In this extraordinary novel, Tova Mirvis takes us into the fascinating and insular world of the Memphis Orthodox Jews, one ripe with tradition and contradiction. Warm and wise, enchanting and funny, The Ladies Auxiliary brilliantly illuminates the timeless struggle between mothers and daughters, family and self, religious freedom and personal revelation, honoring the past and facing the future. An unforgettable story of uncommon atmosphere, profound insight, and winning humor, The Ladies Auxiliary is a triumphant work of fiction.

    . . until now.What if there was a town that history missed?For decades, the tiny Jewish shtetl of Kreskol existed in happy isolation, virtually untouched and unchanged. Spared by the Holocaust and the Cold War, its residents enjoyed remarkable peace. It missed out on cars, and electricity, and the internet, and indoor plumbing. But when a marriage dispute spins out of control, the whole town comes crashing into the twenty-first century.Pesha Lindauer, who has just suffered an ugly, acrimonious divorce, suddenly disappears. A day later, her husband goes after her, setting off a panic among the town elders. They send a woefully unprepared outcast named Yankel Lewinkopf out into the wider world to alert the Polish authorities. Venturing beyond the remote safety of Kreskol, Yankel is confronted by the beauty and the ravages of the modern-day outside world – and his reception is met with a confusing mix of disbelief, condescension, and unexpected kindness. When the truth eventually surfaces, his story and the existence of Kreskol make headlines nationwide. Returning Yankel to Kreskol, the Polish government plans to reintegrate the town that time forgot. Yet in doing so, the devious origins of its disappearance come to the light. And what has become of the mystery of Pesha and her former husband? Divided between those embracing change and those clinging to its old world ways, the people of Kreskol will have to find a way to come together . . .  or risk their village disappearing for good.

    For the first time since they were teenagers sharing a bunk bed over a decade ago, they find themselves in the place where long-kept secrets were born, where jealousy, comfort, anger, forgiveness, and repulsion coexist with the fiercest love and loyalty. What they don't expect is for their visit to expose a new, horrifying truth: their mother, Lorraine, is in a violent relationship.As Tanya urges Lorraine to get a restraining order, Nessa struggles to reconcile her fondness for their stepfather with his capacity for brutality. Their differing responses to the abuse bring up the sisters' shared secret—a traumatic, unspoken experience from their adolescence has shaped their lives, their sense of selves, and their relationship with each other and the men in their life. In the midst of this family crisis, they have no choice but to reckon with the past and face each other in the present, in the hope that there's a way out of the violence so deeply ingrained in the Bloom family.Told in alternating perspectives that deftly interweave past and present, Something Wild is a magnetic, unflinching portrait of the bond between sisters, as well as a psychologically acute exploration of the legacy of divorce, the ways trauma reverberates over generations, and how it might be possible to overcome the past.

    While the feisty Esther Kaminsky understands her obligations, her artistic talent inspires her to secretly explore worlds outside her religion, to dream of studying in Paris and to believe that God has a special destiny for her. When tragedy strikes her family, Esther views it as a warning from an angry God and suppresses her desires in order to become an obedient "Jerusalem maiden." But when a surprising opportunity forces itself on to her preordained path, Esther finds her beliefs clashing dangerously with the passions she has staved off her entire life forcing her to confront the most difficult and damning question of all. To whom must she be true, God or herself?

    This sweeping, meticulously researched novel restores Esther to her full, complex humanity while reanimating the glittering Persian empire in which her story unfolded. Esther comes to that land as a terrified Jewish orphan betrothed to her cousin, a well-connected courtier. She finds a world racked by intrigue and unfathomable hatreds and realizes that the only way to survive is to win the heart of its king. Passionate, suspenseful, and historically authentic, The Gilded Chamber illuminates the dilemma of a woman torn between her heart and her sense of duty, resulting in pure narrative enchantment.

