Devastated, Elisa unravels. As controlled as Elena Ferrante's The Days of Abandonment and as propulsive as Jenny Offill's Dept. of Speculation, La Femme de Gilles is a hauntingly contemporary story of desperation and lust and obsession, from an essential early-feminist writer.Just after her novel was first published in 1937, Madeleine Bourdouxhe disassociated herself from her publisher (which had been taken over by the Nazis) and spent most of World War II in Brussels, actively working for the resistance. Though she continued to write, her work was largely overlooked by history . . . until now.

    Amin Maalouf's novel, The Rock of Tanios, begins with a recollection of the rock on which Tanios was last seen sitting and weaves together the strands of the fascinating legend of his disappearance. Tanios was the illegitimate son of a powerful Sheik whose every action brought chaos into his village. When Tanios's adopted father caused the death of a powerful political rival, he and his son together fled their homeland. In hiding, they became entangled with international spies and politicians; Tanios soon took on the roll of intermediary between dueling European and Middle Eastern powers.

    Toklas was written in 1933 by Gertrude Stein in the guise of an autobiography authored by Alice B. Toklas, who was her lover. It is a fascinating insight into the art scene in Paris as the couple were friends with Paul Cézanne, Henri Matisse and Pablo Picasso. They begin the war years in England but return to France, volunteering for the American Fund for the French Wounded, driving around France, helping the wounded and homeless. After the war Gertrude has an argument with T. S. Eliot after he finds one of her writings inappropriate. They become friends with Sherwood Anderson and Ernest Hemingway. It was written to make money and was indeed a commercial success. However, it attracted criticism, especially from those who appeared in the book and didn't like the way they were depicted.

    Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The many kinds of love that lie outside traditional morality is the focus of Fleurs du Mal while rebellion is at the heart of Révolte.

    1429) builds an allegorical fortified city for women using examples of the important contributions women have made to Western Civilization and arguments that prove their intellectual and moral equality to men. Earl Jeffrey Richards' acclaimed translation is used nationwide in the most eminent colleges and universities in America, from Columbia to Stanford.

    Published in France in 1970 (Gallimard), Eden, Eden, Eden was immediately banned and remained a proscribed text for the next 11 years. The orginal edition featured a preface by Michel Leiris, Roland Barthes and Philippe Sollers.Set in a polluted and apocalyptic zone of the Algerian desert in a time of civil warfare, this delirious, lacerating novel brings scenes of brutal carnage into intimate collision with relentless acts of prostitutional sex and humiliation.

    In a world that blurs the lines between feminism and female sexuality, Belle de Jour remains as vital and controversial today as it was in its 1960 debut.Severine Serizy is a wealthy and beautiful Parisian housewife, who loves her husband, but she cannot share physical intimacy with him, and her vivid sadomasochistic fantasies drive her to seek employment at a brothel. By day, she enacts her customers' wildest fantasies under the pseudonym "Belle de Jour"; in the evenings, she returns home to her chaste marriage and oblivious husband. Famous for its unflinching eroticism, Joseph Kessel's novel continues to offer an eye-opening glance into a unique female psyche.

    This poem was the first to introduce Lancelot as an important figure in the King Arthur legend.

    These were among the earliest versions of some of our most familiar fairy tales ("Cinderella," "Sleeping Beauty," "Little Red Riding Hood," "Puss in Boots," and "Tom Thumb") and are still among the few classic re-tellings of these perennial stories.In addition to the five well-known tales listed above, Perrault tells three others that are sure to delight any child or adult: "The Fairies," a short and very simple tale of two sisters, one sweet and one spiteful; "Ricky of the Tuft," a very unusual story of a brilliant but ugly prince and a beautiful but stupid princess; and "Blue Beard," a suspense story perhaps more famous as a classic thriller than as a fairy tale. The witty verse morals that Perrault included in the original edition (often omitted in later reprintings) are retained here in verse translations.This edition also includes 34 extraordinary full-page engravings by Gustave Doré that show clearly why this artist became the foremost illustrator of his time. These illustrations have long been considered the ideal accompaniment to Perrault's fairy tales. In many cases they created the pictorial image that we associate with the stories.Along with the collections of Andersen, Lang, and the Brothers Grimm, this volume is among the great books of European fairy tales. These stories have been enjoyed by generation after generation of children in many countries, and are here, with magnificent Doré illustrations, waiting to be enjoyed again.

