A producer for Britain’s most popular morning show working under a nightmare boss, Tash is well-versed in the trials and tribulations of twenty-first century dating. She and her three best friends certainly haven’t lived the fairy tale they thought they would: there’s Andy, who’s hooked on passion, but too much of a tomboy to have moved much beyond the beer-drinking contest stage; Mel, stuck in a steady but loveless relationship; and Emma, endlessly waiting for her other half to propose. Their love lives are only complicated by the sort of men who seem to drift in and out: Andrew—suave, good-looking and head over heels in love . . . with himself; Simon, who is allergic to commitment but has a bad-boy nature that’s impossible to resist; and Adam—perfectly attractive, but too sweet to be sexy. The bestselling first novel that launched Jane Green, one of the brightest stars in contemporary women’s fiction, Straight Talking sets the record straight regarding the real world of dating, and follows the adventures of Tash and her friends as they search for fulfillment and the right kind of love. Funny, flirty, and ultimately tender, Straight Talking gets at the heart of modern romance.

    But that doesn't mean that what Trudy overhears there during her great-aunt Gertrude's funeral won't change the rest of her life.Trudy has a daughter in the middle of a major rebellion; a two-timing husband who has been cheating for their entire married life; and a mother with Alzheimer's residing in the local nursing home. She doesn't really need a crumbling old house about to fall into nothing but a pile of memories and broken knickknacks. Billy Lee Tucker, resident oddball in Tishomingo, Oklahoma, lived next door to Gert, and in her will she leaves him the funds to help Trudy remodel the old house. That's fine with Billy Lee, because he's been in love with Trudy since before they started school. And just spending time with her is something he'd never ever allowed himself to dream about.A beautiful home rises up from the old house on Broadway, and right along with it rises up a relationship. But is Trudy too scarred from what she heard in the ladies' room to see a lovely future with Billy Lee?

    Her once-loving husband is hardly ever home. The supermommies on the playground routinely snub her. Her days are spent carpooling and enduring endless games of Candy Land, and at night, most of her orgasms are of the do-it-yourself variety.When a fellow mother is murdered, Kate finds that the unsolved mystery is the most exciting thing to happen in Upchurch, Connecticut, since her neighbors broke ground for a guesthouse and cracked their septic tank. Even though the local police chief warns her that crime-fighting's a job best left to the professionals, Kate launches an unofficial investigation -- from 8:45 to 11:30 on Mondays, Wednesdays, and Fridays, when her kids are in nursery school.As Kate is drawn deeper into the murdered woman's past, she begins to uncover the secrets and lies behind Upchurch's picket-fence facade -- and considers the choices and compromises all modern women make as they navigate between marriage and independence, small towns and big cities, being a mother and having a life of one's own.

    Henry is a lawyer, an old-fashioned man, gay, successful, and lonely. Thalia, his stepdaughter from a misbegotten marriage, is now twenty-nine, an actress, hopeful and estranged from her newly widowed crackpot mother. Hoping it will lead to better things for her career, Thalia poses as the girlfriend of a former sitcom star and current horror-movie luminary who is down on his romantic luck. When Thalia and her complicated social life move into the basement of Henry's Upper West Side townhouse, she finds a champion in her long-lost father, and he finds new life--and maybe even new love--in the commotion.

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    Hetty doesn't mind; at least she can be miserable in private. But 'private' is a relative term in a village which revolves around the big house. Particularly when you are expected to thwart Great Uncle Samuel's awful heir, and his nefarious plans for his inheritance.Pitchforked into the community's fight to save the manor, Hetty has no time to wallow. And once she has shared her troubles with one neighbour (Caroline: a very understanding shoulder, despite her glamorous appearance and impossibly long legs), and cast an appreciative eye over another (Peter: equally long-legged, but offering rather more practical help), she wonders if her heart is irretrievably broken after all...

    And his other wife, Julie Pride, is determined to take everything from Carla - her home, her money, and her memories.When Will Linton's business goes bust he at least thinks that with the support of his trophy wife Nicole he will rise to the top again. But Nicole isn't going to stick around with 'a loser' and Will finds himself at rock bottom.Molly Jones is being bullied into going into a retirement home by her 'concerned' daughter-in-law Sherry and son Gram. Then the love of Molly's life walks in through her door - a man who broke Molly's heart into little pieces many years ago. But he says he is dying and wants to spend the time he has left with her.All people in need of a little love and compassion which they find by chance in the stationery and teashop on the corner run by the ever-cheerful Leni, a woman that site developer Shaun McCarthy finds annoying beyond annoying for her ability to remain unrealistically upbeat about everything.But is the world of Leni Merryman as full of rainbows and sparkles as everyone thinks? Or is her smile papering over many cracks in her heart that will soon be shattered unwittingly by her new friends?

