A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    Beatrice Hempel, teacher of seventh grade, is new—new to teaching, new to the school, newly engaged, and newly bereft of her idiosyncratic father. Grappling awkwardly with her newness, she struggles to figure out what is expected of her in life and at work. Is it acceptable to introduce swear words into the English curriculum, enlist students to write their own report cards, or bring up personal experiences while teaching a sex-education class?Sarah Shun-lien Bynum finds characters at their most vulnerable, then explores those precarious moments in sharp, graceful prose. From this most innovative of young writers comes another journey down the rabbit hole to the wonderland of middle school, memory, daydreaming, and the extraordinary business of growing up.

    In Corpus Christi, Texas—a town often hit by hurricanes— parents, children, and lovers come together and fall apart, bonded and battered by memories of loss that they feel as acutely as physical pain. A car accident joins strangers linked by an intimate knowledge of madness. A teenage boy remembers his father’s act of sudden and self-righteous violence. A “hurricane party” reunites a couple whom tragedy parted. And, in an unforgettable three-story cycle, an illness sets in profound relief a man’s relationship with his mother and the odd, shifting fidelity of truth to love.Told in fresh, lyrical voices and taut, inventive styles, these narratives explore the complex volatility of love and intimacy, sorrow and renewal—and expose how often these experiences feel like the opposite of themselves. From the woman whose young son’s uncanny rapport with snakes illuminates her own missed opportunities to the man confronting his wife and her lover in a house full of illegal exotic birds, all the characters here face moments of profound decision and recognition in which no choice is clearly or completely right.Writing with tough humor, deep humanity, and a keen eye for the natural environment, Bret Anthony Johnston creates a world where where cataclysmic events cut people loose from their “regular lives, floating and spiraling away from where we had been the day before.” Corpus Christi is a extraordinarily ambitious debut. It marks the arrival of an important, exquisitely talented voice to American fiction.From the Hardcover edition.

    Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart. A reality show producer manipulates two contestants into falling in love, even as her own relationship falls apart. Just after the fall of the Berlin Wall, a young boy has a revelation about his father’s past when a renowned Romanian violinist plays a concert in their home. When the prized elephant of a traveling circus keels over dead, the small-town minister tasked with burying its remains comes to question his own faith. In an unnamed country, a composer records the folk songs of two women from a village on the brink of destruction. These transporting, deeply moving stories—some inspired by her own family history—amply demonstrate Makkai’s extraordinary range as a storyteller, and confirm her as a master of the short story form. “Richly imagined.” —Chicago Tribune   “Impressive.” —O, The Oprah Magazine   “Engrossing.” —Minneapolis Star-Tribune   “Inventive.” —W Magazine

    Her characters—young women struggling to find happiness, love, success, security, and adventure—wait tables, run away from home, fall for married men, betray their friends, and find themselves betrayed as well.In "Hungry Self," a young waitress descends into the basement of a seemingly ordinary Chinese restaurant; in "Twenty Grand," a young wife tries to recover her lost fortune; in "Monsters," one family's paranoia leads to a sacrifice; and in "The Witches," an innocent swim on prom night proves more dangerous than anyone could have imagined. With elegant prose and a wicked sense of humor, these stories reveal Curtis's provocative and uncompromising view of life, one that makes her writing so poignant and irresistible.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

    For nearly a century, the work of O. Henry has delighted readers with its humor, irony and colorful, real-life settings. The writer's own life had more than a touch of color and irony. Born William Sidney Porter in Greensboro, North Carolina in 1862, he worked on a Texas ranch, then as a bank teller in Austin, then as a reporter for the Houston "Post." Adversity struck, however, when he was indicted for embezzlement of bank funds. Porter fled to New Orleans, then to Honduras before he was tried, convicted and imprisoned for the crime in 1898. In prison he began writing stories of Central America and the American Southwest that soon became popular with magazine readers. After his release Porter moved to New York City, where he continued writing stories under the pen name O. Henry. Though his work earned him an avid readership, O. Henry died in poverty and oblivion scarcely eight years after his arrival in New York. But in the treasury of stories he left behind are such classics of the genre as "The Gift of the Magi," "The Last Leaf," "The Ransom of Red Chief," "The Voice of the City" and "The Cop and the Anthem" — all included in this choice selection. A selection of the Common Core State Standards Initiative.

