Alexander, orphaned as a child by a horrific tragedy, has nevertheless gained some success in the world. Even his older brother, Calum, a nearly destitute alcoholic living on Toronto's skid row, has been scarred by another tragedy. But, like all his clansman, Alexander is sustained by a family history that seems to run through his veins. And through these lovingly recounted stories-wildly comic or heartbreakingly tragic-we discover the hope against hope upon which every family must sometimes rely.

    police service. The problem is Jejeune doesn’t really want to be a detective at all; he much prefers watching birds.Recently reassigned to the small Norfolk town of Saltmarsh, located in the heart of Britain’s premier birding country, Jejeune’s two worlds collide when he investigates the grisly murder of a prominent ecological activist. His ambitious police superintendent foresees a blaze of welcome publicity, but she begins to have her doubts when Jejeune’s most promising theory involves a feud over birdwatching lists. A second murder only complicates matters.To unravel this mystery, Jejeune must deal with unwelcome public acclaim, the mistrust of colleagues, and his own insecurities. In the case of the Saltmarsh birder murders, the victims may not be the only casualties.

    In these poems, Purdy ponders the remains of a Native village; encounters Fidel Castro in Revolutionary Square; curses a noisy cellmate in the drunk tank; and marvels at the "combination of ballet and murder" known as hockey, all in the author's inimitable man-on-the-street style.Rooms for Rent in the Outer Planets is destined to become the standard Purdy poetry volume for many years to come.

    By doing so, Dawn delves deeper into the themes of trauma, memory, and unblushing sexuality that define her work.Amber Dawn is the author of the Lambda Award-winning novel Sub Rosa and the memoir How Poetry Saved My Life (winner of the Vancouver Book Award). Her other awards include the Writers' Trust of Canada Dayne Ogilvie Prize.

    A year later, the Byrd family arrives in Kenora. They have come to stay at “the Retreat,” a commune run by the self-styled guru Doctor Amos. The Doctor is an enigmatic man who spouts bewildering truisms, and who bathes naked every morning in the pond at the edge of the Retreat while young Everett Byrd watches from the bushes. Lizzy, the eldest of the Byrd children, cares for her younger brothers Fish and William, and longs for what she cannot find at the Retreat. When Lizzy meets Raymond, everything changes, and Lizzy comes to understand the real difference between Raymond’s world and her own. A tragedy and a love story, the novel moves towards a conclusion that is both astonishing and heartbreaking.Set during the summer of the Ojibway occupation of Anicinabe Park in Kenora, The Retreat is a finely nuanced, deeply felt novel that tells the story of the complicated love between a white girl and a native boy, and of a family on the verge of splintering forever. It is also a story of the bond between two brothers who were separated in childhood, and whose lives and fates intertwine ten years later. A brilliant portrait of a time and a place, The Retreat confirms Bergen’s reputation as one of the country’s most gifted and compelling writers.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.

    Luckily, Alma can always retreat into the books of her favourite author, R.R. Hawkins.When Alma’s teacher notices her lovely handwriting, she recommends Alma for a job transcribing letters for “Miss Lily,” a reclusive old woman who has just arrived from Boston. Eventually, their mutual love of reading creates a strong friendship. Miss Lily lends Alma some of her favourite books, introduces her to calligraphy, and encourages her passion to write stories.But who is this difficult and solitary old woman who reminds Alma of Dickens’ Miss Havisham? And why is she so secretive about the part of her life she refuses to share? Could she be, as Alma begins to suspect, R.R. Hawkins herself? Alma is determined to find out.This touching story explores the relationship between a blossoming writer and her mentor, and delves into the complicated dynamics of friendship and trust.