    He was also a lawyer, a public official, a senator, a painter, an authority on Russian literature and a member of the French Academy. As a public official, M rim e travelled through France and Europe, from which he drew inspiration for his stories and novels. His first popular novella, "Colomba," was published in 1840. It is set in Corsica, and tells the story of the della Rebbia family, whose father has been murdered in an ambush, believed by his daughter to have been perpetrated by the town's mayor, Lawyer Barricini. She implores her brother, Lieutenant Orso della Rebbia, to avenge their father's death, but Orso does not share her passionate ancestral pride. His heart is torn between personal vendetta and a propensity to abide by the law.

    In tiny Lansquenet, where nothing much has changed in a hundred years, beautiful newcomer Vianne Rocher and her exquisite chocolate shop arrive and instantly begin to play havoc with Lenten vows. Each box of luscious bonbons comes with a free gift: Vianne's uncanny perception of its buyer's private discontents and a clever, caring cure for them. Is she a witch? Soon the parish no longer cares, as it abandons itself to temptation, happiness, and a dramatic face-off between Easter solemnity and the pagan gaiety of a chocolate festival. Chocolat's every page offers a description of chocolate to melt in the mouths of chocoholics, francophiles, armchair gourmets, cookbook readers, and lovers of passion everywhere. It's a must for anyone who craves an escapist read, and is a bewitching gift for any holiday.

    Gamelin's ideals lead him to the most monstrous mass murder of his countrymen, and the links between Gamelin and his family, his mistress and the humanist Brotteaux are catastrophically severed. This book recreates the violence and devastation of the Terror with breathtaking power, and weaves into it a tale which grips, convinces and profoundly moves. The perfection of Anatole France's prose style, with its myriad subtle ironies, is here translated by Frederick Davies with admirable skill and sensitivity. That The Gods Will Have Blood is Anatole France's masterpiece is beyond doubt. It is also one of the most brilliantly polished novels in French literature.Anatole France was awarded the Nobel Prize in 1921.

    Together they embark upon a riotously Bohemian life, full of gaiety, color and bustle. And then there is Kate, the enigmatic German girl with the mysterious smile.Capricious, untamed and curiously innocent, Kate steals their hearts in turn, and so begins the moving and tender story of three people in love, with each other and with life. Francois Truffaut, whose film of the novel is one of cinema's greatest achievments, has called Jules et Jim "a perfect hymn to love."Henri-Pierre Roch devoted his life to the arts, numbering Duchamp, Brancusi, Braque, Satie and Picasso amongst his closest friends. Jules et Jim, an autobiographical novel, was originally published in France in 1953 and was followed by Deux Anglaises et le Continent, which Truffaut also made into a film."A delightful account of people sharing and unsharing each other."?Times Literary Supplement

    At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul.Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joy, spend his money at their villa in Biarritz. But Golder’s security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism?Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.

    In France, a young woman succumbs to illness, leaving her husband and small children bereft. Present at both events, Emmanuel Carrère sets out to tell the story of two families—shattered and ultimately restored. What he accomplishes is nothing short of a literary miracle: a heartrending narrative of endless love, a meditation on courage and decency in the face of adversity, an intimate and reverent look at the extraordinary beauty and nobility of ordinary lives.Precise, sober, and suspenseful, as full of twists and turns as any novel, Lives Other Than My Own confronts terrifying catastrophes to illuminate the astonishing richness of human connection: a grandfather who thought he had found paradise—too soon—and now devotes himself to helping his neighbors rebuild their village; a husband so in love with his ailing wife that he carries her in his arms like a knight does his princess; and finally, Carrère himself, longtime chronicler of the tormented self, who unexpectedly finds consolation and even joy as he immerses himself in the lives of others.