Unrequited love. Platonic love. Lost love. Self-love. And, for a lucky few humans: old soul love that seems to transcend even death.

    The poets of Resistencia explore feminist, queer, Indigenous, and ecological themes alongside historically prominent protests against imperialism, dictatorships, and economic inequality. Within this momentous collection, poets representing every Latin American country grapple with identity, place, and belonging, resisting easy definitions to render a nuanced and complex portrait of language in rebellion.Included in English translation alongside their original language, the fifty-four poems in Resistencia are a testament to the art of translation as much as the act of resistance. An all-star team of translators, including former US Poet Laureate Juan Felipe Herrera along with young, emerging talent, have made many of the poems available for the first time to an English-speaking audience. Urgent, timely, and absolutely essential, these poems inspire us all to embrace our most fearless selves and unite against all forms of tyranny and oppression.Original languages include Spanish, French, Portuguese, Kaqchikel, Mapudungun, Miskito, and Quechua.

    Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people.From Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.

    Using binary code and texts from classics of the English language such as Edmund Spenser's The Faerie Queene, Joshua Whitehead unravels the coded "I" to trace the formation of a colonized self and reclaim representations of Indigenous texts.Joshua Whitehead is an Oji-Cree, Two-Spirit member of the Peguis First Nation.

    These characterful, intelligent and darkly witty poems explore lives lived strangely in unusual worlds, through a series of deft and seductive soliloquies.In a collection with a taste for ventriloquy and wickedness, and a flair for vocal cross-dressing, the balance of power is always shifting in an unexpected direction - an ingénue masquerades as a femme fatale, a doctor appears more disturbed than his patient, and parents seem more unruly than their children. Eccentric, intimate, arch, anxious, decadent and sometimes mournful, the book's confiding, conversational voices tell stories recognisable and refracted, carried along by the undercurrent on which the collection ebbs and rides: the anguish and energy brought about by a long-distance love affair, which propels and terrorises and ultimately unites the work.Dear Boy is an irresistible and enlivening collection by a new poet of startling and various gifts.

    Because let’s face it! We hoomans are obviously stupid and trust me unicorns are never wrong. Did you know? The horn of the unicorn symbolizes ultimate truth and it has the power to pierce the chest of anyone who tries to lie. Damn!‘Uuuuuuuunicornnnnnnnnnnnnn,’ I yawned, waking up, after being thrown back to our crap-shit called Earth.‘So fellow hoomans, let’s begin.’About the book:This book is a sarcastic and humorous take on various themes like love, life, humanity, healing, and heartbreak - expressed through 51 beautiful chapters of relatable quotes, musings and poems. It basically deals with what we humans go through on a day-to-day basis. Moreover, every chapter is accompanied by a unique and perfectly orchestrated author's rant or opinion focused on one single person; You.

    C., with a sexy new series about three sisters, the secrets they keep, and a powerful blog with a knack for exposing scandals...Jackie Gardner knows all about dirty little secrets. The illegitimate daughter of one of the most influential senators in Washington, D.C., she grew up surrounded by the scandals and shadows of politics. Now that she's landed an internship with a powerful political consulting firm, she's determined to launch her career and take this city by storm.William Andrew Clayton was born for politics. He knows the drill: work hard, play discreetly, and at all costs, avoid scandal. At twenty-six, his campaign for the Virginia State Senate is the first step to cementing his future. It's time for him to settle down, to find the perfect political spouse. He needs a Jackie Kennedy, not a Marilyn... When Jackie meets Will in the bar of the Hay-Adams Hotel, sparks fly. But the last thing Will needs is to be caught in a compromising position, and an affair with a political candidate could cost Jackie her career. When what began as one steamy night, becomes a passion neither one of them can walk way from, they must decide if what they have is really love, or just another dirty little secret...

    Kimiko Hahn, "a welcome voice of experimentation and passion" (Bloomsbury Review), takes up the Japanese prose-poetry genre zuihitsu literally "running brush," which utilizes tactics such as juxtaposition, contradiction, and broad topical variety in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.

