Shipman delivers a powerful, action-packed novel that illustrates the long-buried secrets and unending costs of war--based on the true story of General Patton's clandestine unauthorized raid on a World War II POW camp. March, 1945. Allied forces are battle-worn but wearily optimistic. Russia's Red Army is advancing hard on Germany from the east, bolstering Allied troops moving in from the west and north. Soon, surely, Axis forces must accept defeat. Yet for Captain Jim Curtis, each day is a reminder of how unpredictable and uncertain warfare can be.Captured during the Battle of the Bulge after the Germans launched a devastating surprise attack, Curtis is imprisoned at a POW camp in Hammelburg, Bavaria. Conditions are grim. Inmates and guards alike are freezing and starving, with rations dwindling day by day. But whispers say General Patton's troops are on the way, and the camp may soon be liberated.Indeed, fifty miles away, a task force of three hundred men is preparing to cross into Germany. With camps up and down the line, what makes Hammelburg so special they don't know, but orders are orders. Yet their hopes of evading the enemy quickly evaporate. Wracked by poor judgment, insufficient arms, and bad luck, the raid unravels with shattering losses. The liberation inmates hoped for becomes a struggle for survival marked by a stark choice: stay, or risk escaping into danger--while leaving some behind.For Curtis, the decision is an even more personal test of loyalty, friendship, and the values for which one will die or kill. It will be another twenty years before the unsanctioned mission's secret motivation becomes public knowledge, creating a controversy that will forever color Patton's legacy and linger on in the lives of those who made it home at last--and the loved ones of those who did not.

    Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," she has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence.

    Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil War to Wounded Knee and Vietnam -- and finds the balm to heal her wild and wounded soul.

    Behind Edith Wharton, there was Anna Bahlmann—her governess turned literary secretary, and her mothering, nurturing friend. When at the age of forty-five, Edith falls passionately in love with a dashing younger journalist, Morton Fullerton, and is at last opened to the world of the sensual, it threatens everything certain in her life but especially her abiding friendship with Anna. As Edith’s marriage crumbles and Anna’s disapproval threatens to shatter their lifelong bond, the women must face the fragility at the heart of all friendships. Told through the points of view of both women, The Age of Desire takes us on a vivid journey through Wharton’s early Gilded Age world: Paris with its glamorous literary salons and dark secret cafés, the Whartons’ elegant house in Lenox, Massachusetts, and Henry James’s manse in Rye, England. Edith’s real letters and intimate diary entries are woven throughout the book. The Age of Desire brings to life one of literature’s most beloved writers, whose own story was as complex and nuanced as that of any of the heroines she created.

    But for Signora Maria Ferraro, the bright yellow blooms carry only bitter memories. Though she loved them as a child, sunflowers have come to represent the most painful episode of her life. Not even her cherished daughter, Anabella, knows what happened to her during World War II, when the Germans overran her hometown of Florence and Signora Ferraro fell in love with a Resistance fighter. In the aftermath of loss and grief she found salvation through an unlikely source—cultivating roses on her farm in the Tuscan countryside. Now the blossoms symbolize everything that is both good and safe, and she nurtures them with as much care as she guards her past. Yet to Anabella, the rose farm that once delighted her has become little more than a pretty prison. Despite her beautiful surroundings, Anabella longs for more. During one of her regular visits to Siena to sell their flowers, Anabella encounters a handsome young artist named Dante Galletti. His canvases are filled with images of a girl who looks just like Anabella—and Dante claims to have seen her in his dreams, running through a sunflower field. Through Dante, Anabella begins to see sunflowers, her cloistered existence, and the world itself through new eyes. As their relationship deepens, Anabella knows she will soon have to choose between loyalty to her mother, and the risks and rewards of living on her own terms. Alternating between the viewpoints of both mother and daughter, and between Italy during World War II and a quarter-century later, The Sunflower Girl is a poignant and moving story of the choices we make in the name of love, and the secrets that echo through generations.

    In this, his second work of fiction about Vietnam, O'Brien's unique artistic vision is again clearly demonstrated. Neither a novel nor a short story collection, it is an arc of fictional episodes, taking place in the childhoods of its characters, in the jungles of Vietnam and back home in America two decades later.

    Based on the wartime diaries of the author’s father, the novel tells the story of Tholdi, a 16-year-old Jewish boy living in Czernowitz—now known as Chernivtsi in Ukraine—during WWII. Tholdi is a musical prodigy who wants to become a conductor, but the year is 1941, and he and his family are forced into the Czernowitz ghetto. After two weeks in appalling conditions, they manage to bribe their way out as ‘skilled Jews’ and Tholdi gets a job at a weaving mill. However, before long he learns that the two brothers in charge are Nazi collaborators who are receiving a hefty commission for herding Jews onto trains bound for the concentration camps of Transnistria. Thanks to a chance encounter with a Romanian ‘gypsy’, Tholdi devises a way to save himself and his family—but it comes at a cost, especially to his integrity. This book is a fascinating retelling of true events, painting a vivid picture of Czernowitz and what is often called the forgotten Holocaust in Transnistria. Rick Held’s experience as a television screenwriter and editor shows in the fast pacing of the narrative, which will also appeal to anyone who enjoys well-developed historical writing.

