They just haven't met properly yet. And perhaps they never will . . . Today is the first day of the rest of your life is the motto on a plate in the kitchen at home, and Tess can't get it out of her head, even though she's in Florence for a final, idyllic holiday before university. Her life is about to change forever - but not in the way she expects. Gus and his parents are also on holiday in Florence. Their lives have already changed suddenly and dramatically. Gus tries to be a dutiful son, but longs to escape and discover what sort of person he is going to be. For one day, the paths of an eighteen-year-old girl and boy criss-cross before they each return to England.Over the course of the next sixteen years, life and love will offer them very different challenges. Separated by distance and fate, there's no way the two of them are ever going to meet each other properly . . . or is there?

    Seen through the eyes of young Linda Fallon and the young man who loves her.Anita Shreve, the bestselling author of The Pilot's Wife, returns with a dazzling new novel about love, forgiveness, and paths not followed. Linda Fallon encounters her former lover, Thomas Janes, at a literary festival where both have been invited to give readings from their work. It has been years since their paths crossed, and in that time Thomas has become a kind of literary legend. His renown is enhanced by his elusiveness; for most of the past decade, he has remained in seclusion following a devastating loss. This is no chance meeting. Thomas learned that Linda was reading at the festival and chose this moment to reestablish contact with a woman he passionately pursued years earlier. Their affair was disastrous, and a turning point in both their lives. Neither the intensity of their relationship nor the damage it did has ever been far from his memory. From the moment they speak, The Last Time They Met unfolds the story of Linda and Thomas in an extraordinary way: it travels back into their past, bypassing layers of memory and interpretation to present their earlier encounters with unshakable immediacy. In Africa, when Linda and Thomas were twenty-seven, and in Massachusetts, when they were in high school, the novel re-creates love at its exhilarating pinnacle - the kind of intense connection that becomes the true north against which all relationships are measured. Moving backward through time, The Last Time They Met traces the extraordinary resonance a single choice, even a single word, can have over the course of a lifetime. At the same time, the novel creates an almost unbearable mystery, a mystery that can only be understood fully in the novel's final pages, in the eyes of young Linda Fallon and the young man who loves her. With a master's control of phrase, observation, emotion, and character, Anita Shreve has written a beautiful and unforgettable exploration of intimacy, loss, and lifelong desire.

    . . Joni, Deb, Eden, and Trina have been best friends since high school, sharing a bond that has seen them through their teenage years and into adulthood. But now, time and circumstance is starting to pull them apart as careers, husbands, and babies get in the way. As their yearly vacation becomes less of a priority—at least for three of the women—how can Joni find a way to draw the four of them back together? Four secrets . . . During a laughter and wine-filled night, the women dare one another to write anonymous letters, spilling their deepest, darkest secrets. But the fun game turns devastating, exposing cracks in their lives and the friendships they share. Each letter is a dark confession revealing shocking information. A troubled marriage? A substance abuse problem? A secret pregnancy? A heartbreaking diagnosis? Five letters . . . Late on one of their last nights together, after the other three have gone to bed, Joni notices something in the fireplace—a burnt, crumpled, nearly destroyed, sheet of paper that holds the most shattering revelation of all. It is a fifth letter—a hate-filled rant that exposes a vicious, deeply hidden grudge that has festered for decades. But who wrote it? Which one of them has seethed with resentment all these years? What should Joni do?Best friends are supposed to keep your darkest secrets. But the revelations Joni, Deb, Eden and Trina have shared will ripple through their lives with unforeseen consequences . . . and things will never be the same.

    Evie Nicholson is in love . . . with the past. An antiques appraiser in a London shop, Evie spins fanciful attachments to Victorian picture frames, French champagne glasses, satin evening gloves, and tattered teddy bears—regardless of their monetary value. Alice Nicholson is in love . . . with Fraser Graham, a dashing Scotsman whom Evie secretly desires. As crisply neat and stylish as Evie is cheerfully cluttered, Alice is a professional organizer determined to pull her sister out of her comfort zone—and who presents her with an irresistible offer. As a favor to friends of Fraser's family, Evie jumps at the chance to appraise a Scottish castle full of artifacts and heirlooms. What could be more thrilling than roaming the halls of Kettlesheer and uncovering the McAndrews' family treasures—and dusty secrets?But crossing paths with moody heir Robert McAndrew has Evie assessing what she wants the most . . . and at an upcoming candlelight gala, a traditional dance will set her heart reeling.

    But the belongings she's treasured for so long just don't seem to fit who she is now.So Gina makes a resolution. She'll keep just a hundred special items - the rest can go.But that means coming to terms with her past and learning to embrace the future, whatever it might bring . . .

    Please write and tell me why you should live here.Toby Dobbs received a big Victorian house with too many bedrooms to count as a wedding present from his father, but his marriage is over within a month. Very alone, and very lonely, Toby posts an advertisement seeking the "Unexpectedly Alone" to become his roommates. Fifteen years later the wayward souls he takes in are still living with him, with no intention of leaving.2004. Please tell me how I can convince you to move out.Toby Dobbs has met Leah Pilgrim from across the road, and they're falling in love. But before they can begin a new life together, Toby and Leah must help Toby's house of sweet slackers and lovelorn misfits grow up, solve their problems, and set themselves free. But can their new relationship survive the test?