    But this is no ordinary holiday. The family has gathered to memorialize Leo, the youngest of the four siblings, an intrepid journalist and adventurer who was killed on that day in 2004, while on assignment in Iraq. The parents, Marilyn and David, are adrift in grief. Their forty-year marriage is falling apart. Clarissa, the eldest sibling and a former cello prodigy, has settled into an ambivalent domesticity and is struggling at age thirty-nine to become pregnant. Lily, a fiery-tempered lawyer and the family contrarian, is angry at everyone. And Noelle, whose teenage years were shadowed by promiscuity and school expulsions, has moved to Jerusalem and become a born-again Orthodox Jew. The last person to see Leo alive, Noelle has flown back for the memorial with her husband and four children, but she feels entirely out of place. And Thisbe? - Leo's widow and mother of their three-year-old son - has come from California bearing her own secret. Set against the backdrop of Independence Day and the Iraq War, The World Without You is a novel about sibling rivalries and marital feuds, about volatile women and silent men, and, ultimately, about the true meaning of family.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    But instead of enjoying mince pies and mistletoe, their happiness is threatened by old secrets and someone harbouring a grudge. When the truth is finally revealed, can the couple enjoy the festivities with their family, or is their marriage doomed from the start? This short story is the perfect mystery to keep you guessing this holiday season, so why not enjoy it with a glass of mulled wine while sat next to a roaring fire. "A Christmas Crime is a Christmas pleasure to read. A wedding, snow, and revenge. Loved it, five stars recommended.” - Anita Waller, bestselling author of 34 Days and the Kat and Mouse Murder Mysteries

    The heady mix of human depravity, humour, satire, tragedy, revenge and drama makes these stories an essential cocktail of emotions.Review:“Breezy, Flippant, Poignant... Tales of pleasurable wickedness.”-Salil Desai, author of Inspector Saralkar Mystery Series“Although not all sugar and sunshine, Dalvi's voice is an important one, because he chooses to tell stories that others would normally shy away from. There's a serene resignation in his tales, one that is completely devoid of both hope as well as regret. I thoroughly enjoyed the stories.”-Bhaskar Chattopadhyay, author of Patang, Penumbra, Here Falls the Shadow, The Disappearance of Sally Sequeira and Best Served Cold“Gripping short-stories by Rafaa Dalvi. I am both intrigued and scared by his plot-twists. Thrilled to have read this book.”-Sanhita Baruah, author of The Art of Letting Go and The Art of Healing“Some of the best stories I have read so far. Rafaa has a gift of telling complex stories in a very intuitive and straightforward and are easy to read. This book is the best thing that has come out during these current circumstances.”-S. G. Kabe, author of Everything is Normal“Rafaa Dalvi is a flash fiction expert.”-T.F. Carthick, author of Carthick’s Unfairy Tales and More Unfairy Tales“Taut, propulsive and riveting, Rafaa’s mesmerising stories pack a big punch. Chasing Nirvana has been carefully crafted for maximum impact. A highly compelling read.”-Vivek Banerjee, author of ‘The Long Road’ and ‘The Other Side’

    A laugh-out-loud romantic comedy about life, love and contemporary manhood, Tom Cooper is a male Bridget Jones for our times.  ‘A gloriously self-aware, satirical romp through the terrors of relationships, family life and survival.  Philip Roth meets Cold Feet!’ Helen Lederer (Absolutely Fabulous, Losing It (P.G.Wodehouse Award nominee))   ‘Spencer Brown is endlessly inventive and delightfully, dependably silly, like a joy-seeking missile’ Richard Ayoade (The IT crowd, Submarine, The Crystal Maze) ‘An aspirational figure for the men of today’ Omid Djalili (Live at the Apollo, The Infidel) ‘Very funny. Peep Show combined with Outnumbered.  But you know.  In a book.’ Josh Howie (Josh Howie’s Losing it, BBC Radio 4) ‘Hilarious and heart-warming’ Andi Osho (Live at the Apollo, Curfew) Tom Cooper’s life has fallen apart. His wife has left, he’s stuck in an accountancy job he hates and he can’t even call on the grandparents for support – they’re too busy – after all, a Scrabble trophy doesn’t engrave itself. But when a creative position opens up at the advertising agency he works for, he sees the opportunity to turn things around. All he has to do is pitch a product to a new market, convince Maestro J he is sufficiently finger-clickingly ‘creative’, beat his weaselly co-worker/nemesis John to the job, and try not to fall for his new mentor, Amanda. Oh, and try to blend in with people 10 years younger than him, survive the office obstacle course using his imaginary agility and stop accidentally turning up to work in the exact same outfit as Doug. The Rebuilding of Tom Cooper is a laugh-out-loud comedy about life, love and 21st century manhood. 
 About the author Spencer Brown cut his teeth in the Cambridge Footlights alongside John Oliver and Matthew Holness, before becoming an internationally acclaimed stand-up comedian and TV presenter on shows including Lip Service which he hosted with Holly Willoughby. He has also appeared in cult comedies including Nathan Barley and Garth Merenghi's Darkplace, as well as starring in the films 'Shed of the Dead' and the upcoming 'The Devil went down to Islington'. He is also an award winning film maker, having written and directed The Boy with a Camera for a Face, which won multiple prizes including the Oscar qualifying Best of Fest at SLIFF.

