Two wandering adventurers and unlikely soulmates are variously plying their trades as swords for hire, horse thieves and con artists - until fortune entangles them in the myriad schemes and battles that follow a bloody coup in the medieval Jewish empire of the Khazars.

    Mary is the only one not killed and scalped. She is instead given to two Seneca sisters to replace their brother who was killed by whites. Emerging slowly from shock, Mary--now named Two-Falling-Voices--begins to make her home in Seneca culture and the wild landscape. She goes on to marry a Delaware, then a Seneca, and, though she contemplates it several times, never rejoins white society. Larsen alludes beautifully to the way Mary apprehends the brutality of both the white colonists and the native tribes; and how, open-eyed and independent, she thrives as a genuine American.

    Many of the city's lawyers, businessmen, and other professionals were black, as were all the tradesmen and stevedores. The black community outnumbered the white community by more than two to one. But the white civic leaders, many descended from the antebellum aristocracy, did not consider this progress. They looked around and saw working class white citizens out of jobs. They heard black citizens addressing white neighbors "in the familiar." They hated the fact that local government was run by Republican "Fusionists" sympathetic to the black majority. Rumors began to fly. The newspaper office turned into an arsenal. Secret societies espousing white supremacy were formed. Isolated incidents occurred: a shot was fired through a streetcar bearing white passengers, a black cemetery was desecrated. This incendiary atmosphere was inflamed further by public speeches from an ex-Confederate colonel and a firebrand black preacher. One morning in November, the almost inevitable gunfire began. By the time order was restored, many of the city's most visible black leaders had been literally put on trains and told to leave town, hundreds of black citizens were forced to hide out in the city's cemetery or the nearby swamps to avoid massacre, and dozens of victims lay dead. Based on actual events, Cape Fear Rising tells a story of one city's racial nightmare--a nightmare that was repeated throughout the South at the turn of the century. Although told as fiction, the core of this novel strikes at the heart of racial strife in America.Philip Gerard is the author of five novels and eight books of nonfiction, including Down the Wild Cape Fear: A River Journey Through the Heart of North Carolina and The Patron Saint of Dreams, winner of the 2012 North American Gold Medal in Essay/Creative Nonfiction from The Independent Publisher."[A] complex and convincing . . . story [that] smartly limns the tangled combination of economic, social and visceral elements that led Wilmington to violence . . . " --Publishers Weekly

    Gold has been discovered in the Yukon. New York is under the sway of Hearst and Pulitzer. And in a few months, an American battleship will explode in a Cuban harbor, plunging the U.S. into war. Spanning five years and half a dozen countries, this is the unforgettable story of that extraordinary moment: the turn of the twentieth century, as seen by one of the greatest storytellers of our time.Shot through with a lyrical intensity and stunning detail that recall Doctorow and Deadwood both, A Moment in the Sun takes the whole era in its sights—from the white-racist coup in Wilmington, North Carolina to the bloody dawn of U.S. interventionism in the Philippines. Beginning with Hod Brackenridge searching for his fortune in the North, and hurtling forward on the voices of a breathtaking range of men and women—Royal Scott, an African American infantryman whose life outside the military has been destroyed; Diosdado Concepcíon, a Filipino insurgent fighting against his country’s new colonizers; and more than a dozen others, Mark Twain and President McKinley’s assassin among them—this is a story as big as its subject: history rediscovered through the lives of the people who made it happen.

    The "tobacco brides" would be on board--eligible women seeking a better life in America, bartered for with barrels of tobacco from the fields.Drew O'Connor isn't stirred by news of a ship full of brides. Still broken-hearted from the loss of his beloved, he only wants a maid to tend his house and care for his young sister.What he ends up with is a wife—a feisty redhead who claims she is Lady Constance Morrow, daughter of an Earl, brought to America against her will. And she wants to go straight back to England as soon as she can. She hasn't the foggiest notion how to cook, dares to argue with her poor husband, and spends more time working on mathematical equations than housework. What kind of a wife is that? Drew's Christian forbearance is in for some testing.Headstrong and intelligent, deeply moral but incredibly enticing, Constance turns what was supposed to be a marriage of convenience into something most inconvenient, indeed.

    The dreams that Amanda Sternberg and her husband, Julius, had for their daughters are shattered when the Nazis descend on Berlin, burning down their beloved family bookshop and sending Julius to a concentration camp. Desperate to save her children, Amanda flees toward the south of France, where the widow of an old friend of her husband’s has agreed to take her in. Along the way, a refugee ship headed for Cuba offers another chance at escape and there, at the dock, Amanda is forced to make an impossible choice that will haunt her for the rest of her life. Once in Haute-Vienne, her brief respite is inter­rupted by the arrival of Nazi forces, and Amanda finds herself in a labor camp where she must once again make a heroic sacrifice.NEW YORK, 2015. Eighty-year-old Elise Duval receives a call from a woman bearing messages from a time and country that she forced herself to forget. A French Catholic who arrived in New York after World War II, Elise is shocked to discover that the letters were from her mother, written in German during the war. Despite Elise’s best efforts to stave off her past, seven decades of secrets begin to unravel.Based on true events, The Daughter’s Tale chronicles one of the most harrowing atrocities perpetrated by the Nazis during the war. Heart­breaking and immersive, it is a beautifully crafted family saga of love, survival, and redemption.

    From the Trinity River brakes to Denver, they’ll battle endless miles of flooded rivers, parched desert, and whiskey-crazed Comanches. And come face-to-face with Judge Roy Bean and legendary gunslingers like Clay Allison. For McCaleb and his hard-riding crew, the drive is a fierce struggle against the perils of an untamed land. A fight to the finish where the brave reach glory—or die hard.

