Five years old. Gray eyes, brown hair. Missing since June.Emma is lonely. Living with her cruel mother and clueless father, Emma retreats into her own world of quiet and solitude.Sarah Walker. Successful entrepreneur. Broken-hearted. Kidnapper.Sarah has never seen a girl so precious as the gray-eyed child in a crowded airport terminal. When a second-chance encounter with Emma presents itself, Sarah takes her—far away from home. But if it’s to rescue a little girl from her damaging mother, is kidnapping wrong?Amy Townsend. Unhappy wife. Unfit mother. Unsure whether she wants her daughter back.Amy’s life is a string of disappointments, but her biggest issue is her inability to connect with her daughter. And now Emma is gone without a trace.As Sarah and Emma avoid the nationwide hunt, they form an unshakeable bond. But what about Emma’s real mother, back at home?

    They especially didn't expect him to turn up a tattered and bruised thirteen-year-old boy.Fielding, the son of Autopsy, finds the boy outside the courthouse and brings him home, and he is welcomed into the Bliss family. The Blisses believe the boy, who calls himself Sal, is a runaway from a nearby farm town. Then, as a series of strange incidents implicate Sal — and riled by the feverish heatwave baking the town from the inside out — there are some around town who start to believe that maybe Sal is exactly who he claims to be.But whether he's a traumatised child or the devil incarnate, Sal is certainly one strange fruit: he talks in riddles, his uncanny knowledge and understanding reaches far outside the realm of a normal child — and ultimately his eerily affecting stories of Heaven, Hell, and earth will mesmerise and enflame the entire town.Devastatingly beautiful, The Summer That Melted Everything is a captivating story about community, redemption, and the dark places where evil really lies.

    Almost six-foot, with a redhead's temper and a shattered hip, she has a long list of worries: never-ending bills, her beautiful, gullible sister, her five-year-old nephew, her housebound mother, and her drug-dealing boss.Zee may not be a princess, but Gentry is an actual knight, complete with sword, armor, and a code of honor. Two years ago the voices he hears called him to be Zee's champion. Both shy and autistic, he's barely spoken to her since, but he has kept watch, ready to come to her aid. When an abduction tears Zee's family apart, she turns to the last person she ever imagined--Gentry--and sets in motion a chain of events that will not only change both of their lives, but bind them to one another forever.A provocative love story between a tough Kansas woman on a crooked path to redemption and the unlikeliest of champions, from the New York Times bestselling author of All the Ugly and Wonderful Things.

    From the dramatic redbrick facade to the sweeping staircase dripping with art, the Chelsea Hotel has long been New York City's creative oasis for the many artists, writers, musicians, actors, filmmakers, and poets who have called it home—a scene playwright Hazel Riley and actress Maxine Mead are determined to use to their advantage. Yet they soon discover that the greatest obstacle to putting up a show on Broadway has nothing to do with their art, and everything to do with politics. A Red scare is sweeping across America, and Senator Joseph McCarthy has started a witch hunt for Communists, with those in the entertainment industry in the crosshairs. As the pressure builds to name names, it is more than Hazel and Maxine's Broadway dreams that may suffer as they grapple with the terrible consequences, but also their livelihood, their friendship, and even their freedom. Spanning from the 1940s to the 1960s, The Chelsea Girls deftly pulls back the curtain on the desperate political pressures of McCarthyism, the complicated bonds of female friendship, and the siren call of the uninhibited Chelsea Hotel.

    All he remembers is that he is a lawyer who specializes in fine print, and as he narrates his story, he applies this expertise in the form of footnotes.*Everyone keeps telling Frank that he was fine before the accident, “just a bit overwhelmed,” but as he begins to reclaim his memories, they don’t quite jive with what everyone is telling him. His odious brother Oscar is intent on going into business with an inventively cruel corporation.** Alice, Frank’s wife, isn’t at all like the woman he fell in love with. She’s written a book called Executive X that makes Frank furious, though he isn’t sure why. And to make matters even stranger, stored in a closet is a severed finger floating in an old mustard jar that makes him feel very, very proud. As more memories flood in, Frank’s tightly regulated life begins to unspool as he is forced to face up to the real terms*** and the condition of his life.**** Robert Glancy’s debut novel is a shrewd and hilarious exploration of freedom and frustration, success and second chances, and whether it’s worth living by the rules.* Yes, exactly like this.** We can't tell you what it’s called for legal reasons, but believe us, it’s evil.*** Which are rarely in his favor.**** Which is a total mess.

    A town where nearly all of the volunteer firemen are named Jim, where The Dirty Shame—the only bar in town—refuses to serve mixed drinks (too much work), where the locals hate the newcomers (then again, they hate the locals, too), and where the town softball team has never even come close to having a winning season. Until now.Rachel Flood has snuck back into town after leaving behind a trail of chaos nine years prior. She’s here to make amends, but nobody wants to hear it, especially her mother, Laverna. But with the help of a local boy named Jake and a little soul-searching, she just might make things right.In the spirit of Empire Falls and A League of Their Own, with the caustic wit of Where’d You Go, Bernadette thrown in for good measure, Richard Fifield’s hilarious and heartwarming debut will have you laughing through tears.

