Layla James, a recent graduate and budding photographer, never knew anything about her father except that he named her for the iconic song by Eric Clapton. Her mother--steeped in a political activism that Layla rejects--kept their past shrouded in secrecy, and when she dies of cancer, she leaves only an enigmatic letter--the first in a series that will lead Layla through a cross-country network of '60s radicals and closer to the bombshell at the heart of her parents' past. As Layla makes her way from the East Coast to a commune in the California desert, she discovers more about friendship, love, forgiveness, and the personal repercussions of political activism than she could ever have imagined. A stirring and panoramic story, viewed through the lens of the next generation, this exceptional debut novel brings the gestalt of the '60s into focus and sheds new light on the era's legacy in the new millennium.From the Back Cover"Celine Keating's deftly plotted novel takes readers on a gripping journey along the underground railroad of post-'60s radicalism. . . . Every adult has to reinterpret the story of her childhood. Keating beautifully demonstrates the courage it takes for each of us to face that bittersweet truth." --LARRY DARK, Director of The Story Prize "A beautiful book--at once nostalgic and fresh--that will go straight to your heart and lodge there." --ALETHEA BLACK, author of I Knew You'd Be Lovely " An] emotional page-turner. Layla's coming to terms with her parents' dangerous activism is heart wrenching due to Keating's delightfully drawn characters. This novel also serves as a compelling lesson in our values and how drastically they've changed. It serves as a better history than any essay or screed." --SUSAN BRAUDY, author of Family Circle "As Layla James drives cross-country, following the cryptic directions of her late mother, she meets a wide and sharply drawn group of veteran radicals who all play a part in the search for her mysterious father. . . . Keating keeps the pace fast and the suspense high . . . You'll want to ride with her every mile of the way " --ROBERT HERSHON, editor of Hanging Loose Press "A triumph of political literature . . . as informative as it is impossible to put down." --MARNIE MUELLER, author of My Mother's Island "Evoked in beautiful prose and telling details . . . Layla] brings to life the complexity of family dynamics, with all its conflicts, dangers and rewards." --NAHID RACHLIN, author of Persian Girls: A Memoir

    When Charlie vanishes without warning, the people who love her are worried sick. Even if the law considers her an adult at nineteen, Charlie's still the baby of her already broken family. Older sister Olivia is determined to figure out what's happened. She finds a lost cell phone, an abandoned car and a shady boyfriend she's never met before. And he's not the only secret Charlie's been keeping.This disappearance feels uncomfortably familiar, reminding Olivia and her father of another loss years before. But this will be different, Olivia swears. Charlie's coming back.

    Spanning several generations and transporting us to exotic locations in Europe, Asia, and America, this wise and exquisite story collection marks the debut of a gifted new voice in literature.

    Of course it wasn’t. But if she’d just grasped harder, run faster, lunged quicker, she might have saved him. And Edward doesn’t really blame her, though his bitter words at the time still haunt her, and he can no more take them back than she can halt the car that killed their son.Two years on, every day is a tragedy. Edward knows they should take healing steps together, but he’s tired of being shut out. For Zoe, it just seems easier to let grief lead the way.A weekend in Paris might be their last hope for reconciliation, but mischance sees them separated before they’ve even left Gare du Nord. Lost and alone, Edward and Zoe must try to find their way back to each other—and find their way back to the people they were before. But is that even possible?

    To those who didn’t know, the biscuit factory that towered over Carlisle might look like just another slice of the industrial North, a noisy and chaotic place with workers trooping in and out at all hours. For the biscuit girls it was a place where they worked hard, but also where they gossiped, got into scrapes and made lifelong friends. Outside the factory walls there might be difficult husbands or demanding kids, and sometimes even heartbreak and tragedy, but they knew there would always be an escape from their troubles at Carr's. Some, like Barbara, only applied because she needed the extra cash, until things got a bit easier at home. Her supervisor cross examined her about who would be looking after the kids while she was at work, but let her have the job. Like many of the women who joined up ‘temporary’ Barbara went on to stay at Carrs for 32 years.Beginning in the 1940s, these heartwarming and vividly-remembered stories have all been told by the women themselves to Hunter Davies.

    A small collection of short stories, sold as part of the boxed set "One Hundred and Forty Five Stories in a Small Box: Hard to Admit and Harder to Escape, How the Water Feels to the Fishes, and Minor Robberies"

    Cope continues to be the most generous of authors, sharing her experience of childhood and marriage and writing poignantly about the passing of time. In several of the poems she reimagines Shakespeare in unorthodox fashion; in others she offers heartfelt tributes to friends and to public figures including Eric Morecambe and John Cage.Anecdotal Evidence demonstrates the formal brilliance and empathetic insight which have delighted readers for years, and shows why Wendy Cope is one of our best-loved poets.