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    Henry's faithful, he adores her madly, and he's great fun to sleep with. So who needs the additional heartache?But even armed with powerful knowledge and a new resolve, Izzy starts to feel that familiar itch ... and it's all because of Nick. He's a vet for goodness sake -- confident, handsome and compassionate -- if a bit rough around the edges. After teasing her about Henry's unusual looks and questioning her most recent choice in men, Nick then has the gall to turn halfway charming. But he doesn't stop at halfway, and though she already has a best friend, Izzy realizes it doesn't preclude her from having a perfect match, too.

    Oblivious to the mayhem unfolding, Matthews highly strung wife frets over giving birth to twins and Katy's much younger boyfriend refuses to take fatherhood seriously.Love and life are messy but Katy and Matthew take things to a whole new level as deep emotions begin to resurface and hormones run riot.How will they navigate their way through this almighty pick-up?

    Completely crushed, Lottie reconnects with an old flame, and they decide to take drastic action. No dates, no moving in together, they’ll just get married . . . right now. Her sister, Fliss, thinks Lottie is making a terrible mistake, and will do anything to stop her. But Lottie is determined to say “I do,” for better, or for worse.

    Eileen is newly single and about to turn eighty. She'd like a second chance at love, but her tiny Yorkshire village doesn't offer many eligible gentlemen.Once Leena learns of Eileen's romantic predicament, she proposes a solution: a two-month swap. Eileen can live in London and look for love. Meanwhile Leena will look after everything in rural Yorkshire. But with gossiping neighbours and difficult family dynamics to navigate up north, and trendy London flatmates and online dating to contend with in the city, stepping into one another's shoes proves more difficult than either of them expected.Leena learns that a long-distance relationship isn't as romantic as she hoped it would be, and then there is the annoyingly perfect - and distractingly handsome - school teacher, who keeps showing up to outdo her efforts to impress the local villagers. Back in London, Eileen is a huge hit with her new neighbours, but is her perfect match nearer home than she first thought?

    Now that she’s marrying the man of her dreams, she’s sure this is the life she’ll get. Then Marnie meets Blix Holliday, her fiancé’s irascible matchmaking great-aunt who’s dying, and everything changes—just as Blix told her it would.When her marriage ends after two miserable weeks, Marnie is understandably shocked. She’s even more astonished to find that she’s inherited Blix’s Brooklyn brownstone along with all of Blix’s unfinished “projects”: the heartbroken, oddball friends and neighbors running from happiness. Marnie doesn’t believe she’s anything special, but Blix somehow knew she was the perfect person to follow in her matchmaker footsteps.And Blix was also right about some things Marnie must learn the hard way: love is hard to recognize, and the ones who push love away often are the ones who need it most.

    One Fifth Avenue, the Art Deco beauty towering over one of Manhattan's oldest and most historically hip neighborhoods, is a one-of-a-kind address, the sort of building you have to earn your way into -- one way or another. For the women in Candace Bushnell's new novel, One Fifth Avenue, this edifice is essential to the lives they've carefully established -- or hope to establish. From the hedge fund king's wife to the aging gossip columnist to the free-spirited actress (a recent refugee from L.A.), each person's game plan for a rich life comes together under the soaring roof of this landmark building. Acutely observed and mercilessly witty, One Fifth Avenue is a modern-day story of old and new money, that same combustible mix that Edith Wharton mastered in her novels about New York's Gilded Age and F. Scott Fitzgerald illuminated in his Jazz Age tales. Many decades later, Bushnell's New Yorkers suffer the same passions as those fictional Manhattanites from eras past: They thirst for power, for social prominence, and for marriages that are successful--at least to the public eye. But Bushnell is an original, and One Fifth Avenue is so fresh that it reads as if sexual politics, real estate theft, and fortunes lost in a day have never happened before. From Sex and the City through four successive novels, Bushnell has revealed a gift for tapping into the zeitgeist of any New York minute and, as one critic put it, staying uncannily "just the slightest bit ahead of the curve." And with each book, she has deepened her range, but with a light touch that makes her complex literary accomplishments look easy. Her stories progress so nimbly and ring so true that it can seem as if anyone might write them -- when, in fact, no one writes novels quite like Candace Bushnell. Fortunately for us, with One Fifth Avenue, she has done it again.

    After one amazing night together they parted ways. Now working on the picture desk for a glossy magazine in London, Bronte is about to meet a new colleague - who turns out to be all too familiar. Alex is now engaged, but the memory of the spark they felt when they met hasn't died. As Alex's wedding day looms, it is clear that he and Bronte have unfinished business... THE ONE WE FELL IN LOVE WITH was selected for the Zoella Book Club and Paige Toon's novels have been published across the world.Praise for Paige Toon's novels: 'You'll love it, cry buckets and be uplifted' MARIAN KEYES 'I blubbed, I laughed and I fell in love... utterly heart-wrenching' GIOVANNA FLETCHER 'Devoured this in one sitting' COSMOPOLITAN 'An absorbing and emotional read' HEAT