Outwardly, she appears resilient and tenacious, but inwardly, she's losing hope.Enter Will Cooper: The attractive, 21-year-old new neighbor with an intriguing passion for slam poetry and a unique sense of humor. Within days of their introduction, Will and Layken form an intense emotional connection, leaving Layken with a renewed sense of hope.Not long after an intense, heart-stopping first date, they are slammed to the core when a shocking revelation forces their new relationship to a sudden halt. Daily interactions become impossibly painful as they struggle to find a balance between the feelings that pull them together, and the secret that keeps them apart.

    Three long poems interspersed with prose pieces, Souls of the Labadie Tract takes as its starting point the Labadists, a Utopian Quietest sect that moved from the Netherlands to Cecil County, Maryland, in 1684. The community dissolved in 1722. In Souls, Howe is lured by archives and libraries, with their ghosts, cranks, manuscripts and scraps of material. One thread winding through Souls is silken: from the epigraphs of Edwards ("the silkworm is a remarkable type of Christ...") and of Stevens ("the poet makes silk dresses out of worms") to the mulberry tree (food of the silkworms) and the fragment of a wedding dress that ends the book. Souls of the Labadie Tract presents Howe with her signature hybrids of poetry and prose, of evocation and refraction:     There it is there it is—you     want the great wicked city     Oh I wouldn't I wouldn't     It's not only that you're not     It's what wills and will not.

    Though it would help,it is not required that I give hima name first. Also, nothingsays he stops, then, or must turn.--from "The Figure, the Boundary, the Light"In the art of falconry, during training the tether between the gloved fist and the raptor's anklets is gradually lengthened and eventually unnecessary. In these new lyric poems, Carl Phillips considers the substance of connection -- between lover and beloved, mind and body, talon and perch -- and ts the cable of mutual trust between soaring figure and shadowed ground.Contemporary literature can perhaps claim no poetry more clearly allegorical than that of Carl Phillips, whose four collections have turned frequently to nature, myth, and history for illustration; still, readers know the primary attributes of his work to be its physicality, grace, and disarming honesty about desire and faith. In The Tether, his fifth book, Phillips's characteristically cascading poetic line is leaner and more dramatic than ever."

    What follows are raw and expertly crafted meditations on death, rituals of passage, translation, desire, diaspora, and personhood. What’s at stake is survival itself and the archiving of a lived and lyric history. Laughlin Award judge Tyehimba Jess says “bury it is lit with imagery and purpose that surprises and jolts at every turn. Exuberant, wild, tightly knotted mesmerisms of discovery inhabit each poem in this seethe of hunger and sacred toll of toil. A vitalizing and necessary book of poems that dig hard and lift luminously.” In this phenomenal second collection of poems, Sam Sax invites the reader to join him in his interrogation of the bridges we cross, the bridges we burn, and bridges we must leap from.

    It's a poetry book, from the perspective of a journal entry in the National Archives. The National Archives live in a building in Seattle behind barbed wire, directly next door to the Center for Spiritual Living. This is no accident. Gentleman Practice is a disarming de-haunting of accidents. There are no stunt doubles performing the honesty in this book. Head raised and victorious, he has crafted a translation of the human spirit on a small, practical patch, with a very fine tooth indeed. And, while many poetry books read like a thick epic series of sections, Gentleman Practice will no doubt rest in your hands like a well-oiled novel.

    Looking for yummy human tenders, Admiral Nact-bauk invades the local school. Zack and Zoey lead the counterattack armed with rulers, protractors, and dodge balls. They might have a chance, if Nact-bauk didn't gulp down the only teacher brave enough to stand up to him. Even worse, he forces Zoey onboard the alien vessel for dinner--along with a bucket of honey-mustard sauce.Zack will do just about anything to save her. If Principal Blathers won't help, Zack sees no choice but to 'borrow' the principal's car. Chasing the alien saucers, he meets up with a wrinkly WWII hero who thinks he knows the alien's weakness: electric toothbrushes.Wielding only umbrellas and battery-powered dental weapons, things look grim. Even if the pair manage to rescue Zoey, there's the small matter of escaping a spacecraft flying at over two hundred miles an hour.Can you say, Jetpacks?Zack & Zoey's Alien Apocalypse is approximately 17,000 words (similar in length to Diary of a Wimpy Kid) and contains no cursing or strong language.

