The Alice Marshall School, set within a glorious 2-million acre wilderness area, is a place where teenage girls are sent to escape their histories and themselves. Lida Wallace has tried to negate herself in every way possible. At Alice Marshall, she meets Elsa Boone, Jules, and Gia Longchamps, whose glamour entrances the entire camp. As the girls prepare for a wilderness trek, Lida is both thrilled and terrified to be chosen as Gia's friend. Everyone has their secrets – the “Things” they try to protect; and when those come out, the knives do as well.

    At seventeen she’s already lost more than most people lose in a lifetime. But she’s learned how to forget. The thick glass of a mason jar cuts deep, and the pain washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you.Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge.

    Freak. Elephant. Pitiful. These are the words of Skinny, the vicious voice that lives inside fifteen-year-old Ever Davies’s head. Skinny tells Ever all the dark thoughts her classmates have about her. Ever knows she weighs over three hundred pounds, knows she’ll probably never be loved, and Skinny makes sure she never forgets it. But there is another voice: Ever’s singing voice, which is beautiful but has been silenced by Skinny. Partly in the hopes of trying out for the school musical—and partly to try and save her own life—Ever decides to undergo a risky surgery that may help her lose weight and start over.With the support of her best friend, Ever begins the uphill battle toward change. But demons, she finds, are not so easy to shake, not even as she sheds pounds. Because Skinny is still around. And Ever will have to confront that voice before she can truly find her own.

    Boys, snogging and bad acting guaranteed!Picture the scene: Dother Hall performing arts college somewhere Up North, surrounded by rolling dales, bearded cheesemaking villagers (male and female) and wildlife of the squirrely-type. On the whole, it’s not quite the showbiz experience Tallulah was expecting… but once her mates turn up and they start their ‘FAME! I’m gonna liiiiive foreeeeeever, I’m gonna fill my tiiiiights’ summer course things are bound to perk up.Especially when the boys arrive. (When DO the boys arrive?)Six weeks of parent-free freedom. BOY freedom. Freedom of expression… cos it’s the THEATRE dahling, the theatre!!

    . . and yourself.Nothing ever happens in Little, CA. Which is just the way Carter Moon likes it. But when Hollywood arrives to film a movie starring former child star turned PR mess Adam Jakes, everything changes. Carter's town becomes a giant glittery set and, much to her annoyance, everyone is starry-eyed for Adam. Carter seems to be the only girl not falling all over herself to get a glimpse of him. Which apparently makes her perfect for the secret offer of a lifetime: playing the role of Adam's girlfriend while he's in town, to improve his public image, in exchange for a hefty paycheck. Her family really needs the money and so Carters agrees. But it turns out Adam isn't at all who she thought he was. As they grow closer, their relationship walks a blurry line between what's real and what's fake, and Carter must open her eyes to the scariest of unexplored worlds - her future. Can Carter figure out what she wants out of life AND get the guy? Or are there no Hollywood endings in real life?

    When you are a politician’s daughter who’s pretty much raised yourself, you learn everything can be planned or spun, or both. Especially your future. Important internship? Check. Amazing friends? Check. Guys? Check (as long as we’re talking no more than three weeks).But that was before the scandal. Before having to be in the same house with her dad. Before walking an insane number of dogs. That was before Clark and those few months that might change her whole life. Because here’s the thing—if everything’s planned out, you can never find the unexpected. And where’s the fun in that?

    Thoughtful, introspective and studious Flo couldn't be more different to ambitious, extroverted and sexually curious Renée. But Renée and Flo are united by loneliness and their dysfunctional families, and an intense bond is formed. Although there are obstacles to their friendship (namely Flo's jealous ex-best friend and Renée's growing infatuation with Flo's brother), fifteen is an age where anything can happen, where life stretches out before you, and when every betrayal feels like the end of the world. For Renée and Flo it is the time of their lives.With graphic content and some scenes of a sexual nature, PAPER AEROPLANES is a gritty, poignant, often laugh-out-loud funny and powerful novel. It is an unforgettable snapshot of small-town adolescence and the heart-stopping power of female friendship.

    She knows that he, Abe, and Trip consider her to be one of the guys, and she likes it that way. She likes being the friend who keeps them all together. Likes offering a girl's perspective on their love lives. Likes being the behind-the-scenes wordsmith who writes all the lyrics for the boys' band. Char has a house full of stepsisters and a past full of backstabbing (female) ex-best friends, so for her, being friends with boys is refreshingly drama-free...until it isn't any more.When a new boy enters the scene and makes Char feel like, well, a total girl...and two of her other friends have a falling out that may or may not be related to one of them deciding he possibly wants to be more than friends with Char...being friends with all these boys suddenly becomes a lot more complicated.

