Young adult.

    Having finally acquired the sacred weapons and approval he needed from the three other kings of Tir-Nan-Og, Slaine ascends to the position of High King - to immediately face his greatest threat, an army of Drunes, Sea Demons and other foul creatures! But Slaine's mission is two-fold; as High King, he must also lead his people away from the darkness and mystery of their old religions, back to a oneness with nature... not that he won't be breaking a few heads along the way!

    "It won't work. Even though the comic is engorged with Dante's Hell and though Jimbo mouths a super-condensed version of what happens in The Inferno, canto by canto, characters are fused, actions inverted, parodied, subject to mutation by my odd memories and obsessions and whims…"That said, Jimbo's Inferno is the hugely anticipated sequel (or prequel, as it was actually completed first) to Jimbo In Purgatory. In this oversize hardcover cloth-and-gold-finished volume, produced to the same exacting standards as 2004's Purgatory, Jimbo, accompanied by his trusty guide and ride Valise, visits Hell (here envisioned as a gigantic subterranean shopping mall called Focky Bocky), and in so doing runs across minotaurs, drug-addled punkettes, UFOs, giant robots, and more, leading him to such profound questions as, "Why do so many recreational activities involve smoke and heat?"Panter's wild Albrecht-Dürer-meets-Jack-Kirby graphics are wilder and more hallucinatory than ever, and given the full, expansive treatment they so richly deserve.

    Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate.The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.

    Lt. Gabriel Cole has worked his way up the ranks of Section Omega and his connection to Alpha One reaches back to his own tragic childhood and an accident nobody could have survived. But when murder strikes at the top of the organization, the case falls into his lap, and he'll begin to learn what being a hero is really all about!Written by Peter J. Tomasi (FINAL CRISIS: REQUIEM, GREEN LANTERN CORPS) and Keith Champagne (WORLD WAR III) with gorgeous art by Peter Snejbjerg (STARMAN, THE LIGHT BRIGADE), this new ongoing series is not to bemissed!

    Skeeve and Aahz return in the hilarious (and visually fantastic) Myth Adventures Two—the conclusion to the graphic novel adaptation of Robert Asprin's Another Fine Myth.

    Crossing genres as it crosses the country, LOCAL examines Megan McKeenan, a young woman who sets off from Portland, OR with nothing but a backpack and a bad case of wanderlust. Each emotional vignette is a self-contained story that represents one year in the life of this young vagabond as she struggles to find a place to call home, both physically and spiritually.

    Parrish’s emotionally loaded, painted graphic novel is is a visual tour de force, always in the service of the author’s themes: navigating queer desire, masculinity, fear, and the ever-in-flux state of friendships.

    This newest volume is a departure from his last work, Maggots, and from his first book, Ninja, which elicited the following assessment of the artist's style by Salon.com's Douglas Wolk: "Chippendale's howling hyperspeed attack on every page with his pen is the kind of manifestation of pure style that has more to do with the contemporary visual art scene than with traditional comics and their ideals of clarity and representation." If and Oof are a Laurel and Hardy-esque duo who suffer a series of misadventures amidst Chippendale's frenetic landscapes on their simple quest to just survive, eat, pay rent and avoid confrontation. Comedy and horror ensue in this fast-paced trip through Chippendale's unconscious. The artist's most accessible work to date, If 'n Oof is replete with the frenzied line work and concise, witty dialogue for which he has become known. This first release of all new material since 2005 is a must for Lightning Bolt fans and graphic-novel aficionados, and proves more than approachable to those new to Chippendale's oeuvre.

    Their ambitions may be dampened by third world realities and malcontention but they also proudly belong to a generation of dreamers who fight for their voices to be heard. They are among the so-called "Bagong Lipunan" children, trying their best to live up to their name. But over the years, as Allan watches his friends leave one by one and feels his sense of idealism wane, he starts to wonder where they are all headed.(from http://martiallawbabies.com/)

    

    Two thousand miles away, J.R. Goldberg hears these very scripts whispered into her sleep by her pet ferret, devoid of any real direction beyond the dialog. Goldberg awakens to find that she has illustrated these scenes. In Jellyfist, two artists battle with interpretation, however absurd the intent or outcome, with running commentary from the creators on just how wrong or right it's all gone. The first book published as a result of ferret-aided, carved-kitten-transmitted telepathy, Jellyfist's collection of highly important nonsense just might change your opinion of almost all known things. This full color comic has production values and bindings far beyond what the content would seem to dictate.

    Why? Because each page boasted sticky, uncomfortable truths drenched in bleakly familiar humor. It was "cringe comedy" before the phrase had been coined, presaging squirmy shows like Louie and Girls. Set in a New York so real you can practically smell it (so claimed Mike Mignola), Minimum Wage is the workaday saga of cartoonist Rob Hoffman and his firebrand girlfriend, Sylvia. He churns out strips for smut rags and off-brand MAD knockoffs and she languishes managing a hair salon. With their colorful crew of friends, they forge ahead against the brutal indifference of their hometown. This definitive edition includes the original 72-page "pilot" episode (Minimum Wage Book One) and the revised "director's cut" of the main storyline. Plus, a bonus color section featuring original cover paintings and guest pin-ups by Mike Mignola, Kevin Nowlan, Dave Johnson, Jill Thompson, Dave Cooper, Glenn Barr, and others.

    With Creepy Presents Alex Toth, all of his vibrant and thrilling stories from Creepy and Eerie are collected in a deluxe, magazine-sized hardcover for the first time ever! With an introduction by Darwyn Cooke (DC: The New Frontier, Richard Stark's Parker), this collection of timeless tales will thrill, educate, and excite fans of horror, comics, and stellar illustration work. Major collaborations with Archie Goodwin, Doug Moench, Carmine Infantino, and others are included!

    The Dungeon is attacked by a swarm of flying venomous toads so large it almost succumbs as the perpetrators look to get free rein inside! In the second story, Herbert is sent on a mission to… clear out the septic tank where a whole beautiful ecology has evolved.