    Her marriage is over, but is it too late to start her life again? Beekeeper Grace thought throwing out her cheating husband would be the hardest thing she ever did. But when she opens the door to a property developer one morning, it’s clear that keeping the beautiful home and garden – her only sanctuary throughout her miserable marriage – will be the greatest challenge of all… Fleeing to her best friend at the flower farm next door, Grace blurts out all her problems, only to be overheard by Amos, a handsome, free-spirited visitor in bright red Doc Martens. Fascinated by Grace and her bees, Amos offers to stay in the village of Hope Corner, to help turn her home into a guest house in return for lessons on beekeeping. As Grace shows Amos how to nurture a hive and harvest honeycomb without getting stung, he is charming but secretive. He never stays long in the same place after an incident in his past involving a mysterious woman named Maria. But as their eyes lock over a jar of homemade honey, Grace can’t help feeling that she’d really like him to stay… Determined to dispel her growing suspicion that Amos is running from something serious, Grace goes in search of the truth about Maria. But when she finds it, will she still want Amos to put down roots in Hope Corner, and will they still have a house to return to?

    What starts out as the happiest day in history for the local inhabitants soon turns into a race against the clock to find the lucky winner and cash in the lottery ticket. A priest with verbal incontinence, a sweet little old lady with secret sexual fantasies about the local butcher, a village mayor who's held power for thirty years, and a mailman in love with the wife of a villainous baker are just a few of the quirky characters who will make you laugh and occasionally bring a tear to your eye as you enjoy everyday situations taken to extremes. A Lucky Day is a heartwarming comedy peopled by a highly entertaining cast of characters. Truly a novel to be savored slowly, if possible.

    Without it, he’s destined for the roach-infested nursing home down the road—and after wasting the first eighty-eight years of his life, he refuses to waste away for the rest. So, he keeps his shenanigans to the bare minimum with the help of his straight-laced best friend and roommate, Carl Upton.But when Carl’s granddaughter Josie climbs through their bedroom window with booze on her breath and a black eye, Duffy’s faced with trouble that’s sticking around and hard to hide—from Centennial’s management and Josie’s toxic boyfriend. Before he knows it, he’s running a covert operation that includes hitchhiking and barhopping.He might as well write himself a one-way ticket to the nursing home…or the morgue. Yet Duffy’s all in. Because thanks to an unlikely friendship that becomes fast family—his life doesn’t boil down the same anymore. Not when he finally has a chance to leave a legacy. In a funny, insightful, and life-affirming debut, Brooke Fossey delivers an unflinching look at growing old, living large, and loving big, as told by a wise-cracking man who didn’t see any of it coming.

    When Emerson tragically passes away, she leaves one final wish for her best friends: to conquer the fears they still carry as adults.For each of them, that means something different. For Marley, it's coming to terms with the survivor's guilt she's carried around since her twin sister's death, which has left her blind to the real chance for romance in her life. For Georgia, it's about learning to stop trying to live up to her mother's and brother's ridiculous standards, and learning to accept the love her ex-husband has tried to give her.But as Marley and Georgia grow stronger, the real meaning of Emerson's dying wish becomes truly clear: more than anything, she wanted her friends to love themselves.

    Their bond forms instantly.Upon their first meeting, after Makino’s concert in Tokyo, they begin a conversation that will go on for years, with long spells of silence broken by powerful moments of connection. She’s drawn by Makino’s tender music and his sensitivity, and he is intrigued by Yoko’s refinement and intellect. But neither knows enough about love to see it blooming nor has the confidence to make the first move. Will their connection endure, weaving them back together like instruments in a symphony, or will fate lead them apart?Blending the harmonies of Kazuo Ishiguro’s Nocturnes and the sensuality of Ian McEwan’s Enduring Love, At the End of the Matinee is an enchanting and thought-provoking love story.

    She keeps careful lists of how to help others in her superhero-themed notebook. And yet, sometimes it feels like she's invisible.All of that changes when a book of fairy tales arrives on her doorstep. Inside, Martha finds a dedication written to her by her best friend - her grandmother Zelda - who died under mysterious circumstances years earlier. When Martha discovers a clue within the book that her grandmother may still be alive, she becomes determined to discover the truth. As she delves deeper into Zelda's past, she unwittingly reveals a family secret that will change her life forever.Filled with Phaedra Patrick's signature charm and vivid characters, The Library of Lost and Found is a heartwarming and poignant tale of how one woman must take control of her destiny to write her own happy ending.

    He buys antibiotics out of pocket, squashes roaches, and chafes at the interventions of the corrupt officer who oversees his work.But his outlook on life changes one night when a teacher, his pregnant wife, and their young son appear. Killed in a violent robbery, they tell the surgeon that they have been offered a second chance at living if the surgeon can mend their wounds before sunrise.So begins a night of quiet work, "as if the crickets had been bribed," during which the surgeon realizes his future is tied more closely to that of the dead family than he could have imagined. By dawn, he and his assistant have gained knowledge no mortal should have.In this inventive novel charged with philosophical gravity and sly humor, Vikram Paralkar takes on the practice of medicine in a time when the right to health care is frequently challenged. Engaging earthly injustice and imaginaries of the afterlife, he asks how we might navigate corrupt institutions to find a moral center. Encompassing social criticism and magically unreal drama, Night Theater is a first novel as satisfying for its existential inquiry as for its enthralling story of a skeptical physician who arrives at a greater understanding of life's miracles.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    But life comes with expectations, there are choices to be made, boxes to tick and – sometimes – stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices – because life according to Olive looks a little bit different.Moving, memorable and a mirror for every woman at a crossroads, OLIVE has a little bit of all of us. Told with great warmth and nostalgia, this is a modern tale about the obstacle course of adulthood, milestone decisions and the ‘taboo’ about choosing not to have children.