Later he suffers the treachery of the wicked Morgana le Fay and witnesses the tragic fate of the Enchanter Merlin. In Pyle’s classic retelling, the legends come alive in unsurpassed vividness. More powerful than any of Merlin’s spells, The Story of King Arthur and His Knights has enthralled and delighted generations of readers fascinated by chivalry, magic, and the unforgettable drama of medieval times.

    But many threats befall Arthur in the kingdom of Camelot: the evil witch Morgan le Fay, the traitor Mordred, and even his best friend, Sir Launcelot. Will the courageous Arthur triumph over the evil forces in his path and bring peace and justice to the world?With lyrical storytelling and dazzling paintings, renowned author Margaret Hodges and celebrated illustrator Trina Schart Hyman together capture the beauty, danger, and glory of these timeless tales adapted from Sir Thomas Malory's Le Morte d'Arthur.

    Even with the rain, they were glad to be on their way--priests, nuns, tradesmen, men from the city, all pilgrims on the road to Canterbury. To pass the long journey they told each other stories: of magic and trickery, of animals with blazing eyes, of people with their pants on fire, of two thousand men battling before smoking walls, stories of love and death and the devil. There were written down by Geoffrey Chaucer, and he called them The Canterbury Tales. Geraldine McCaughrean retells The Canterbury Tales for children in a lively and humorous style which captures the original flair of Chaucer himself. She introduces us to the characters who told these tales: the shy, battle-hardened Knight, the Summoner whose breath smells of onions, the angry Miller with his read beard, and the Widow of Bath who likes a happy ending. The stories and the characters are vividly brought to life by Victor Ambrus, with pictures of wild chases, exciting battles, and the April countryside through which the pilgrims travel.

    Prosper's unusual daring in the hunt catches the prince's attention, and he promises to make Prosper his shield-bearer when he comes of age. Two years later, three hundred princes are summoned to the king's fortress at Dyn Eidin, where they will prepare to fight the Saxon forces which are gaining strength in the east. Prosper, with Conn, his bondservant, leaves his father's lands to join Gorthyn in the rigorous training for battle. With the coming of spring, word reaches the Three Hundred Companions that the Saxon leader has taken yet another kingdom. They set out at once for the Saxon stronghold of Catraeth, where Prosper must face the greatest challenges of his life.Adventure and heroism against impossible odds create a moving, robust tale set in Britain in the eighth century and based on actual events.

    All he can think of is adventure. But then he has an adventure that he cannot help but tell. And to do that, he decides, he must learn to write. A fine story for young readers.

    The book is set in Iceland in the days when Christianity has come to the island though the old customs still linger. Hiarandi, at the urging of his wife, does an unprecedented thing. He lights a signal fire on a dangerous point of his land, thereby challenging the accepted custom which places lucrative salvage at higher value than the saving of life. However, the life that is saved that night, in the end, causes his own death and the unjust outlawing of his son Rolf. Rolf's response to this injustice creates a suspenseful, thought-provoking tale difficult to put down. Ages 10 and up.

    The great house is empty, his father is fighting the Scots in the north, his mother is traveling with the Queen, and the servants have fled. He calls for help but only the stones hear his cries. Suddenly someone else is in the house, coming towards Robin. It is Brother Luke, a wandering friar, who takes Robin to St. Mark's Monastery, where he will be cared for until his father sends for him.At last, a message comes--Robin is to meet his father at Castle Lindsay. The journey is dangerous, and the castle is located near the hostile Welsh border. Perched high in the hills, the castle appears invincible. But it is not. Under the cover of a thick fog the Welsh attack the castle. And Robin is the only one who can save it...

    Eleven-year-old Toby’s vivid diary entries offer an insider’s view of day-to-day castle life, including tips on etiquette (where do you spit at a feast?) and exciting descriptions of hunting, jousting, and harvesting. Complete with glossary, index, and detailed endnotes, this is a rich look at medieval life that informs as much as it entertains.

    She chases after him, down a rabbit hole to a strange land full of exotic creatures, like the Mad Hatter and March Hare, a smiling Cheshire cat, a philosophical caterpillar, and a tempermental croquet-playing queen. Alice can hardly keep track of all the curious characters, let alone herself!Lewis Carroll's classic Alice's Adventures in Wonderland has been adapted to an easier reading level for Stepping Stones, while keeping all the fun, nonsense, and fantastic twists of the original book.From the Trade Paperback edition.

    "That's why it's a good work to keep a road in repair, like giving alms to the poor or tending the sick. It's open to the sun and wind and rain. It brings all kinds of people and all parts of England together. And it's home to a minstrel, even though he may happen to be sleeping in a castle."And Adam, though only eleven, was to remember his father's words when his beloved dog, Nick, was stolen and Roger had disappeared and he found himself traveling alone along these same great roads, searching the fairs and market towns for his father and his dog.Here is a story of thirteenth-century England, so absorbing and lively that for all its authenticity it scarcely seems "historical." Although crammed with odd facts and lore about the time when "longen folke to goon on pilgrimages," its scraps of song and hymn and jongleur's tale of the period seem as newminted and fresh as the day they were devised, and Adam is a real boy inside his gay striped surcoat.

    Cerf chose the most famous and representative stories from Sir Richard F. Burton's multivolume translation, and includes Burton's extensive and acclaimed explanatory notes. The tales of told by Shahrazad over a thousand and one nights to delay her execution by the vengeful King Shahriyar have become among the most popular in both Eastern and Western literature, as recounted by Sir Francis Burton. From the epic adventures of "Aladdin and the Enchanted Lamp" to the farcical "Young Woman and her Five Lovers" and the social criticism of "The Tale of the Hunchback", the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are anchored to everyday life by their realism, providing a full and intimate record of medieval Islam.'

    Young Arthur de Caldicot practises his tilting and archery, learns to be a dutiful page to his father, and waits impatiently to grow up and become a knight. One day his father's friend Merlin gives him a shining black stone. When Arthur starts to see stories in the stone, his life quickly becomes entwined with that of his namesake, the boy who pulls the sword from the stone.

    Ann McGovern?s retelling of this classic tale transports young readers to an era of adventure and heroism....

    In this book, he is transported back to the deck of the Mayflower.