    One girl’s life—and the lives of her people—are changed forever.To Pocahontas and her people, the Tidewater is the rightful home of the Powhatan tribe. To England, it is Virginia Territory, fertile with promise, rich with silver and gold. As Jamestown struggles to take root, John Smith knows that the only hope for survival lies with the Powhatan people. He knows, too, that they would rather see the English starve than yield their homeland to invaders. In the midst of this conflict, Pocahontas, the daughter of the great chief, forges an unlikely friendship with Smith. Their bond preserves a wary peace—but control can rest only in one nation’s hands. When that peace is broken, Pocahontas must choose between power and servitude—between self and sacrifice—for the sake of her people and her land.Revised edition: This edition of Tidewater includes editorial revisions.

    This is the story of Lin Kong, a man living in two worlds, struggling with the conflicting claims of two utterly different women as he moves through the political minefields of a society designed to regulate his every move and stifle the promptings of his innermost heart.For more than seventeen years, this devoted and ambitious doctor has been in love with an educated, clever, modern woman, Manna Wu. But back in the traditional world of his home village lives the wife his family chose for him when he was young--a humble and touchingly loyal woman, whom he visits in order to ask, again and again, for a divorce. In a culture in which the ancient ties of tradition and family still hold sway and where adultery discovered by the Party can ruin lives forever, Lin's passionate love is stretched ever more taut by the passing years. Every summer, his compliant wife agrees to a divorce but then backs out. This time, Lin promises, will be different.Tracing these lives through their summer of decision and beyond, Ha Jin vividly conjures the texture of daily life in a place where the demands of human longing must contend with the weight of centuries of custom. Waiting charms and startles us with its depiction of a China that remains hidden to Western eyes even as it moves us with its piercing vision of the universalcomplications of love.

    Minion pushed open the door of the cabin and immediately froze when he heard the shrilling sound of an infant crying. He knew, for sure, that when he’d left out this morning there weren’t any babies living with him, and as far as he could recollect, he wasn’t expecting none either.” Molly’s Memoir is a journey through the life and times of a woman who is raised by a Seneca Indian after she is abandoned on the porch of a log cabin in the hills of West Virginia. Growing up in the isolated Monongahela Mountains, she learns about love, faith, and of the craft of healing with medicinal herbs. The background of these stories begins in 1905 when West Virginia was wild and wooly, and continues to the later half of the 20th century, when a journalism student, who works at the Springfield Senior Care Facility, is recruited by two gray-haired, knee-high wearing women to inscribe Molly’s tales. Stories from the past, and from when the memoir is written in 1990, are intertwined as the most memorable events of a remarkable life, are revealed with a humor and a gentle touch. Molly’s Memoir offers a fascinating picture of a strong Native American woman, medicinal healing, historical events, biases, and the significance of family ties – even when you aren’t blood kin.

    But I kept hearing the splash." So begins The Well and the Mine, a magnificent debut novel set in 1930s Alabama. The place is Carbon Hill, a small coal-mining community, in the midst of the Depression. The Moore family, a loving brood of five, is better off than most, generous to their less fortunate neighbors. But darkness arrives at their doorstep when a mysterious woman throws a baby down the Moores' well, and the story slowly unfolds, through the alternating voices of nine-year-old Tess (who witnessed the crime); her older sister, Virgie; her brother, Jack; and her parents, Albert and Leta.The mystery of the baby and why the Moores' well was the chosen location for its disposal is the catalyst of this intimate novel -- the splash whose ripples widen to reveal a community divided by race and class. The revelation of this shadowy side of life in Carbon Hill is leavened by the awakening conscience of a family that survives adversity with pluck and determination. In her first novel, Phillips has found beauty, depth, and the promise of salvation in one strong Southern clan.

    . . THE LEGEND BEGINS When the Ridgeway family staked their claim on more than 40,000 acres of land in northwest Texas, they knew they had their work cut out for them. Located on a sharp bend of the treacherous Red River, their new home—the Rocking R Ranch—was just a stone’s throw away from Indian territory. It was as lawless and wild as the West itself, crawling with unsavory characters, cattle rustlers, horse thieves, outlaws, robbers, and worse. But still, the Ridgeways were determined to make the Rocking R a success—and a home—for their four remarkable children: Percy, Eli, Abigail, and Rachel. This is their story. Together, the Ridgeways could endure anything. Floods, tornadoes, Commanche raids in the dead of night. But when one of their own is kidnapped . . . that’s when all hell breaks loose. This is their story. The story of the American West.

    Most men would end their days in bed or take their own lives, but a gunfighter has a third option, one that Books decides to exercise. He may choose his own executioner.As word spreads that the famous assassin has incurable cancer, an assortment of human vultures gathers to feast on the corpse—among them a gambler, a rustler, a clergyman, an undertaker, an old love, a reporter, even an admiring teenager. What follows is the last courageous act in Books’s own legend.This classic, Spur Award–winning novel was chosen by the Western Writers of America as one of the best western novels ever written and was the inspiration for John Wayne’s last great starring role in the acclaimed 1976 film adaptation. The Bison Books edition includes a new introduction by the author’s son, Miles Swarthout, in which he discusses his father’s work and the making of the legendary film.

    Now, in The Forest Lover she traces the courageous life and career of Emily Carr, who, more than Georgia O'Keeffe or Frida Kahlo, blazed a path for modern women artists. Overcoming the confines of Victorian culture, Carr became a major force in modern art by capturing an untamed British Columbia and its indigenous peoples just before industrialization changed them forever. From illegal potlatches in tribal communities to artists studios in pre World War I Paris, Vreeland tells her story with gusto and suspense, giving us a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.

    After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure. Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who--if anyone--will survive when their paths finally cross? As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.