    But with a single phone call, everything changes. Your mother...she's not well, his father tells him. She's been imagining things - terrible, terrible things. She's had a psychotic breakdown, and been committed to a mental hospital. Before Daniel can board a plane to Sweden, his mother calls: Everything that man has told you is a lie. I'm not mad... I need the police... Meet me at Heathrow.Caught between his parents, and unsure of who to believe or trust, Daniel becomes his mother's unwilling judge and jury as she tells him an urgent tale of secrets, of lies, of a crime and a conspiracy that implicates his own father.

    The daughter of a powerful lord, Sarah balks at the marriage her father has planned for her. On her wedding day, she impulsively flees to the vast, empty marshes outside the city walls, where she meets a young man named Abram, son of a tribe of outsiders. Drawn to this exotic stranger, Sarah spends one night with him and reluctantly returns to her father’s house. But on her return, she secretly drinks a poisonous potion that will make her barren and thus unfit for marriage.Many years later, Abram returns to Ur and discovers that the lost, rebellious girl from the marsh has been transformed into a splendid woman—the high priestess of the goddess Ishtar. But Sarah gives up her exalted life to join Abram’s tribe and follow the one true God, an invisible deity who speaks only to Abram. It is then that her journey truly begins.From the great ziggurat of Ishtar to the fertile valleys of Canaan to the bedchamber of the mighty Pharaoh himself, Sarah’s story reveals an ancient world full of beauty, intrigue, and miracles.

    Neither Rebekah nor her father have heard from her since. Now a recent college graduate, Rebekah has moved to New York City to follow her dream of becoming a big-city reporter. But she's also drawn to the idea of being closer to her mother, who might still be living in the Hasidic community in Brooklyn.Then Rebekah is called to cover the story of a murdered Hasidic woman. Rebekah's shocked to learn that, because of the NYPD's habit of kowtowing to the powerful ultra-Orthodox community, not only will the woman be buried without an autopsy, her killer may get away with murder. Rebekah can't let the story end there. But getting to the truth won't be easy--even as she immerses herself in the cloistered world where her mother grew up, it's clear that she's not welcome, and everyone she meets has a secret to keep from an outsider.

    While investigating the crime, Detective Tolya Kurchenko comes across the dead man’s diaries, written by Redmond over four decades. He hopes the diaries will lead him to the killer. In fact, they help him sort out the complexities of his own identity.Spanning 65 years and three continents—from Hitler's Europe to the decaying Soviet Empire of the 1970s, and revealing the little-known history of Sosúa, a Jewish settlement in the jungles of the Dominican Republic—A.J. Sidransky's debut novel leads us into worlds long gone, and the lives of people still touched by those memories.

    But a girl on her own who doesn't speak English is an easy target and Nehama is forced into prostitution. Yet with only the whispers of her deceased grandmother to guide her, she manages to escape into the narrow alleys of the respectable East End, where bustling marketstalls and penny seats at the theatre are just a hand's breadth away from the criminal warrens.Emilia, arrives in London ill-prepared, and pregnant and Nehama takes her in. But Emilia refuses a hardscrabble life and finds refuge in the privileged classes of the West End at the expense of her identity and even her baby, Gittel, who Nehama adopts. As the two women walk their own separate paths, Gittel becomes their nexus; and Nehama and Emilia find the true meaning of their lives in the narrowest of London's alleys.Lilian Nattel masterfully brings to life a vanished world, embracing the dilemmas of class, gender, culture and history with an imaginative and fearless voice.