He and his fiancée, Shelly, are assaulted by a gang of street thugs after their car breaks down. Eric is shot in the head and is paralyzed, and can only watch as Shelly is savagely beaten and raped. They are then left for dead on the side of the road.He is resurrected by a crow and seeks vengeance on the murderers, methodically stalking and killing them. When not on the hunt, Eric stays in the house he shared with Shelly, spending most of his time there lost in memories of her. Her absence is torture for him; he is in emotional pain, even engaging in self-mutilation by cutting himself.The Crow acts as both guide and goad for Eric, giving him information that helps him in his quest but also chastising him for dwelling on Shelly's death, seeing his pining as useless self-indulgence that distracts him from his purpose.

    But in the online fantasy world of Jarvath, she's an elite warrior. When she slays the wife of celebrity game character King Heremoth, her fame seems all but guaranteed - that is, until the game spins totally out of control.

    In his inimitable style, Snoopy spends his days extolling the virtues of dancing, hanging out with his best bird friend Woodstock, pursuing a full supper dish and giving his owner - our favourite lovable loser, Charlie Brown - the run-around. For the millions of faithful Charles Schulz fans, and those who fondly remember the joyful dog with the wild imagination, this is the first in a new series to cherish that will see the beguiling Peanuts gang share their sentiments on everything from food to friendship.

    

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    On their first night in the strange house, Emily and Navin's mom is kidnapped by a tentacled creature. Determined to rescue her, Emily and Navin are led into a world of robots, talking animals, flying ships, new friends... and enemies. Emily learns that she is a Stonekeeper and essential to the survival of this world, and that her incredible story is only just beginning.

    This remarkably touching and funny graphic novel tells the first-person account of Tammy’s sophomore year in 1985, from the first day of school to winter break. Her hopes, dreams, agonies and defeats are brought to vivid, comedic life by Watson’s lovingly grotesque drawings, filled with all the eighties essentials—too much mascara, leg warmers with heels and huge hair—as well as timeless teen concerns like acne, dandruff, and the opposite sex (or same sex, in some cases).In the epic saga that is Unlovable, Tammy finds herself dealing with: tampons, teasing, crushes, The Smiths, tube socks, facial hair, lice, celibacy, fantasy dream proms, gym showers, skid marks, a secret admirer, prank calls, backstabbers, winter ball, barfing, narcs, breakdancing, hot wheels, glamour shots, roller coasters, Halloween costumes, boogers, boys, boy crazy feelings, biker babes, and even some butt cracks. Tammy’s life isn’t pretty, but it is endlessly charming and hilarious.Originally serialized in Bust magazine, Unlovable includes over 100 new pages created just for this edition, which is handsomely packaged in a unique hot pink hardcover format with sparkly blue glitter that would make Tammy proud.

    ARCHIE 1000 PAGE COMICS CELEBRATION collects 1000 pages of iconic Archie tales in this one amazing volume! Follow America's favorite red-head as he navigates the pressures of the American teenager in the awkward, charming, and hilarious way you've come to know and love.

    His story of three friends at university lightly flavored with the occult features some of the best dialogue in comics, and we couldn't help but think it's like Monty Python goes to college. Sign us up! WHY YOU'LL LOVE IT: John Allison's daily webcomics are hilarious, the kind of strips where every panel makes you laugh out loud. As a result, John has earned a large, loyal following of readers that have followed his work daily for the past 12 years. This is a series fans of things like Buffy the Vampire Slayer, Scott Pilgrim, or Gunnerkrigg Court will not want to miss. WHAT IT'S ABOUT: Susan, Esther, and Daisy started at university three weeks ago and became fast friends because their dorm rooms were next to each other. Now, away from home for the first time, all three want to reinvent themselves. But in the face of hand-wringing boys, "personal experimentation," influenza, mystery-mold, nu-chauvinism, and the willful, unwanted intrusion of "academia," they may be lucky just to make it to spring alive.

    But this is no ordinary Monday, and the frazzled feline finds himself stuck in a time loop, reliving the agony over and over and over. Can Garfield find a way to end this rotten day or will he be stuck forever? Garfield and the gang are back in an all-new graphic novel with stories written by Scott Nickel and Mark Evanier (Garfield & Friends) and illustrated by series regular Antonio Alfaro and artist Dave Alvarez.

    Seventeen-year-old Sylvia (Harper) Kostak is caught between her mother’s regrets and the strictures of small-town life in the interior of British Columbia. When Harper meets Gabe, an intense and enigmatic young man living on the ’60s-style arts commune outside of town, she is transfixed. Gradually we learn Gabe’s story and what led him to join his estranged mother on the commune, where, in a bid for freedom, Harper eventually finds herself, setting in motion a series of events leading to tragedy. Resonant with longing and a sense of isolation, the novel brings alive the agonies and ecstasies of growing up, sexual discovery, and how the need to belong can shape both decisions and destinies.Author Biography: Laisha Rosnau was born in Pointe Claire, Quebec, and grew up in Vernon, British Columbia. She has worked as a child-care worker, a landscaper, a waitress, a fruit picker, an interpretive guide, a journalist, and an editor. She received a Master of Fine Arts in Creative Writing from the University of British Columbia, where she was the Executive Editor of PRISM international. Her poetry and short fiction have been published in literary journals and anthologies in Canada, the United States, and Australia. The Sudden Weight of Snow is her first novel. Laisha Rosnau lives in Vancouver, where she is at work on a collection of poetry and on her second novel.

    if you dare.

    In celebration of the Five Year Anniversary of The Walking Dead, Image Comics presents this full-color hardback collection of the first 50 covers of the series, as well as covers for the various collected editions of the series, with added sketch material and commentary by series creator/writer Robert Kirkman, and artists Tony Moore, Charlie Adlard, and Cliff Rathburn.

    

    His mastery of his characters’ faces and gestures is also wonderful, his line quick and sure and expressive." —The New YorkerThe existential dread of making (or not making) art takes center stage in this trenchant satire of MFA cultureWendy is an aspiring contemporary artist whose adventures have taken her to galleries, art openings, and parties in Los Angeles, Tokyo, and Toronto. In Wendy, Master of Art, Walter Scott’s sly wit and social commentary zero in on MFA culture as our hero hunkers down to complete a master of fine arts at the University of Hell in small-town Ontario.Finally Wendy has space to refine her artistic practice, but in this calm, all of her unresolved insecurities and fears explode at full volume—usually while hungover. What is the post-Jungian object as symbol? Will she ever understand her course reading—or herself? What if she’s just not smart enough? As she develops as an artist and a person, Wendy also finds herself in a teaching position, mentoring a perpetually sobbing grade-grubbing undergrad.Scott’s incisively funny take on art school pretensions isn’t the only focus. Wendy, Master of Art explores the politics of open relationships and polyamory, performative activism, the precariousness of a life in the arts, as well as the complexities of gender identity, sex work, drug use, and more. At its heart, this is a book about the give and take of community—about learning to navigate empathy and boundaries, and to respect herself. It is deeply funny and endlessly relatable as it shows Wendy growing from millennial art party girl to successful artist, friend, teacher—and Master of Art.