Every week, a woman is killed by a current or former partner. This is Australia's national emergency. Violence against women is preventable. It is not an inevitable part of the human condition. It's time to create a new normal. It is time to stop the slaughter in our suburbs.

    Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    Women's Studies. INDICTUS re-imagines various creation myths to bear the invisible and unsaid assaults of women. In doing so, it subverts notions of patriarchal power into a genre that can be demolished and set again. INDICTUS is a Latin word, from which other words like "indict" and "indicate" are born. It translates literally as "to write the unsaid." There is an effort in this book to create the supernatural through the utterance of violence, because jurisdiction fails in real time. That sexual assault can so easily become a science fiction when power is rearranged to serve the victim speaks to the abject lack of control within victims to ever be redeemed. Crimes resolve to misdemeanors. In a world without my abusers, how can I soon become myself? Combining the mythological and autobiographical, this book attempts to indict us, so that the wounded might one day be free.

    This anthology of almost 70 readings--from contemporary scholarly literature, trade books, popular media, as well as contributed articles-- examines the many ways in which human sexuality is socially constructed and regulated behavior, and how it is studied by social scientists.

    Highly recommended.”—Australian Bookseller & Publisher   Outsiders and misfits in their Australian school, three friends form a mutual bond: Justin Cheong, an only child and the idol of his Singaporean-Chinese parents; Tien Ho—daughter of a Vietnamese mother who stayed behind and an African American soldier she has never met—who lives with indifferent relatives; and Nigel “Gibbo” Gibson, an oddity: an Australian boy who, to his father’s chagrin, dislikes sports.   When Tien Ho’s mother arrives, the adjustment for mother and daughter is extreme. Gibbo is strongly attracted to beautiful, dainty Linh, to whom he is a kid, her daughter’s pal. And Justin discovers that he likes Gibbo as something more than a friend.   The three draw apart as they grow up, only to be reunited once more on Saturday, September 6, 1997, for the dinner Mrs. Cheong hosts for them and their parents, to watch the funeral of Princess Diana on television. This Dead Diana Dinner turns out to be a more explosive event than any of them would have dreamed possible.

    Naked. For large (and occasionally insultingly modest) sums of money."It all started five years ago in Sydney, Australia when she was just 23: “I still wanted to be a traveler, just not a poor one anymore. So I shaved my legs and bush, showed up to the first Google search result that came up for ‘gentlemen’s club Sydney,’ got naked for this old fat guy named Jim and, to my surprise, I liked it. A lot.” Stripping is about feeling powerful, sexy, and endlessly curious about how far a dude’s kinks will go (‘show me your armpits’) and how much he is willing to pay for them ($1200). And the money’s sexy.

    Like a fresh wind, Sam Keen sweeps away tired self-help nostrums and reams of "bad advice from Dr. Lonelyhearts" to reveal a stunningly new map of love in all its forms. Love is not something we "fall" into, claims Keen, but a complex art combining many skills and talents that take a lifetime to learn fully. At the center of his book are sixteen distinct "elements of love": ranging from attention--a precious gift we can bestow on co-worker, friend, child, and spouse alike--to more exclusive gifts like desire and sexuality. Combining stories, poems and quotes with insights from modern psychology and spiritual tradition, Keen brilliantly explores the elements of memory and solitude in love, the importance of both enjoyment and commitment, and how we can cultivate the essential qualities of empathy and compassion. Each piece ends with suggestions for strengthening our daily practice of the element, so that we constantly enlarge our ability to love in all our relationships. The final section of the book is a soaring meditation on the claim that "those who love know God," an invitation to experience our place in the universe through the eyes of love.From the Hardcover edition.

    As legend has it, the bane of Eleanor's life was her demanding and domineering mother-in-law, Sara Delano Roosevelt. Biographers have overlooked the complexity of a relationship that had, over the years, been reinterpreted and embellished by Eleanor herself.Through diaries, letters, and interviews with Roosevelt family and friends, Jan Pottker uncovers a story never before told. The result is a triumphant blend of social history and psychological insight--a revealing look at Eleanor Roosevelt and the woman who made her historic achievements possible.

