In sixteenth-centruy Venice, celebrated physician Mateo Colombo finds himself behind bars at the behest of the Church authorities. His is a crime of disclosure, heinous and heretical in the Church's eyes, in that his research threatens to subvert the whole secular order of Renaissance society. Like his namesake Christopher Colombus, he has made a discovery of enormous significance for humankind. Whereas Colombus voyaged outward to explore the world and found the Americas, Mateo Colombo looked inward, across the mons veneris, and uncovered the clitoris. Based on historical fact, The Anatomist is an utterly fascinating excursion into Renaissance Italy, as evocative of time and place as the work of Umberto Eco, and reminiscent of the earthy sensuality of Gabriel Garcia Marquez. Perceptive and stirring, it ironically exposes not only the social hypocracies of the day, but also the prejudices and sexual taboos that may still be with us four hundred years later.

    So when her beloved brother passes away, she welcomes the unexpected trip to the Tuscan city of Siena to resolve his estate, even as she wrestles with grief. But as she delves deeper into her brother’s affairs, she discovers intrigue she never imagined—a 700-year-old conspiracy to decimate the city. As Beatrice explores the evidence further, she uncovers the journal and paintings of the fourteenth-century artist Gabriele Accorsi. But when she finds a startling image of her own face, she is suddenly transported to the year 1347. She awakens in a Siena unfamiliar to her, one that will soon be hit by the Plague. Yet when Beatrice meets Accorsi, something unexpected happens: she falls in love—not only with Gabriele, but also with the beauty and cadence of medieval life. As the Plague and the ruthless hands behind its trajectory threaten not only her survival but also Siena’s very existence, Beatrice must decide in which century she belongs. The Scribe of Siena is the captivating story of a brilliant woman’s passionate affair with a time and a place that captures her in an impossibly romantic and dangerous trap—testing the strength of fate and the bonds of love.

    Shadows gather: legacies of the centuries-long rivalries for power, old betrayals, the endless plots of the courtiers, and the murmur of rebellion in the southern provinces…Catwin, plucked from her life at the edge of the Kingdom, is thrust abruptly into the world of the Court when she is chosen by the Duke of Voltur to be a Shadow—spy, shield, and blade—to his niece, the Lady Miriel DeVere. The Duke’s ruthlessness is legendary, and he will stop at nothing to become the power behind the throne, using Miriel as a pawn to catch Garad’s heart.But the Duke's carefully-laid plans are only a piece of the intrigue of the court, and greater forces than Catwin can imagine are massed against her, determined to eliminate Miriel and impose a new order of their own. If Catwin and Miriel are to survive, they must learn quickly who to trust, and when to turn their skills against the very people who have trained them...

    The sheer number and proximity of works of painting, sculpture, and architecture in Florence can be so overwhelming that Florentine hospitals treat hundreds of visitors each year for symptoms brought on by trying to see them all, an illness famously identified with the French author Stendhal.While most guidebooks offer only brief descriptions of a large number of works, with little discussion of the historical background, Judith Testa gives a fresh perspective on the rich and brilliant art of the Florentine Renaissance in An Art Lover’s Guide to Florence. Concentrating on a number of the greatest works, by such masters as Botticelli and Michelangelo, Testa explains each piece in terms of what it meant to the people who produced it and for whom they made it, deftly treating the complex interplay of politics, sex, and religion that were involved in the creation of those works. With Testa as a guide, armchair travelers and tourists alike will delight in the fascinating world of Florentine art and history.

    Here readers will find a coming-of-age story filled with quest, complication, and catastrophe as well as miracles and hope. Although the novel is set four hundred years ago, the hard choices it involves speak to all times, all places, and are sure to tap into readers’ own conflicts between head and heart, real life and dreams.

    She becomes a pilgrim who also embraces interior journeys: she struggles with her difficult, inattentive father; with her heart's desire to paint as her father writes; and with her first tastes of young love. All the while Antonia harbors dreams that others tell her women are not entitles to dream. Dante's Daughter portrays a life in full, one that beautifully answers Antonia's own questions: "Had my journey made me wise? Had my secret griefs made me strong?" This highly imagined story--based on the few known facts of Antonia's life--is set against the dramatic background of pre-Renaissance Europe, rendered in rich detail by storyteller and historian Kimberley Heuston.

    Carlo Ginzburg uses the trial records of Domenico Scandella, a miller also known as Menocchio, to show how one person responded to the confusing political and religious conditions of his time.For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed—just as cheese is made out of milk—and worms appeared in it, and these were the angels."

