They are constantly in pursuit of adventure that takes them far away from their homeland of Victorian America. Intelligent, intrepid, and inquisitive, they long for discovery of that which is greater than their own world while still maintaining some sense of gentlewoman decorum. But all good trips start with a purpose and end in a final destination.

    

    It is set on Long Island in the 1950s, and deals with the involvement of a very rich family named Larrabee with Sabrina Fairchild, the daughter of their family chauffeur. She is bright, well-educated, and has just returned from five years in Paris, where she has done a brilliant job as an executive in a U.S. government overseas office. She has come home to find out if she is still in love with the younger Larrabee son, David. The elder son, Linus, a cynical, good-humored tycoon who has taken control of the family fortune, detects Sabrina's feeling for his brother, and for his own amusement lays a trap to bring them together. It works: David falls in love with Sabrina and wants to marry her. At the same time, a rich young Frenchman who has known Sabrina in Paris turns up and asks her to marry him. Faced with this dilemma, Sabrina discovers it is really Linus she wants. After an amusing scene in which Sabrina's father, the chauffeur, makes a rather amazing revelation, Sabrina breaks down Linus' resistance and gets her man. An unusual number of fine character parts for actors: the beautiful mother of wit and perception; the father, whose one passion is attending funerals; the chauffeur who has been dabbling in the stock market and likes his job because it gives him time to read; the smart magazine editor who, as a house guest, is the interested observer. "SABRINA FAIR is a delightful, sparkling hit." Robert Coleman, NY Mirror.

    But what circumstances allowed Brandt to become the first left-wing chancellor in forty years? And why, given his progressive policies, did the East German secret police feel it necessary to plant a spy in his office and risk bringing down his government? Michael Frayn writes in his postscript to the play, "Complexity is what the play is about: the complexity of human arrangements and of human beings themselves, and the difficulties that this creates in both shaping and understanding our actions."

    England. Jean, a young and somewhat ignorant woman, is engaged to the politician Stonor, who is up for election for Cabinet Minister. At her aunt Lady John's house, she meets the beautiful and mysterious Miss Levering, an independent lady who has lived through a great deal in her past and is now fighting for women's rights. When Jean hears Miss Levering talk about the horrible situation of young, poor and homeless women in England, she is shocked. Slowly she gets interested in the suffragette's movement, something her fiancé did not expect to be so strong. But then Jean learns that Stonor's annoyance about her involvment in the matter and her interest in Miss Levering has other reasons that dive into his past.

    Also known as "Jet of Blood".

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    Its authorship is unknown, although suggestions include Thomas Kyd, Christopher Marlowe and William Shakespeare.Wealthy businessman Arden is convinced his wife Alice is cheating on him. He's right – but he doesn't know the full story. Determined to free herself from her miserable marriage, Alice is in fact plotting to have him murdered. As the assassins close in on their unwitting victim, husband, wife and lover find themselves locked in a deadly game.This edition of Arden of Faversham was published alongside the Royal Shakespeare Company's revival of the play in 2014, and features the text edited for the RSC production, and introductions by key members of its creative team.

    In Dublin, a man seeks help from a counselor, claiming to have seen the ghost of his recently deceased wife. But what begins as just an unusual encounter becomes a struggle between the living and dead—a struggle that will shape and define both men for the rest of their lives.Also included here is the one-act, Come on Over, about a Jesuit priest sent to investigate a “miracle” in his hometown, where he re-encounters the woman who loved him 30 years before.Conor McPherson was born in Dublin, Ireland, where he still lives. His plays include This Lime Tree Bower, St. Nicholas, The Weir, Port Authority and Dublin Carol.

    It is the story of the embrace of risk and substance. In so doing, Chris Jones makes the point that the theatre thrived by finally figuring out how to embrace the bold statement and insert itself into the national conversation - only to find out in 2016 that a hefty sector of the American public had not been listening to what it had to say.Chris Jones was in the theatres when and where it mattered. He takes readers from the moment when Tony Kushner's angel crashed (quite literally) through the ceiling of prejudice and religious intolerance to the triumph of Hamilton, with the coda of the Broadway cast addressing a new Republican vice-president from the stage. That complex performance - at once indicative of the theatre's new clout and its inability to fully change American society for the better - is the final scene of the book.

    Set in September of 1916, the play combines historical fact and legend, exploring the deep-seated Ameri

    David Hare's play, which details the struggle of four clergymen to make sense of their mission in South London, opened to universal acclaim.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.