    Channeling unexpected, eclectic voices in a collection perfectly suited to readers of Daniyal Mueenuddin, Alice Sebold, and Dave Eggers, Moffett delivers a nuanced, powerful, humorous, and moving meditation on the trials of transitions and liminal living in today’s modern world. Richard Russo says, “the first thing you notice reading the stories in Further Interpretations of Real-Life Events is the author’s extraordinary range—of expertise, technique, imagination and wit. There doesn’t seem to be much Kevin Moffett can’t do.”

    ClubA Washington Post Notable BookAn NPR Great Read of 2013From the author of the novel Swamplandia!—a finalist for the Pulitzer Prize—comes a magical and uniquely daring collection of stories that showcases the author’s gifts at their inimitable best. Within these pages, a community of girls held captive in a Japanese silk factory slowly transmute into human silkworms and plot revolution; a group of boys stumble upon a mutilated scarecrow that bears an uncanny resemblance to a missing classmate that they used to torment; a family’s disastrous quest for land in the American West has grave consequences; and in the marvelous title story, two vampires in a sun-drenched lemon grove try to slake their thirst for blood and come to terms with their immortal relationship.Vampires in the lemon grove --Reeling for the Empire --Seagull army descends on Strong Beach, 1979 --Proving up --Barn at the end of our term --Dougbert Shackleton's rules for Antarctic tailgating --New veterans --Graveless doll of Eric Mutis

    Marked by its quiet power and emotional nuance, her fiction garnered widespread praise.Now, at long last, Tallent returns with a new collection of diverse, thematically linked, and deeply powerful stories that confirm her enduring gift for capturing relationships at their moment of transformation: marriages breaking apart, people haunted by memories of old love and reaching haltingly toward new futures. Mendocino Fire explore moments of fracture and fragmentation; it limns the wilderness of our inner psyche and brilliantly evokes the electric tension of deep emotion. In these pages, Tallent explores expectations met and thwarted, and our never-ending quest to avoid being alone.With this breathtaking collection, Elizabeth Tallent cements her rightful place in the literary pantheon beside her contemporaries Lorrie Moore, Ann Beattie, and Louise Erdrich. Visceral and surprising, profound yet elemental, Mendocino Fire is a welcome visit with a wise and familiar friend.

    Click the excerpt link to read a complete short story.Here is an unprecedented fiction debut that is cause for celebration. Growing up in a family that valued the art of storytelling and the power of oral history, Thomas Steinbeck now follows in his father's footsteps with a brilliant story collection. Down to a Soundless Sea resonates with the rich history and culture of California, recalling vivid details of life in Monterey County from the turn of the century through the 1930s. Steinbeck accomplishes an amazing feat: his stories have the feel of classic literature, but his haunting voice, forceful narrative drive, and dazzling imagery are unmistakably his own. In seven stories, Steinbeck traces the fates and dreams of an eccentric cast of characters, from sailors and ranchers, to doctors and immigrants—as each struggles to carve out a living in the often inhospitable environment of rocky cliffs, crashing surf, and rough patches of land along the California coast and the Big Sur. In "Blind Luck," a wayward orphan finds his calling at sea, only to learn that life must concede to the whims of authority and the ravages of nature. In "Dark Watcher," with the country at the start of the Great Depression, a professor craves a plausible discovery to boost his academic standing—and encounters the Indian myth of a shadowed horsemen that may ruin his career. "An Unbecoming Grace" tracks the route of a country physician who cares for an ill-tempered cur—but feels more concern for the well-being of the patient's beleaguered young wife. The collection concludes with "Sing Fat and the Imperial Duchess of Woo," a novella that follows the tragic love story between a young apothecary and the woman he hopes to marry. Deeply felt and richly imagined, full of compelling drama and historical authenticity, Down to a Soundless Sea heralds the arrival of a bold new voice in fiction. Thomas Steinbeck has written stories as memorable and rugged as the coastline that inspired them.

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she's set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times "one of the quiet giants in the world of American fiction."