    The illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty.Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and that of those around her. Judith Arnopp has carried out lengthy research into the fragmented ninth century poems, Canu Llywarch Hen and Canu Heledd, and the history surrounding them to produce a fiction of what might have been.

     In a city-state known for magnificence, where love affairs and conspiracies play out amidst brilliant painters, poets and musicians, the powerful and ambitious Alfonso d'Este, duke of Ferrara, takes a new bride. Half of Europe is certain he murdered his first wife, Lucrezia, the luminous child of the Medici. But no one dares accuse him, and no one has proof-least of all his second duchess, the far less beautiful but delightfully clever Barbara of Austria. At first determined to ignore the rumors about her new husband, Barbara embraces the pleasures of the Ferrarese court. Yet wherever she turns she hears whispers of the first duchess's wayward life and mysterious death. Barbara asks questions—a dangerous mistake for a duchess of Ferrara. Suddenly, to save her own life, Barbara has no choice but to risk the duke's terrifying displeasure and discover the truth of Lucrezia's death—or she will share her fate.

    This alone could have got him burned at the stake, but he was also a student of occult philosophies and magic. In S.J. Parris's gripping novel, Bruno's pursuit of this rare knowledge brings him to London, where he is unexpectedly recruited by Queen Elizabeth I and is sent undercover to Oxford University on the pretext of a royal visitation. Officially Bruno is to take part in a debate on the Copernican theory of the universe; unofficially, he is to find out whatever he can about a Catholic plot to overthrow the queen. His mission is dramatically thrown off course by a series of grisly murders and a spirited and beautiful young woman. As Bruno begins to discover a pattern in these killings, he realizes that no one at Oxford is who he seems to be. Bruno must attempt to outwit a killer who appears obsessed with the boundary between truth and heresy. Like The Dante Club and The Alienist, this clever, sophisticated, exceptionally enjoyable novel is written with the unstoppable narrative propulsion and stylistic flair of the very best historical thrillers.

    Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn't alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others -- no one knows the precise number -- have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.Jonathan Harr embarks on a journey to discover the long-lost painting known as The Taking of Christ -- its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.

    During a day tour to Glasgow, they visit a medieval museum on a whim – something Katie is not so excited about. As John falls in love with the medieval displays, Katie can't help but notice a strange, squirmy little man seemingly following her. “Can I help you?” The squirmish man – startled, looks up at Katie. “I am Dr. Oscar Wellesley.” He introduces himself and invites both Katie and John into a vault in the basement, to pick out a love story which describes two ancient Picts – a startling resemblance in looks to both Katie and John. They were involved in fighting off the Romans and, according to the story, were key to the withdrawal of the Romans from Southern Scotland.  “What the hell.” As the two are shocked by what they read in the book, they find themselves losing grip on reality. As they come back to consciousness, there is no museum, no vault – just mud, grass and an ancient battlefield. During this time and era, Katie and John discover their true past and begin to realize who they are and what they have become. What happens to Katie and John as they make their way through time? Will they ever make it back to present day? Do they find the love which had once bonded the two together? Find out in this heartwarming Scottish Historical Time Travel Romance.

    Determined to avenge the killing of her father, Francesca Giordano, defying all convention becomes the official poisoner of the head of the most notorious and dangerous family in Italy, Cardinal Rodrigo Borgia, the confidante of Lucrezia and the lover of Cesare while pursuing her father's murderer.

    Although he bears one of the most notorious names in all of Italy, Giovanni doesn't know his parentage. Is Cesare Borgia his father or his brother? Or is he no relation at all? Is Lucrezia Borgia his mother or his sister -- or possibly both? Hella Haasse uses the ferment and intrigue of the Italian Wars -- during which French, Swiss, Spanish and German armies surged into Italy -- as a backdrop for Giovanni's agonizing quest for his identiy.Giovanni's search introduces us to some of the most intriguing people of the times: Machiavelli, Michelangelo, Vittoria Colonna and Lucrezia Borgia. Hella Haasse draws each with great depth and brilliant color.

     A young prostitute seeking temporary refuge from the brothel, Rachel awakens in a beautiful garden in Arles to discover she is being sketched by a red-haired man in a yellow straw hat. This is no ordinary artist but the eccentric painter Vincent van Gogh—and their meeting marks the beginning of a remarkable relationship. He arrives at their first assignation at No. 1, Rue du Bout d'Arles, with a bouquet of wildflowers and a request to paint her—and before long, a deep, intense attachment grows between Rachel and the gifted, tormented soul. But the sanctuary Rachel seeks from her own troubled past cannot be found here, for demons war within Vincent's heart and mind. And one shocking act will expose the harsh, inescapable truth about the artist she has grown to love more than life.