Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    With the whole school turned against her, and Angie not speaking to her, Lizzie takes her own life. But someone isn’t letting her go quietly. As graffiti and photocopies of Lizzie’s diary plaster the school, Angie begins a relentless investigation into who, exactly, made Lizzie feel she didn’t deserve to keep living. And while she claims she simply wants to punish Lizzie’s tormentors, Angie's own anguish over abandoning her best friend will drive her deep into the dark, twisted side of Verity High—and she might not be able to pull herself back out.Debut author Chelsea Pitcher daringly depicts the harsh reality of modern high schools, where one bad decision can ruin a reputation, and one cruel word can ruin a life. Angie’s quest for the truth behind Lizzie’s suicide is addictive and thrilling, and her razor-sharp wit and fierce sleuthing skills makes her impossible not to root for—even when it becomes clear that both avenging Lizzie and avoiding self-destruction might not be possible.

    Sure she is stressed out about college applications . . . who wouldn't be? In a few short months, everything's going to change, big time.But when Ally files her applications, they send up a red flag . . . because she's not Allison Smith. And Ally's-make that Amanda's-ordinary life is suddenly blown apart. Was everything before a lie? Who will she be after? And what will she do as now comes crashing down around her?

    No one can leave. No one knows what is going on.At first, there's the novelty of being stuck in a mega mall with free food and a gift certificate. But with each passing day, it becomes harder to ignore the dwindling supplies, inadequate information, and mounting panic.Then people start getting sick.Told from the point of view of two guys and two girls, this is a harrowing look at what can happen under the most desperate of circumstances, when regular people are faced with impossible choices. Some rise to the occasion. Some don't.And for some - it's too late.

    Living in a trailer park outside Washington, DC, with a mom who works as an exotic dancer, she knows better than to share anything that would make her a target with her classmates. Only her best friends know about her obsession with the personal ads, and Nearly hasn't told anyone about the emotions she can taste when she brushes against someone's skin.Then a serial killer goes on a murder spree and starts attacking students, leaving cryptic ads in the newspaper. Nearly might be the one person who can put all the clues together, and if she doesn't figure it out soon - she'll be next.Big, dark, scary, and brilliantly plotted, Nearly Gone will leave you guessing until the very end.

    Recovering from a scandal at her elite New York City private school that threw life into a tailspin, she is shipped off to live with her grandparents in the Pacific Northwest for the summer.Medicated and uninspired, Magda spends her days in a fog wandering the forest behind the house. But then she stumbles upon Bo. He's wild and free, and he can see the real her. Magda starts believing she might be able to move on from her past and feel something again.But there's more to this sleepy town than she thought. And what Magda finds in the woods near Bo's forest home is the beginning of a whole new nightmare...

    Ariel’s mom disappeared when she was a baby. Dad says home is wherever the two of them are, but Ariel is now seventeen and after years of new apartments, new schools, and new faces, all she wants is to put down some roots. Complicating things are Monica and Gabe, both of whom have stirred a different kind of desire. Maya’s a teenager who’s run from an abusive mother right into the arms of an older man she thinks she can trust. But now she’s isolated with a baby on the way, and life’s getting more complicated than Maya ever could have imagined. Ariel and Maya’s lives collide unexpectedly when Ariel’s mother shows up out of the blue with wild accusations: Ariel wasn’t abandoned. Her father kidnapped her fourteen years ago. What is Ariel supposed to believe? Is it possible Dad’s woven her entire history into a tapestry of lies? How can she choose between the mother she’s been taught to mistrust and the father who has taken care of her all these years? In bestselling author Ellen Hopkins’s deft hands, Ariel’s emotionally charged journey to find out the truth of who she really is balances beautifully with Maya’s story of loss and redemption. This is a memorable portrait of two young women trying to make sense of their lives and coming face to face with themselves—for both the last and the very first time.

    After a transformative summer, McKenna is welcomed into the elite group of popular girls at Weeping Willow High, led by the gorgeous Olivia Richmond. For the first time in a long time, things are looking up. But everything changes the night of Olivia’s Sweet Sixteen sleepover. Violet, the mysterious new girl in town, suggests the girls play a game during which Violet makes up elaborate, creepily specific stories about the violent ways the friends will die. Though it unsettles McKenna, it all seems harmless at the time. Until a week later, when Olivia dies…exactly as Violet predicted. As Violet rises to popularity and steps into the life Olivia left unfinished, McKenna becomes convinced Olivia’s death wasn’t just a coincidence, especially when a ghost haunting her bedroom keeps leaving clues that point to Violet. With the help of her cute neighbor, Trey, McKenna pledges to get to the bottom of Violet’s secrets and true intentions before it’s too late. Because it’s only a matter of time before more lives are lost.