    The best way to survive is to absorb yourself in your own world. Never make eye contact with your fellow inmates. And the last person you can trust is your prison psychiatrist – not only is he likely to be lazy and incompetent (really, why else wouldn’t he be getting rich off of well-heeled clients instead?) but if you complain about him you’re going to be labelled as a “permanent malcontent” and denied parole. So when Dr. Gardonne offers Kate a temporary absence and a job working for him, she only takes it because she knows that turning him down could be worse for her in the long run – counted in prison years, of course. But the real challenge is figuring out why he would choose her.On the surface, it’s pretty clear. Kate has spent her incarceration immersing herself in the writings of Sigmund Freud, and has become a recognized expert on his work. Dr. Gardonne represents the members of a psychoanalytic organization that is being attacked at its core: Anders Konzak, the hand-picked director of the Freud academy, has been boasting to the media that his new research on Freud will bring the entire profession of psychoanalysis to its knees. He’s also been receiving death threats. And Kate, as an outsider, is the only one Konzak will talk to. Though she doesn’t trust Gardonne, Kate accepts his offer, and she races to uncover Konzak’s secrets before he publishes his work.Never one to work well with others, Kate is less than thrilled to find out Gardonne has hired a private detective to be her partner. Jackie Lawton is a hardened ex-con who has spent most of his life in prison and only recently turned things around by starting his own business. From the moment the two meet, Kate sees that it won’t be easy working with a man who isn’t really interested in the intellectual battle at hand and who keeps her prison time at the forefront of every conversation. And can he really be trusted? When key players – who were all last seen with Kate – begin to turn up dead, there’s the very real possibility she’s being set up by Gardonne. After all, who would believe the word of a convict serving time for murdering her husband? All she can hope is that following the threads of Konzak’s research to his sources will keep her one step ahead of Gardonne and lead her to the real killer.With Seduction, Catherine Gildiner gives us not only a gripping detective story full of shifting characters and fast-paced twists but a remarkable intellectual thriller. Through the letters and papers of Sigmund Freud, Charles Darwin and the venerable Wedgwood family, Gildiner brings the personalities and ideological conflicts of the past to life in the present. Along the way we meet an assortment of characters, from social misfits to the demure but resolute Anna Freud, who is still living in the London house where she brought her ailing father for the last year of his life, and where she actively guards his legacy. The story takes us from Toronto to Vienna, London, the Isle of Wight, New York and back again to Toronto – each locale seen through the eyes of Kate, who relishes in the beauty of a world that has been denied to her for a decade.From the Hardcover edition.

    For Aganetha, a competitive and ambitious woman, her life remains present and unfinished in her mind.When her quiet life is disturbed by the unexpected arrival of two young strangers, Aganetha begins to reflect on her childhood in rural Ontario and her struggles to make an independent life for herself in the city.Without revealing who they are, or what they may want from her, the visitors take Aganetha on an outing from the nursing home. As ready as ever for adventure, Aganetha’s memories are stirred when the pair return her to the family farm where she was raised. The devastation of WWI and the Spanish flu epidemic, the optimism of the 1920s and the sacrifices of the 1930s play out in Aganetha’s mind, as she wrestles with the confusion and displacement of the present.Part historical page-turner, part contemporary mystery, Girl Runner is an engaging and endearing story about family, ambition, athletics and the dedicated pursuit of one’s passions. It is also, ultimately, about a woman who follows the singular, heart-breaking and inspiring course of her life until the very end.

    

    literally, from dust to dust. Readers will remember Vanessa Van Home, the elderly detective from The Telling of Lies, now involved in a murder mystery where a corpse confounds the line between the magical and the mundane. And the unforgettable Rosedale couple from Findleys "Minna and Bragg" stories, who reappear in two more haunting tales. In the stories that make up "All Must Come to Dust," we are taken into the ancient cultures of Europe, and there confronted by our preconceived notions of what constitutes history and memory.Each work in Dust to Dust is a beautifully rendered showcase for Timothy Findley's immense talent in evoking a time, a place and a mood. With their European settings, these stories render a territory formerly unexplored by Findley in his Short Fiction repertoire.

    Each is deeply devoted to what they do, but they are all beginning to crack under the immense pressures of their work.Tough-as-nails Kate, when she's not working with her beloved search-and-rescue dog, Zeus, is a trauma nurse who spends her off-duty hours trying to forget what she has seen. Estranged from her troubled family, she must confront the fact that resolution may elude her forever. Respected police officer Mike is on the edge of burnout and sets himself on a downward spiral that may be impossible to break, fraying the bonds of love that hold his family together. Tamara, an agoraphobic 911 dispatcher, who is trying her hardest to remain as calm and emotionless as an automated message, is propelled into the middle of a story that she can't avoid and must enter the world to find out how it ends.With a city prickling under a heat wave and a hurricane threatening to make landfall, these responders will be forced to make fateful choices that will alter lives. A storm is coming and nobody is prepared.

    The action hinges upon a sudden mischance in which accident and intention tragically coincide. Swept along by the inexorable logic of events, Callaghan’s protagonists are forced to re-examine the nature of individual conscience and responsibility. In their personal struggle is expressed the mood of the age, its cynicism and anger, its desperate idealism, and its agonized longing for redemption.

    It was there she and her mother went to recover from a heartrending family tragedy - there she was forced reluctantly into marriage - there she fell into a wild and passionate wartime love. And it was there she saw her children grow and love and cope with the secret legacies the years had left them, until finally they became more than just summer visitors.