    Alice copes the best she can by writing her music, losing herself in her love for her boyfriend, and distancing herself from her father and his new wife.But when a deadly snowstorm traps Alice with her stepmother and newborn half sister, she'll face issues she's been avoiding for too long. As Alice looks to the heavens for guidance, she discovers something wonderful.Perhaps she's not so alone after all....

    A Handbook of Disappointed Fate highlights a decade of Anne Boyer’s interrogative writing on poetry, death, love, lambs, and other impossible questions.

    But is he willing to lose his?I met the president’s son when we were both young. Matthew Hamilton was handsome, polished, and intelligent. I’d never met a guy like him.He promised me that he’d never run for president. I promised that if he did, I’d be by his side.Three terms later, an invitation to join Matthew Hamilton’s campaign is the most exhilarating opportunity I’ve ever experienced. I'm determined to make a difference; he is determined to win. Focused on his goal, Matt is steadfast, ruthless, and disarming. All eyes are on him and his popularity is surging. But soon, the next possible president of the United States is possessing me in more ways than one—and despite the risks, I'm helpless to resist. We're stealing touches, stealing moments, and stealing away at night. But our chemical connection is quickly becoming dangerously combustive, putting not only my heart, but Matt's chance at the presidency on the line. Winning will take everything. Walking away will be the hardest thing of all.

    Its poems are populated by figures both familial and fabular: a prodigal brother and a relentless father; the Hermit, Dowager, and Major General; and, perhaps most strikingly, the Bandleader, embodiment of sexual, capitalistic, and political dominance. Mythic and musical, erogenous yet wide-eyed, this is a dazzling book by a space-age troubadour of American poetry.

    H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s “Love Misinterpreted” to Noël Coward’s “Mad About the Boy,” from May Swenson’s “Symmetrical Companion” to Muriel Rukeyser’s “Looking at Each Other,” these poems take on both desire and its higher power: love in all its tender or taunting variety.

    They have come together to share their personal stories in order to provide a glimpse into the real world of foster care. Though many of their journeys have been difficult, these ladies will inspire you with their stories of love, loss, and healing.

    And you write it all down in an attempt to understand what's happened -- and is happening -- to you.I Felt a Funeral, In My Brain is an astonishing novel about navigating death and navigating life, at a time when the only map you have is the one you can draw for yourself.

    Morrison thanked Fowlie for producing an English translation of the complete poems of Rimbaud. He needed the translation, he said, because, "I don’t read French that easily. . . . I am a rock singer and your book travels around with me." Fourteen years later, when Fowlie first heard the music of the Doors, he recognized the influence of Rimbaud in Morrison’s lyrics. In Rimbaud and Jim Morrison Fowlie, a master of the form of the memoir, reconstructs the lives of the two youthful poets from a personal perspective. In their twinned stories he discovers an uncanny symmetry, a pattern far richer than the simple truth that both led lives full of adventure and both made poetry of their thirst for the liberation of the self. The result is an engaging account of the connections between an exceptional French symbolist who gave up writing poetry at the age of twenty, died young, and whose poems are still avidly read to this day, and an American rock musician whose brief career ignited an entire generation and has continued to fascinate millions around the world in the twenty years since his death in Paris. In this dual portrait, Fowlie gives us a glimpse of the affinities and resemblances between European literary traditions and American rock music and youth culture in the late twentieth century. A personal meditation on two unusual, yet emblematic, cultural figures, this book also stands as a summary of a noted scholar’s lifelong reflections on creative artists.

    Payton Taylor is Kendall’s best friend since childhood, and the one person who reminds her of who she really is – her refuge from the craziness of celebrity life. With her career taking off, Kendall moves Payton to LA to help keep her sane. But Payton is hiding a secret that could make everything ten times worse. Because to her, Kendall is more than a best friend – she is the only girl that she has ever loved. Just as they need each other more than ever, they’ll have to answer the question of where friendship stops and love begins? And find out whether the feelings they have can survive the mounting pressure of fame… The Gravity Between Us is a daring, romantic, emotional story about friendship, love, and finding the courage to be yourself in a crazy world. New Adult novel: recommended for 17+ due to mature themes and sexual content