    As the daughter of a con-artist who targets criminal men, she grew up as her mother’s protégé. But when mom fell for the mark instead of conning him, Nora pulled the ultimate con: escape.For five years Nora’s been playing at normal. But she needs to dust off the skills she ditched because she has three problems:#1: Her ex walked in on her with her girlfriend. Even though they’re all friends, Wes didn’t know about her and Iris.#2: The morning after Wes finds them kissing, they all have to meet to deposit the fundraiser money they raised at the bank. It’s a nightmare that goes from awkward to deadly, because:#3: Right after they enter bank, two guys start robbing it.The bank robbers may be trouble, but Nora’s something else entirely. They have no idea who they’re really holding hostage…

    He could be any man, any respectable, ordinary man.But he's not.This man watches the five Herbert girls—Beauty, Mim, Stevie, Fancy, and Autumn—with disturbing fascination.Unaware of his scrutiny and his increasingly agitated and forbidden thoughts about them, the sisters go on with their ordinary everyday lives—planning, arguing, laughing, and crying—as if nothing bad could ever breach the safety of their family.In alternating points of view, Norma Fox Mazer manages to interweave the lives of predator and prey in this unforgettable psychological thriller.

    How could she not? Her mother is Lila Shore—the Lila Shore—a film star who prizes her beauty and male attention above all else…certainly above her daughter.But Sydney’s worries multiply when she discovers that Lila is involved with the dangerous Jake, an art dealer with shady connections. Jake loves all beautiful objects, and Syndey can feel his eyes on her whenever he’s around. And he’s not the only one. Sydney is starting to attract attention—good and bad—wherever she goes: from sweet, handsome Nicco Ricci, from the unsettling construction worker next door, and even from Lila. Behaviors that once seemed like misunderstandings begin to feel like threats as the summer grows longer and hotter.It’s unnerving, how beauty is complicated, and objects have histories, and you can be looked at without ever being seen. But real danger, crimes of passion, the kind of stuff where someone gets killed—it only mostly happens in the movies, Sydney is sure. Until the night something life-changing happens on the stairs that lead to the beach. A thrilling night that goes suddenly very wrong. When loyalties are called into question. And when Sydney learns a terrible truth: beautiful objects can break.

    Jeremy once admitted he's able to hear voices, and the townspeople of Never Better have treated him like an outsider since. After his mother left, his father became a recluse, and it's been up to Jeremy to support the family. But it hasn't been up to Jeremy alone. The truth is, Jeremy can hear voices. Or, specifically, one voice: the voice of the ghost of Jacob Grimm, one half of the infamous writing duo, The Brothers Grimm.Jacob watches over Jeremy, protecting him from an unknown dark evil whispered about in the space between this world and the next. But when the provocative local girl Ginger Boultinghouse takes an interest in Jeremy (and his unique abilities), a grim chain of events is put into motion. And as anyone familiar with the Grimm Brothers know, not all fairy tales have happy endings...

    The grounds are beautiful and it’s fun to explore the sprawling house with its creepy rooms and secret passages. Except now her mom wants to renovate, rather than sell the estate—which means they're not going back to the city…or Seda's friends and school. As the days grow shorter, Seda is filled with dread. They’re about to be cut off from the outside world, and she’s not sure she can handle the solitude or the darkness it brings out in her.Then a group of teens get stranded near the mansion during a blizzard. Seda has no choice but to offer them shelter, even though she knows danger lurks in the dilapidated mansion—and in herself. And as the snow continues to fall, what Seda fears most is about to become her reality…

    Her earliest memories are marked by these numbers, but it takes her father’s premature death for Maddie and her family to realize that these mysterious digits are actually death dates, and just like birthdays, everyone has one.Forced by her alcoholic mother to use her ability to make extra money, Maddie identifies the quickly approaching death date of one client's young son, but because her ability only allows her to see the when and not the how, she’s unable to offer any more insight. When the boy goes missing on that exact date, law enforcement turns to Maddie.Soon, Maddie is entangled in a homicide investigation, and more young people disappear and are later found murdered. A suspect for the investigation, a target for the murderer, and attracting the attentions of a mysterious young admirer who may be connected to it all, Maddie's whole existence is about to be turned upside down. Can she right things before it's too late?

    College life isn’t what Emily expected.She expected to spend freshman year strolling through the ivy-covered campus with new friends, finally feeling like she belonged. Instead, she walks the campus alone, still not having found her place or her people so far away from home. But then the Kingdom finds her. The Kingdom, an exclusive on-campus group, offers everything Emily expected of college and more: acceptance, friends, a potential boyfriend, and a chance to spend the summer in Italy on a mission trip. But the trip is not what she thought it would be. Emily and the others are stripped of their passports and money. They’re cut off from their families back home. The Kingdom’s practices become increasingly manipulative and dangerous. And someone ends up dead.At times unsettling and always riveting, Those Who Prey looks at the allure of cult life, while questioning just how far we’re willing to go to find where we belong.