    A woman who can’t even kill a spider, Hadley soon finds herself pushed to the limits as she fights to protect her family.Grace, new mother of baby Miles, desperately wants to put her rough past behind her for good, but she finds it impossible when her path crosses with Hadley’s, and her quest for a new start quickly spirals out of control and turns into a terrifying flight for survival.Stronger together than apart, the two find their fates inextricably entwined, and as the danger closes in, each must decide how much she is willing to risk for the other.A powerful story of self-discovery, Hadley and Grace is the heart-racing tale of two women facing insurmountable odds, racing to stay one step ahead of the trouble that is chasing them, and discovering new kinds of love and family along the way.

    Her husband leaves her for another woman, and her best friend announces an unplanned pregnancy at the age of forty-one. Bernie's behavior goes from acting out to out-of-hand, and she finds herself in trouble at home, out of work and banned from the mall after a confrontation at the cosmetic counter.When her mother discovers her father's book of cryptograms, Bernie realizes his encoded lessons in living might be exactly what she needs to survive. From dealing with her family's grief and bonding with her best friend's thirteen-year-old daughter, to dieting, dating and mindless almost-sex with the landscaper, Bernie discovers what her father always knew.In life, you either choose to sing a rainbow, or you don't.For Bernie, the singing is about to begin.

    Sometimes they never get over it, destined to be alone for the rest of their lives. And no matter how hard they try, they can’t be happy, because the guilt is enough to kill them too.When my husband dies in a freak boating accident, I’m barely able to function, let alone pick up the pieces of my shattered life. Yes, we had our problems, but I never wanted him to die. My friends tell me it’s time for me to move on and when I finally try to put the past behind me, it comes back to me, shattering everything I thought I knew about my past, my husband and my future.Somebody is lying and will do anything to stop me from finding the truth. But I have to know. Did my husband really die in the waters of Broken Sound?

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.

    Scandal. Ooh la la. Marie Witherspoon is having a terrible year. Her boss (aka her mother) fires her so she can concentrate on having babies. Her husband (aka a United States Senator) dumps her for his mistress—who regularly humiliates Marie in her “style” (aka gossip) blog. Marie has gone from being one half of the young It Couple in Washington, DC to being … well, she’s not sure what anymore. But Marie does have one very powerful weapon on her side: her best friend Nishi Bhat, a ball-breaking public relations maven who was never a big fan of Marie’s senator husband to begin with. It was her idea to burn Marie’s wedding dress and dump the ashes in the Potomac River. And her idea for Marie to rekindle an old hobby with one sexy-as-hell French artist who claims that (a) he can teach Marie how to draw and (b) “not all seeing is done with the eyes.” A young wife cast aside. A dark and brooding French artist. An ambitious politician up for re-election—and his equally ambitious mistress. Throw in an artistic collaboration involving (ahem) risqué paintings and not even Nishi can anticipate what will happen next ... Perfect for fans of Lauren Weisberger and Sophie Kinsella, The Senator’s Wife is a sexy, on-the-edge-of-your-seat romp that will have readers turning the pages late into the night. “White hot”—Kirkus Reviews (The Senator's Wife was previously published in two volumes as Drawing Lessons and Chiaroscuro.)

    Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. “Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

    Now, with Goldenrod, the award-winning poet returns with a powerful collection of poems that look at parenthood, solitude, love, and memory. Pulling objects from everyday life—a hallway mirror, a rock found in her son’s pocket, a field of goldenrods at the side of the road—she reveals the magic of the present moment. Only Maggie Smith could turn an autocorrect mistake into a line of poetry, musing that her phone “doesn’t observe / the high holidays, autocorrecting / shana tova to shaman tobacco, / Rosh Hashanah to rose has hands.”​

    Widely ranging in time and place, these subversive tales -- by Grace Paley, Bessie Head, Katherine Mansfield, Elizabeth Jolley, Djuna Barnes, Colette, Angela Carter, Jamaica Kincaid, Ama Ata Aidoo, Jane Bowles and many more -- all have one thing in common: to restore adventuresses and revolutionaries to the rightful position as models for all women, everywhere. Leonora Carrington's debutante swaps places with a hyena who exchanges the cage for the ball -- and goes dressed to kill. Christina Stead's seedy seducer is eventually wrecked by the utterly conventional bride. Some of these stories celebrate toughness and resilience, some of them low cunning: all of them are about not being nice.