The woman who wrote it claims that Tommie is her daughter—and that she was kidnapped as a baby thirty-one years ago. Tommie wants to believe it’s all a hoax, but suddenly a girl who grew up on a Texas ranch finds herself linked to a horrific past: the slaughter of a family in Chicago, the murder of an Oklahoma beauty queen, and the kidnapping of a little girl named Adriana. Tommie races along a twisting, nightmarish path while an unseen stalker is determined to keep old secrets locked inside the dementia-battered brain of the woman who Tommie always thought was her real mother. With everything she has ever believed in question, and no one she can trust, Tommie must discover the truth about the girl who vanished—and the very real threats that still remain.

    They dive on the reefs offshore, looking for the wreck of a sunken ship. What they find lures them into a strange and increasingly terrifying encounter with past and present, a struggle for salvage and survival along the floor of the sea, in the deep.

    It drove her husband away and her mother to suicide. It forces her to see things...to know things.In her mind, she can see the pain, the terror, the blood. and the eyes-- cold and merciless, alive...yet dead.Destiny has brought her to a remote and mountainous place, with no avenue of escape. For the killer's glassy doll eyes are now focused solely on Eve Klein. And he's coming for her now.

    She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead.Like the other tales collected here - 'Sir Edmund Orme', 'Owen Wingrave', and 'The Friends of the Friends' - 'The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's `infernal imagination', which torments but also entrals her?'The Turn of the Screw' is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, 'the most hopelessly evil story that we have ever read'?

    But things are much worse for the ten people hiding in the walk-in freezer... From the four-time Bram Stoker Award-nominated author of PRESSURE and BLISTER comes a tension-filled tale of survival laced with his trademark macabre sense of humor.

    Marsh's OB-GYN office, he becomes a prime suspect in the missing person cases.Dr. Marsh prides himself on being an upstanding citizen. Not only does he donate time and money to several charities, he is also a caring doctor.Is he a nice person? Or is he as evil as the police suspect?EXTREME HORROR: There are multiple scenes of violence, blood, gore, and torture.Most of the torture is against a pregnant woman, being held captive against her will.

    The man who has a tale of his own to tell.A story within a story within a story, MY NAME IS MISTER GRIEF continues the Luke Smitherd tradition of making the reader wonder 'what would I do?' while transporting them to the place where everyone has a secret and the impossible is possible.

    The police are looking to charge me with murder.2. No one knows who I am. Or how I did it.3. If you think you've found me. I'm coming for you next.After you've read this book, you'll know: the truth is far more twisted...

    This edition offers the original story with all its atmospheric Victorian trimmings. The story of Todd's murderous partnership with pie-maker Margery Lovett--at once inconceivably unpalatable and undeniably compelling--has subsequently set the table for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Editor Robert Mack 'fleshes' out the story with a fascinating introduction touching on the origins of the tale, the growth of the legend, and a history of its many retellings. Mack also includes explanatory notes that point out interesting aspects, plus a full chronology of the many versions of Sweeney Todd.Since Sweeney Todd first entered the public imagination in the mid-nineteenth-century, his exploits have chilled and fascinated audiences around the world. This new edition allows modern readers to savor the ghastly original in all its gruesome glory.

    Novella published following "Red".The Passenger, follows the story of a woman who gets a flat tire, leading to a stretch of bad luck as she becomes a passenger in a car bound for Hell.

    Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her?Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

    The one condition of the inheritance is that they keep the uncle's beloved pet cormorant. They soon discover, however, that the cormorant is no mere bird, but a foul and malignant creature that may exact a greater price than they are willing to pay. Produced by the BBC as a TV film starring Ralph Fiennes.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?