The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    Here are those "last laughs" and "wit's end" pieces everyone turns to first but then loses in back issues of favorite magazines and newspapers, including:Merrill Markoeon Networking with angelsGarry Trudeau on re-retranslating MadonnaDavid Sedaris on reviewing school Christmas PlaysJohn Updike on cross-dressing with J. Edgar HooverAlso included are riotous contributions from Henry Alford, Jon Stewart, and David Ives, as well as millennial maxims by Mark O'Donnell, gardening advice by Mertensia Corydalis, and highlights from Randy Cohen's savvy "News Quiz."Brought to you by The Thurber House

    In Blueprints for Building Better Girls, her highly anticipated follow-up, she has crafted another provocative, keenly observed, and wickedly smart work of fiction that maps America's shifting cultural landscape from the late 1970s to the present day.In these eight darkly funny linked stories, Schappell delves into the lives of an eclectic cast of archetypal female characters—from the high school slut to the good girl, the struggling artist to the college party girl, the wife who yearns for a child to the reluctant mother— to explore the commonly shared but rarely spoken of experiences that build girls into women and women into wives and mothers. In “Monsters of the Deep,” teenage Heather struggles to balance intimacy with a bad reputation; years later in “I’m Only Going to Tell You This Once,” she must reconcile her memories of the past with her role as the mother of an adolescent son. In “The Joy of Cooking,” a phone conversation between Emily, a recovering anorexic, and her mother explores a complex bond; in “Elephant” we see Emily’s sister, Paige, finally able to voice her ambivalent feelings about motherhood to her new best friend, Charlotte. And in “Are You Comfortable?” we meet a twenty-one-year-old Charlotte cracking under the burden of a dark secret, the effects of which push Bender, a troubled college girl, to the edge in “Out of the Blue into the Black.” Weaving in and out of one another’s lives, whether connected by blood, or friendship, or necessity, these women create deep and lasting impressions. In revealing all their vulnerabilities and twisting our preconceived notions of who they are, Elissa Schappell, with dazzling wit and poignant prose, has forever altered how we think about the nature of female identity and how it evolves.

    Kennedy Jr., from The Atlantic Monthly “Watching the Detectives” by Jay Kirk, from Harper’s Magazine “For the Love of God” by Jon Krakauer, from GQ “Chief Bratton Takes on LA” by Heather Mac Donald, from City Journal “Not Guilty by Reason of Afghanistan” by John H. Richardson, from Esquire “Megan’s Law and Me” by Brendan Riley, from Details “Unfortunate Con” by Mark Schone, from The Oxford American “To Kill or Not to Kill” by Scott Turow, from The New Yorker

    In “Floor Plans,” a woman at the end of her marriage tests her power when she inadvertently befriends the neighbor trying to buy her apartment. In “Appetite,” a sixteen-year old grieving her mother’s death experiences first love and questions how much more heartbreak she and her family can endure. In “Dinosaurs,” a recent widower and a young babysitter help each other navigate how much they have to give—and how much they can take—from the people around them. Through stories that are at once empathetic and unexpected, these women and girls defiantly push the boundaries between selfishness and self-possession. With a fresh voice and bold honesty, Back Talk examines how narrowly our culture allows women to express their desires.

    These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style.These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.

    Each of the writers was asked to write a new story based on one of his or her most famous series. Stephen King tells a tale of Roland, the Gunslinger, in the world of The Dark Tower, in "The Little Sisters of Eluria."Terry Pratchett relates an amusing incident in Discworld, of a magical contest and the witch Granny Weatherwax, in "The Sea and Little Fishes"Terry Goodkind tells of the origin of the Border between realms in the world of The Sword of Truth, in "Debt of Bones."Orson Scott Card spins a yarn of Alvin and his apprentice from the Tales of Alvin Maker, in "Grinning Man."Robert Silverberg returns to Majipoor and to Lord Valentine's adventure in an ancient tomb, in "the Seventh Shrine."Ursual K. Le Guin adds a sequel to her famous books of Earthsea, portraying a woman who wants to learn magic, in "Dragonfly."Tad Williams tells a dark and enthralling story of a great and haunted castle in the age before Memory, Sorrow, and Thorn, in "The Burning Man."George R.R. Martin sets his piece a generation before his epic, A Song of Ice and Fire, in the adventure of "The Hedge Knight."Ann McCaffrey, the poet of Pern, returns once again to her world of romance and adventure in "Runner of Pern."Raymond E. Feist's Riftwar Saga is the setting of the tale of "The Wood Boy."Robert Jordan, in "New Spring," tells of crucial events in the years leading up to The Wheel of Time, of the meeting of Lan and Moiraine and the beginning of the search for the child who must grow to lead in the Last Battle.

