He hadn't planned it that way, but that's what happened when he set out to rescue his betrothed. Following her through an erratic astral-projection machine, Jim suddenly found himself in a cockeyed world - locked in the body of a talking dragon named Gorbash.That wouldn't have been so bad if his beloved Angie were also a dragon. But in this magical land, that was not the case. Angie had somehow remained a very female human - or a george, as the dragons called any human. And Jim, no matter what anyone called him, was a dragon.To make matters worse, Angie had been taken prisoner by an evil dragon and was held captive in the impenetrable Loathly Tower. So in this land where georges were edible and beasts were magical - where spells worked and logic didn't - Jim Eckert had a problem.And he needed help, by george!

    Jack Vance is one of the most remarkable talents ever to grace the world of science fiction. His unique, stylish voice has been beloved by generations of readers. Some of his enduring classics are the 1950 novel The Dying Earth and its sequels, The Eyes of the Overworld, Cugel's Saga, and Rialto the Marvelous.

    The legions of Faery, aided by trolls, demons and the Wild Hunt itself, were poised to overthrow the realms of light.And alone against the armies of Chaos stood one man, the knight of Three Hearts and Three Lions. Carlsen, a twentieth-century man snatched out of time to become again the legendary Holger Danske to fight for the world he had helped to build.

    Merritt's writings. Set on the island of Ponape, full of ruins from ancient civilizations, the novel chronicles the adventures of a party of explorers who discover a previously unknown underground world full of strange peoples and super-scientific wonders. From the depths of this world, the party unwittingly unleashes the Dweller, a monstrous terror that threatens the islands of the South Pacific. Although Merritt did not invent the lost world novel, following in the footsteps of Sir Arthur Conan Doyle, Burroughs and others, he greatly elaborated upon that tradition. This new edition includes a biography of the author, and an introduction detailing Merritt's many sources and influences, including the occult, mythological, and scientific discourses of his day.

    Together with his great riding moose and the young bear who was his friend, he was on an extraordinary mission. For this was five thousand years after the holocaust known as The Death. Now the evil Brotherhood of the Unclean was waging all-out war against the few remnants of normal humanity, determined to wipe out all traces of its emerging civilization. Hiero's task was to bring back a lost secret of the ancients that might save the humans. But his path lay through the very heart of the territory ruled by the Unclean and their hordes of mutated, intelligent, savage beast followers. And the Unclean were waiting for him!

    'The two thieves had themselves been robbed by two youths, who eyed each other suspiciously over the sprawled, senseless bodies. Fafhrd said: 'Our motives for being here seem identical.' 'Surely, they must be!' the Mouser answered curtly, fiercely eyeing his huge, potential foe.Fafhrd glanced down at the belts and money-pouches of the fallen thieves. Then he looked up at the Mouser with an honest, open, ingenuous smile. 'Sixty-sixty?' he suggested. Thus was born the most improbable relationship in the whole history of swords and sorceries.Contains:7 • Induction • [Fafhrd and the Gray Mouser] • (1957) • shortstory by Fritz Leiber11 • The Snow Women • [Fafhrd and the Gray Mouser] • (1970) • novella by Fritz Leiber91 • The Unholy Grail • [Fafhrd and the Gray Mouser] • (1962) • novelette by Fritz Leiber123 • Ill Met in Lankhmar • [Fafhrd and the Gray Mouser] • (1970) • novella by Fritz Leiber

    To blow that horn would open up a door through space-time and permit entry to a cosmos whose dimensions and laws were not those our starry galaxy knows.For that other universe was a place of tiers, world upon world piled upon each other like the landings of a sky-piercing mountain. The one to blow that horn would ascend those steps, from creation to creation, until he would come face to face with the being whose brain-child it was.But what if that maker of universes was a madman? Or an imposter? Or a super-criminal hiding from the wrath of his own superiors?The Maker of Universes is unlike any science-fiction novel you have ever read, it is wonderfully unique.

    The novel is set at some indeterminate time in a post-nuclear holocaust future, where science and sorcery co-exist and the Dark Empire of Granbretan (Great Britain) is expanding across Europe.

    In Amtor, cities of immortal beings flourish in giant trees reaching thousands of feet into the sky; ferocious beasts stalk the wilderness below; rare flashes of sunlight precipitate devastating storms; and the inhabitants believe their world is saucer-shaped with a fiery center and an icy rim. Stranded on Amtor after his spaceship crashes, astronaut Carson Napier is swept into a world where revolution is ripe, the love of a princess carries a dear price, and death can come as easily from the blade of a sword as from the ray of a futuristic gun.Illustrations by Thomas Floyd, the original frontispiece by J. Allen St. John, an afterword by Phillip Burger, a glossary of Amtor terms by Scott Tracy Griffin, a map of Amtor drawn by Edgar Rice Burroughs that appeared in the first edition, and an introduction by acclaimed science fiction and horror novelist F. Paul Wilson.

    Science rules the dayside of the globe. Magic rules the World of Night, and Jack of Shadows, Shadowjack the Thief, who broke the Compact and duped the Lord of High Dudgeon, walks in silence and in shadows to seek vengeance upon his enemies.

    None are more memorable than her Witch World novels. Simon Tregarth, a man from our own world, escapes his doom through the gates to the Witch World. There he aids the witch Jaelithe's escape from the hounds of Alizon, only to find himself embroiled in a deeper war against an even deadlier foe: the Kolder.

    Greed pulls the archaeologist Matt Carse into the forgotten tomb of the Martian god Rhiannon and plunges the unlikely hero into the Red Planet's fantastic past, when vast oceans covered the land and the legendary Sea-Kings ruled from terraced palaces of decadence and delight.

    But while attending a lecture given by Samuel Taylor Coleridge in 1810, he becomes marooned in Regency London, where dark and dangerous forces know about the gates in time.Caught up in the intrigue between rival bands of beggars, pursued by Egyptian sorcerers, and befriended by Coleridge, Doyle somehow survives and learns more about the mysterious Ashbless than he could ever have imagined possible...

    Sprague de Camp · in 15 · The Curse of the Monolith [“Conan and the Cenotaph”] · L. Sprague de Camp & Lin Carter · ss Worlds of Fantasy #1 ’68 33 · The Bloodstained God · L. Sprague de Camp & Robert E. Howard · nv Tales of Conan, Gnome, 1955 53 · The Frost-Giant’s Daughter [revised from “Gods of the North”, The Fantasy Fan, Mar ’34] · Robert E. Howard & L. Sprague de Camp · ss Fantasy Fiction Aug ’53 64 · The Lair of the Ice Worms · L. Sprague de Camp & Lin Carter · ss * 82 · Queen of the Black Coast · L. Sprague de Camp & Lin Carter · ss * 119 · The Vale of Lost Women · Robert E. Howard · ss Magazine of Horror Spr ’67 140 · The Castle of Terror · L. Sprague de Camp & Lin Carter · nv * 161 · The Snout in the Dark · L. Sprague de Camp, Robert E. Howard & Lin Carter · ss *

    Valentine's journey is a long one, a tour through a series of magnificent environments. Fields of predatory plants give way to impossibly wide rivers, chalk-cliffed islands and unforgiving deserts. The prose is unrelentingly dreamlike—no accident given that on Majipoor, dreams rule the minds of great and humble alike. Originally serialized in The Magazine of Fantasy & Science Fiction in four parts: November 1979, December 1979, January 1980 and February 1980.