    It is a family story of war and love, and how the ghosts of the past return to shape the present.Wounds is a powerful memoir about Irish people who found themselves caught up in the revolution that followed the 1916 Rising, and in the pitiless violence of civil war in north Kerry after the British left in 1922.It is the story of Keane’s grandmother Hannah Purtill, her brother Mick and his friend Con Brosnan, and how they and their neighbours took up guns to fight the British Empire and create an independent Ireland. And it is the story of another Irishman, Tobias O’Sullivan, who fought against them as a policeman because he believed it was his duty to uphold the law of his country.Many thousands of people took part in the War of Independence and the Civil War that followed. Whatever side they chose, all were changed in some way by the costs of violence. Keane uses the experiences of his ancestral homeland in north Kerry to examine why people will kill for a cause and how the act of killing reverberates through the generations.

    Going beyond the headlines, he describes in vivid detail a series of key turning points in Arab history – from the mission of the Prophet Muhammad and the expansion of Islam to the region’s interaction with Western ideas and the rise of Islamism.Now fully updated to cover the tumultuous years since the Arab Spring, this lucidly told history reveals how the Arab world came to have its present form and illuminates the choices that lie ahead.John McHugo is a Senior Fellow at the Centre for Syrian Studies at St Andrews University. A board member of the Council for Arab British Understanding and the British Egyptian Society, he is also an advisor to Tim Farron, leader of the Liberal Democrats, on peace in the Middle East. McHugo’s writing has featured in History Today, The World Today, Jewish Quarterly and on the BBC News and Al Jazeera websites. His other publications include Syria: A Recent History. He lives in London.

    From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates.Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it.Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.

    NA

    For two and a half thousand years, it has been a blazing signal in code, conferring beauty, power, and status. Weaving a story rich in drama, mystery, triumph, deception, disaster, and curiosity, Joanna Pitman effortlessly combines the wealth of her knowledge with a clear-sighted view of the power of the blonde through the ages.

    During the next ten years, they exuberantly shared the details of their daily lives in both public lectures and the mass media in order to provide at least one concrete example of an alternative to the traditional heterosexual family. In the 1990s, Sandra Bem also published an award-winning book, The Lenses of Gender, which spelled out the feminist theory behind their feminist practices.This second book by Sandra Bem, an autobiographical account of the Bems` nearly thirty-year marriage, is both a personal history of the Bems` past and a social history of a key period in feminism`s past. It is also a look into feminism`s future, because the Bems` children, Emily and Jeremy, now in their early twenties, speak at length in the book as well.Bem analyzes what aspects of family background and psychological makeup led her and Daryl to bond so immediately and to become gender pioneers. She describes the egalitarianism and feminist child-rearing that they invented for their private needs and tells how these family agendas were transformed into public feminist discourse. Finally she reassesses this early feminist union now that the marriage has come to an end and the children are young adults, evaluating (with the help of lengthy interviews with Emily and Jeremy and a brief epilogue by Daryl) what the Bems` experiences—both positive and negative—have to say about the viability and necessity of nontraditional gender arrangements in society today.

    How can men and women be in community when not married? Or if married, with people not our spouses? Can men and women be "just friends"? How can we date wisely and well? What does it mean to be a woman if you're not a wife? Or a man if you're not a husband? How can we be in healthy, close relationships if we're single?In Beyond Awkward Side Hugs, Bronwyn Lea lays out a biblical vision for relationships between men and women in the church. Jesus' pattern for church living was one of family, of brothers and sisters living in intimate, healthy community with each other. Doing so calls for character and wisdom, for charting a path toward relationships that acknowledge gender but aren't sexualized, that go beyond the awkwardness of simplistic don't-touch/don't-talk rules.Rooted in Scripture and attested by personal and pastoral stories, Beyond Awkward Side Hugs is an invitation to relationship theology that moves beyond unhealthy, eroticized, fear-based patterns and toward gendered, generous relationships between men and women of character, loving one another as Jesus did.