    His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton’s uncle is old, blind, very sick, and very rich. But Alton’s parents aren’t the only ones trying to worm their way into Lester Trapp’s good graces. They’re in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life. Through Alton’s wry observations, Louis Sachar explores the disparity between what you know and what you think you know. With his incomparable flair and inventiveness, he examines the elusive differences between perception and reality—and inspires readers to think and think again.

    Worse, Priya’s social media has turned into a stream of ungrammatical posts chronicling a sunny, vapid new life that doesn’t sound like her at all.Everyone tells Zan not to be an idiot: Let Priya do her reinvention thing and move on. But until Zan hears Priya say it, she won’t be able to admit that their friendship is finished.It’s only when she meets Logan, the compelling new guy in Spanish class, that Zan begins to open up about her sadness, her insecurity, her sense of total betrayal. And he’s just as willing as she is to throw himself into the investigation when everyone else thinks her suspicions are crazy.Then a clue hidden in Priya’s latest selfie introduces a new, deeply disturbing possibility:Maybe Priya isn’t just not answering Zan’s emails.Maybe she can’t.

    And she got caught. Being branded a cheater would be bad enough, but Quinn is deemed a traitor, and shunned by all of her friends. Because Carey’s not just any guy—he’s serving in Afghanistan and revered by everyone in their small, military town.Quinn could clear her name, but that would mean revealing secrets that she’s vowed to keep—secrets that aren’t hers to share. And when Carey goes MIA, Quinn must decide how far she’ll go to protect her boyfriend…and her promise.

    There, she can avoid the crushing reality of her mother’s hoarding and pretend her life is simply ordinary. But when a new property manager becomes more active in the upkeep of their apartment complex, the only home Darcy has ever known outside of her books suddenly hangs in the balance.While Darcy is struggling to survive beneath the weight of her mother’s compulsive shopping, Asher Fleet, a former teen pilot with an unexpectedly shattered future, walks into the bookstore where she works…and straight into her heart. For the first time in her life, Darcy can’t seem to find the right words. Fairy tales are one thing, but real love makes her want to hide inside her carefully constructed ink-and-paper bomb shelter.Still, after spending her whole life keeping people out, something about Asher makes Darcy want to open up. But securing her own happily-ever-after will mean she’ll need to stop hiding and start living her own truth—even if it’s messy.

    On his first day, tensions are clearly on the rise as a picked-upon upperclassmen finally snaps, unleashing a violent attack on both the students who tormented him for so long, and the corrupt, petty faculty that let it happen. But within this desperate place, Peter befriends fellow freshmen Noah Stein, a volatile classmate whose face bears the scars of a hard-fighting past, and the beautiful but lonely Lorelei Paskal —so eager to become popular, she makes only enemies.To even stand a chance at surviving their freshmen year, the trio must join forces as they navigate a bullying culture dominated by administrators like the once popular Ms. Bromine, their embittered guidance counselor, and Father Mercedes, the parish priest who plans to scapegoat the students as he makes off with church finances. A coming-of-age tale reversed, Brutal Youth follows these students as they discover that instead of growing older and wiser, going bad may be the only way to survive.

    Unknown to Molly, a middle school tragedy in which they were all complicit continues to reverberate for her kids: Nick, the brilliant scam artist; Emma, the gifted dancer and party girl; Dave, the B student who strives to meet his parents' expectations; Calista, the hippie outcast who hides her intelligence for reasons of her own. Theirs is a world in which every action may become public: postable, shareable, indelible. With the rare talent that transforms teenage dramas into compelling and urgent fiction, Lindsey Lee Johnson makes vivid a modern adolescence lived in the gleam of the virtual, but rich with the sorrow, passion, and beauty of life in any time, and at any age.

    Seventeen-year old Clare is the overprotected baby; Peter is the typical, rebellious middle child; and Luke is the oldest, the can’t-do-wrong favorite. To their mother, they are a normal, happy family.To Clare, they are a family on the verge of disaster. Clare: the ambitious striver; Peter: the angry ticking time bomb; and Luke: a drug-addicted convicted felon who has been in and out of jail for as long as Clare can remember—and who has always been bailed out by their parents.Clare loves Luke, but life as his sister hasn’t been easy. And when he comes home (again), she wants to believe this time will be different (again). Yet when the truths behind his arrests begin to surface, everything Clare knows is shaken to its core. And then Luke is arrested. Again.Except this time is different, because Clare’s mom does the unthinkable on Luke’s behalf, and Clare has to decide whether turning her back on family is a selfish act…or the only way to keep from drowning along with them.