Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    The epic finale to the story of the Children of the Atom! Renowned X-Men scribe Chris Claremont (Uncanny X-Men) joins with star artist Sean Chen (Wolverine) for a trilogy in the style of the Lord of the Rings movies, one that spans the length and breadth of the X-Men canon and brings the saga of Marvel's mutants to a climax! Collects X-Men: The End -- Dreamers and Demons #1 to 6, Heroes and Martyrs #1 to 6, and Men and X-Men #1 to 6.

    Start with the book: a rich, oversize anthology, jam-packed with America's most provocative and pointed satire -- including 80 Sunday strips in full color. From O.J. and Mr. Butts to Whitewater and Tailgate, from Mike, Kim, and Alex's funky software start-up company to Duke and Earl's Las Vegas long shots, Trudeau tracks the fierce strangeness of end-of-century life through the ever-intertwining fortunes of his substantial cast.Bundled with this impressive tome is the Doonesbury Flashbacks CD-ROM, a complete account of all things Doonesbury over the course of the strip's first 25 years. The disc contains more than 9,000 strips, archived with every search mode imaginable -- readers can locate strips by character, topic, chronology, dialogue, or location. Contemporary newspaper headlines, articles, quotes, and factoids give useful context for the historically clueless. Other features include a digital bibliography of Doonesbury books, posters, videos, and audio recordings; a Doonesbury trivia game, complete with unctuous host (Mike) and decorative hostess (Boopsie); a Doonesbury timeline; elaborate character bios; and animation. A useful print capability lets users generate crisp refrigerator art from any strip.Thanks to this digital cornucopia you can relive the ages of Aquarius, Reagan, and O.J. through the eyes of G.B. Trudeau and his merry band of misfits.

    Once you put on The Mask, you're a homicidal lunatic with a bad taste for bad jokes and seriously deranged violence. And nothing -- but nothing -- can kill you!When her boyfriend Stanley died, Kathy thought the weird mask had been lost forever. Now gangsters are dying like flies, victims of everything from comic-book bombs to crossbow shafts, and she knows that somehow it's back. Only Kathy can stop the rampage, but first she has to get around the gangwar erupting around her, the new Mask -- whoever he is -- and the worst bad-guy of all, Walter!

    Worried that Snorkmaiden will no longer love him if his tail goes bald, he consults the family doctor and several tail specialists, and even gets an X-ray. Nothing helps! Finally Moominmamma cooks up a magic potion, and it works like a charm, but now Moomin's lustrous new tail is, well, solid gold! Moomin becomes the toast of society, and the target of numerous journalists and money-making schemes. Moomin and the Golden Tail takes a long hard look at the consequences of fame. Tove Jansson's flawless cartooning is brought to life in a whole new way within these pages. A delight for the whole family!

    A selection from Creature Comforts.

    The chase is on as Katchoo begins an international hunt for her elusive pred-ator in a race against time!

    This new hardcover edition reprints every single “Nuts” story from the Lampoon (rescuing over two dozen pages from oblivion) and reinstitutes the color in the “Christmas” and “Halloween” episodes, and for that matter the 3-D in the 3-D episode (“I wish to God I’d never seen all this space.”)If you don’t remember what it was like being a child, this book will bring it all back… for good or for ill!

    Director Hayao Miyazaki is a master storyteller and his films have all become classics of animation. There's no better way to preserve the magic of Howl and his flying castle than by adding this delightful volume to your home library.Earlier this year, VIZ Media released The Art of Howl's Moving Castle, a hardbound, prestige format book which exists as an essential companion to Hayao Miyazaki's latest animated classic.To further complement the movie-going experience, we are now proud to present the Howl's Moving Castle Picture Book, a companion publication wedding scene-by-scene film footage with character dialogue in one handsome volume. Based on the young-adult novel by British author Diana Wynne Jones, Howl's Moving Castle reflects on a wondrous time when science and magic captured the spirit of 19th century Europe.The story of Howl's Moving Castle is the story of a young girl who is magically transformed into a 90-year-old woman. Undaunted by this curse, her continuing adventures introduce her to the vainglorious wizard Howl and his curious castlemates. Two years ago, VIZ Media released a similar book inspired by Spirited Away, the movie which garnered an Academy Award for director Hayao Miyazaki. Another picture book for My Neighbor Totoro is planned for later this year. Now, add Howl's Moving Castle to this list of must-have movie books. Director Hayao Miyazaki is a master storyteller and his films have all become classics of animation. There's no better way to preserve the magic of Howl and his flying castle than by adding this delightful volume to your home library.

    Through such lovable characters as Charlie Brown and Snoopy (not to mention the rest of the Peanuts gang), Schulz created, in the words of Doonesbury cartoonist Garry Trudeau, "the uncontested gold standard for comics, " and paved the road for future cartoonists. The Peanuts Treasury is a fitting testimony to Charles Schulz's enduring legacy and will stand for years to come as a loving tribute to one of the most influential cartoonists of all time.

    The official history and commemoration of Pogo's first decade...all wrapped up with a running commentary by Walt Kelly.

    "Oh-oh," said my little sister.What if you wanted your best friend's two goldfish so much that you'd swap anything for them, even your father?What if your mother came home and found out what you'd done?The Day I Swapped My Dad for Two Goldfish is a hilarious adventure and was the first book for younger readers from the acclaimed author and illustrator of the New York Times best-sellers The Wolves in the Walls and Coraline. Chosen as one of Newsweek magazine's Best Children's Books of the Year, The Day I Swapped My Dad for Two Goldfish is beloved by readers of all ages. This new edition features brand-new jacket art and an afterword by the author on the origins of this unique and wonderfully funny story.

    And this is her folk tale. And pretty much everything you need to know about how good this is, is there on that absolutely gorgeously delightful cover above. By the end of it, you’ll have exactly the same smile as Hilda has.”— Forbidden PlanetHilda sits in her tent listening to the thunder passing overhead when she hears a bell. As she hurtles towards the vanishing tinkling sound, Hilda unwittingly embarks on an adventure into strange worlds ruled by magical forces. Luke Pearson tells this exciting tale for kids and adults alike.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.