    I just wanted you to know I was safe...I won't be back for a while. I'm on a trip. I needed all of a sudden to go, without saying where, because I don't know where. I know this is not like me. I know that. But please believe me, I am safe and I am not crazy. I felt as though if I didn't do this I wouldn't be safe and I would be crazy...And can you believe this? I love you. - Nan.Sometimes you have to leave your life behind for a while to see it and really live freshly again. In this luminous, exquisitely written novel, a woman follows the pull of the moon to find her way home. Sometimes humorous, sometimes heartbreaking, always honest, The Pull of the Moon is a novel about the journey of one woman - and about the issues of the heart that transforms the lives of all women.

    Hilarious. Reassuring. Brilliant.' Laura Jane WilliamsThe highly-anticipated new novel from Holly Bourne, bestselling author of HOW DO YOU LIKE ME NOW?He said he was looking for a 'partner in crime' which everyone knows is shorthand for 'a woman who isn't real'.April is kind, pretty, and relatively normal - yet she can't seem to get past date five. Every time she thinks she's found someone to trust, they reveal themselves to be awful, leaving her heartbroken. And angry.If only April could be more like Gretel.Gretel is exactly what men want - she's a Regular Everyday Manic Pixie Dream Girl Next Door With No Problems.The problem is, Gretel isn't real. And April is now claiming to be her.As soon as April starts 'being' Gretel, dating becomes much more fun - especially once she reels in the unsuspecting Joshua.Finally, April is the one in control, but can she control her own feelings? And as she and Joshua grow closer, how long will she be able to keep pretending?

    Calling themselves the Saving Graces, the quartet is united by understanding, honesty, and acceptance -- a connection that has grown stronger as the years go by...Though these sisters of the heart and soul have seen it all, talked through it all, Emma, Rudy, Lee, and Isabel will not be prepared for a crisis of astounding proportions that will put their love and courage to the ultimate test.

    . . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

    This time around, the ladies are a bit older, a lot richer, but not particularly wiser nor more endearing than Bushnell's earlier heroines. Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need. This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg Q: Were Victory, Wendy, and Nico inspired by any real-life women? A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man. Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle." Q: What kind of research did you do to cover fashion, film, and publishing in one book? A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!

    Courtney Sullivan explored the complicated and contradictory landscape of female friendship. Now, in her highly anticipated second novel, Sullivan takes us into even richer territory, introducing four unforgettable women who have nothing in common but the fact that, like it or not, they’re family.For the Kellehers, Maine is a place where children run in packs, showers are taken outdoors, and old Irish songs are sung around a piano. Their beachfront property, won on a barroom bet after the war, sits on three acres of sand and pine nestled between stretches of rocky coast, with one tree bearing the initials “A.H.” At the cottage, built by Kelleher hands, cocktail hour follows morning mass, nosy grandchildren snoop in drawers, and decades-old grudges simmer beneath the surface.As three generations of Kelleher women descend on the property one summer, each brings her own hopes and fears. Maggie is thirty-two and pregnant, waiting for the perfect moment to tell her imperfect boyfriend the news; Ann Marie, a Kelleher by marriage, is channeling her domestic frustration into a dollhouse obsession and an ill-advised crush; Kathleen, the black sheep, never wanted to set foot in the cottage again; and Alice, the matriarch at the center of it all, would trade every floorboard for a chance to undo the events of one night, long ago.By turns wickedly funny and achingly sad, Maine unveils the sibling rivalry, alcoholism, social climbing, and Catholic guilt at the center of one family, along with the abiding, often irrational love that keeps them coming back, every summer, to Maine and to each other.

    When Nancy spies her Christmas present from her husband sitting on the lawn, she realises the jewelry she thought was for her must be on someone else. Her best friend Carmen isn't surprised (she never liked Jonathan) and persuades Nancy to leave Edinburgh and come and stay in her luxury London flat -- far too vast for Carmen since her husband, millionaire rock star Spike Todd, died. Soon Nancy's met gorgeous Connor O'Shea, who lives next door, and his daughter Mia is matchmaking -- not least because she'd like to see the back of Connor's current pushy girlfriend. Meanwhile Carmen, who's always been certain she doesn't want another man in her life, feels a spark when a handsome charity worker called Joe calls round. But Joe's not quite all he seems... The one you really want could be closer than you think. A sweet, funny, romantic novel from bestselling author Jill Mansell.

    Then she'd finally be able to arrange a face-to-face meeting with Nick, the British hunk she met online, who still thinks she's a size four. She'd finally be confident and graceful and thin-and there's that big cash prize, too, to pay for all those slinky new clothes she'd need. She'd finally have the perfect life.

    But the rich, peppery scent of her Nonna’s soup draws an unexpected visitor into the kitchen: the ghost of Nonna herself, dead for twenty years, who appears with a cryptic warning (“do no let her…”) before vanishing like steam from a cooling dish.A haunted kitchen isn’t Ginny’s only challenge. Her domineering sister, Amanda, (aka “Demanda”) insists on selling their parents’ house, the only home Ginny has ever known. As she packs up her parents’ belongings, Ginny finds evidence of family secrets she isn’t sure how to unravel. She knows how to turn milk into cheese and cream into butter, but she doesn’t know why her mother hid a letter in the bedroom chimney, or the identity of the woman in her father’s photographs. The more she learns, the more she realizes the keys to these riddles lie with the dead, and there’s only one way to get answers: cook from dead people’s recipes, raise their ghosts, and ask them.