    The girl detective must go to the underworld to solve the case of the tap-dancing bank robbers. A librarian falls in love with a girl whose father collects artificial noses. A dead man posts letters home to his estranged wife. Two women named Louise begin a series of consecutive love affairs with a string of cellists. A newly married couple become participants in an apocalyptic beauty pageant. Sexy blond aliens invade New York City. A young girl learns how to make herself disappear.These eleven extraordinary stories are quirky, spooky, and smart. They all have happy endings. Every story contains a secret prize. Each story was written especially for you.Stories from Stranger Things Happen have won the Nebula, Tiptree, and World Fantasy Award. Stranger Things Happen was a Salon Book of the Year, one of the Village Voice's 25 Favorite Books of 2001, and was nominated for the Firecracker Alternative Book Award.Contents:- Carnation, Lily, Lily, Rose (1998)- Water Off a Black Dog's Back (1995)- The Specialist's Hat (1998)- Flying Lessons (1995)- Travels with the Snow Queen (1996/1997)- Vanishing Act (1996)- Survivor's Ball, or, The Donner Party (1998)- Shoe and Marriage (2000)- Most of My Friends Are Two-Thirds Water (2001)- Louise's Ghost (2001)- The Girl Detective (1999)Cover painting by Shelley Jackson

    The title story, "Unicorn Variation", was written as a result of Zelazny having been asked to contribute to two different upcoming anthologies — one collecting stories set in bars, and one collecting stories about unicorns. When Zelazny mentioned these requests to his close friend George R. R. Martin, the other told Zelazny of a third upcoming anthology — one which would collect stories about chess — and jokingly suggested that Zelazny write a story about playing chess against a unicorn in a bar, so that he could sell the story three times. Zelazny did just that and then went on to win a Hugo Award for the story.Contents:Introduction (Unicorn Variations) [essay] (1983)Unicorn Variation (1981)The Last of the Wild Ones [Sam Murdock] (1981)Recital (1981)The Naked Matador (1981)The Parts That Are Only Glimpsed: Three Reflexes [essay] (1978)Dismal Light [Francis Sandow] (1968)Go Starless in the Night (1979)But Not the Herald (1965)A Hand Across the Galaxy (1967)The Force That Through the Circuit Drives the Current (1976)Home is the Hangman [Nemo] (1975)Fire and/or Ice, Exeunt Omnes, A Very Good Year ... [essay] (1983)Fire and/or Ice (1980)Exeunt Omnes (1980)A Very Good Year ... (1979)My Lady of the Diodes (1970)And I Only Am Escaped to Tell Thee (1981)The Horses of Lir (1981)The Night Has 999 Eyes (1964)Angel, Dark Angel (1967)Walpurgisnacht (1981)The George Business (1980)Some Science Fiction Parameters: A Biased View [essay] (1975)

    Told with lust and affection, karate and tenderness, slapstickery, ferocity, and heart, Hot Pink is the work of a major talent in his sharpest form.*Hot Pink comes in three resplendent colors (pink, gray and blue).

    Dubner (the coauthor of Freakanomics) about a high-society silver thief, and an extraordinarily memorable "ode to bar fights" written by Jonathan Miles for Men's Journal after he punched an editor at a staff party. But this year's edition includes a bonus -- an original essay by James Ellroy detailing his fascination with Joseph Wambaugh and how it fed his obsession with crime -- even to the point of selling his own blood to buy Wambaugh's books. Smart, entertaining, and controversial, The Best American Crime Writing is an essential edition to any crime enthusiast's bookshelf.The girls next door / Peter Landesman --The ones that got away / Robert Draper --The family man / Skip Hollandsworth --Mysterious circumstances / David Grann --The virus underground / Clive Thompson --Punch drunk love / Jonathan Miles --The terror web / Lawrence Wright --Anatomy of a foiled plot / Craig Horowitz --To catch an oligarch / Justin Kane and Jason Felch --A long way down / Bruce Porter --Fine disturbances / Jeff Tietz --The silver thief / Stephen J. Dubner --Stalking her killer / Philip Weiss --Social disgraces / Debra Miller Landau --The self-destruction of an M.D. / Neil Swidey --Choirboys / James Ellroy

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Clarke is the most celebrated science fiction author alive. He is—with H. G. Wells, Isaac Asimov, and Robert A. Heinlein—one of the writers who define science fiction in our time. Now Clarke has cooperated in the preparation of a massive, definitive edition of his collected shorter works. From early work like "Rescue Party" and "The Lion of Comarre," through classics like "The Star," "Earthlight," "The Nine Billion Names of God," and "The Sentinel" (kernel of the later novel, and movie, 2001: A Space Odyssey), all the way to later work like "A Meeting with Medusa" and "The Hammer of God," this immense volume encapsulates one of the great SF careers of all time.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    We wanted to make a book that charged people with telling real stories about sex but didn't pressure them to turn anyone on. Coming & Crying aims not for conclusions about sex but for the truth that is found in our shared experience of it. We recognize each other as human not through a singular narrative, but in our own particular stories.There are twenty-four stories in this book and we hope all of them will knock you out or wake you up or make you feel less alone. You'll encounter at least twenty-four people in a way one does not usually. Some of the names you'll recognize, because they are established writers or your friends or people you follow on the Internet already. That's how we know them, too.