    Here is the first anthology of love poems written only by women. Poets from all ages and all parts of the world, expressing love not only for their male and female lovers, but for parents, children, friends, for art, God, nature, and homeland, are collected here, and include the works of: Sappho, Emily Dickenson, Ono no Komachi, Shadab Vajdi, Alice Walker, Sor Juana Ines de la Cruz, and many more.Originally published as: The Virago book of love poetry by Virago Press, Great Britain (1990).

    610-580 b.c.e.) spent the majority of her life on the famed island of Lesbos. Passionate and breathtaking, Sappho's poems survive only in fragments following religious conspiracies to silence her. Sappho penned immortal verse on the intense power of the female libido; on the themes of romance, love, yearning, heartbreak, and personal relationships with women. This work retains the standard numerical order of the fragments and has been arranged in six sections. Distinguished poet and lecturer Paul Roche’s translation of The Love Songs of Sappho is enhanced with his brilliant essay, “Portrait of Sappho,” as well as a lucid historical introduction by celebrated feminist and classicist Page duBois.

    Poetry. Asian American Studies. Women's Studies. Trisha Low is just another feminist, confessional writer trying to find a good way to deal with all her literary dads. She siphons the remix culture of social media into the binge and purge cycle of an engrossing read, with the emphasis on gross. She reads the diaries of teenage girls, their blog comments and love letters; she dresses like one in performance then throws up fake blood on herself. She once surveyed the reactions of Catholic fathers to scripted confessionals she made regarding rough sex with men, secretly recorded the conversations, and transcribed the tapes. The results were anthologized by a major university press. Her first book, THE COMPLEAT PURGE, consists of the last will testament of one Trisha Low, who seems to commit suicide annually; the legal documents accumulate into a coming of age story. It goes on to chronicle the sexual fantasies of indie rock fangirls, who may or may not be exorcising the effects of abuse through their blithe avatars (the guy from The Strokes, etc.). Then Trisha Low finds herself trapped in an 18th century romance novel in the most punishing way, but for whom--we're not really sure. "How is Poetry complicit in the urge to falsely 'heal' societal wounds into the silent fixity of It Gets Better? What better place to look than the teen girl, whose cut wrist is an abject fuck-you; whose cute Band-Aid and its artificial 'healing' is really just your sentimental fantasy.

    Burroughs stated that the chapters are intended to be read in any order. The reader follows the narration of junkie William Lee, who takes on various aliases, from the U.S. to Mexico, eventually to Tangier and the dreamlike Interzone.The vignettes are drawn from Burroughs' own experiences in these places and his addiction to drugs (heroin, morphine, and while in Tangier, majoun [a strong hashish confection] as well as a German opioid, brand name Eukodol, of which he wrote frequently).[source wiki}

    The spot you’d press when you felt a headache coming on. The bullet tore away bone, the way dynamite blasts rock—leaving a soft crater.Life changes forever for Liv when her older brother, Jonah, accidentally shoots himself with his best friend Clay’s father’s gun. Now Jonah needs round-the-clock care just to stay alive, and Liv seems to be the only person who can see that her brother is still there inside his broken body.With Liv’s mom suing Clay’s family, there are divisions in the community that Liv knows she’s not supposed to cross. But Clay is her friend, too, and she refuses to turn away from him—just like she refuses to give up on Jonah.

     College freshman Lucia Ramirez has a secret crush on Dane Monroe. He’s a tall drink of water -- blond, brash, and one hell of a volleyball player. ¡Híjole! Lucia hopes her volleyball scholarship to his school will make him notice her. Too bad what’s noticeable is Dane’s obvious hatred for Lucia. Her family’s politics contradict everything he stands for. And politics are front and center in both their families. Dane’s mother is about to face Lucia’s father in the race for US President. When Secret Service throws them together, Dane can’t deny his frustrating attraction to Lucia’s athletic curves and sweet faith in the world. Amid the intense pressure of college athletics and presidential politics, can opposites not just attract, but overcome overwhelming odds to be together? Or do their differences block their match from the start?

    R E D is an erasure of Bram Stoker's Dracula. A long poem in 27 chapters, R E D excavates from Stoker's text an original narrative of violence, sexual abuse, power dynamics, vengeance, and feminist rage while wrestling with the complexities of gender, transition, and monsterhood.