    In the belief that Steinbeck already adequately explored the subject matter, Babb's lyrical novel about a farm family's relentless struggle to survive in both Depression-era Oklahoma and in the California migrant labor camps gathered dust for decades. Rescued from obscurity by the University of Oklahoma Press, the members of the poor but proud Dunne family and their circle of equally determined friends provide another legitimate glimpse into life on the dust-plagued prairies of the Southwest and in the fertile, but bitterly disappointing, orchards and vineyards of the so-called promised land. Babb, a native of Oklahoma's arid panhandle and a volunteer with the Farm Security Administration in Depression-era California, brings an insider's knowledge and immediacy to this authentically compelling narrative. A slightly less political, more female-oriented, companion piece to The Grapes of Wrath.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    Enraged at being ordered away from what he believes is the real fight against Nazism and Fascism, he wants to get back to Paris as soon as possible, even though he knows it means almost certain death.In New York he is shocked and sickened to encounter a now alien America increasingly dominated by right-wing extremists, including a new radio celebrity, Walter Ventnor. After a tense encounter with his friend and mentor William Stephenson, he agrees to temporarily pursue a Nazi commercial envoy, Hans Ludwig, and try and stop him from stealing American submarine warfare secrets. Hawkins follows Lugwig to the elite Saratoga racing meeting, where Ludwig is cultivating top American business leaders. There he meets the scion of an ancient and aristocratic New York family, Daisy van Schenck. Fascinated by her after he persuades her to throw Ludwig out of her mansion, which Ludwig has rented, Hawkins finds himself increasingly attracted to Daisy and a different life. When Hawkins discovers a Nazi plot to rig the presidential election, he is forced to choose between duty and the woman he loves.

    Army infantry battalion in Europe through the last months of the Second World War—through the Battle of the Bulge, the Allied sweep across Germany, and the discovery of the Nazi death camps. Jacob Levy, a young soldier from St. Louis, has never given much thought to politics, world affairs, or his own Jewish heritage, but after the liberation of Dachau, he confronts the horror of the Holocaust and takes his own violent revenge. Jolted into a new understanding of humanity’s connectedness, he comes to terms with his own Jewish identity and grapples with questions of individual moral responsibility that are still contemporary fifty years later. In her afterword, Martha Gellhorn traces the roots of the novel in her own experience as a war correspondent who first heard of the Nazi concentration camps during the Spanish Civil War and herself got to Dachau a week after American soldiers discovered the camp at the end of a village street.

    Beginning with the title story, which introduces Bobbie Kaplowitz—a single mother in 1954 Brooklyn whose lover is married and whose understanding of life is changed by a broken kitchen appliance—Mattison displays her unparalleled gift for storytelling and for creating rich, multidimensional characters, a gift that has led the Los Angeles Times to praise her as "a writer's writer."In case we're separated --Not yet, not yet --I am not your mother --In the dark, who pats the air --Brooklyn Sestina --Election day --The bad Jew --Future house --Change --Ms. Insight --Boy in winter --Pastries at the bus stop --The odds it would be you

    At Hannesford Court, it's almost as if nothing has changed.But beneath the surface, nothing is quite the same as the last time they met there. A few faces are missing, and for Tom Allen, only just out of uniform, the desirable daughter of the house suddenly seems within his reach.Then there is the story of the young woman who was found drowned in the swirling waters of the River Hann while Tom was away. Can one unexplained death be significant when so many millions have died in the trenches?

    Although frightened, eighteen-year-old Betsy Russell (an ancestor to actor Kurt Russell) of Menotomy Village, Massachusetts, wants to be prepared in case of attack by British troops. Her father, prosperous farmer Jason, is the fourth generation of Russells on this land yet their very rights as British Colonials are being stripped away one by one. Will the King of England take their land as well? Tensions are growing here in the countryside west of Boston and the outbreak of battle seems a certainty. Jason desperately wants to protect his family his wife, children and grandchildren and their future. Betsy makes every attempt to be prepared for the worst. But not even the American militia could have predicted the bloody massacre that was about to occur right on the Russells' doorstep. If Betsy loses everything she holds dear, are the rights of all the Colonists endangered? Fields of the Fatherless is based on a true story.

    One man catches her eye and she cannot forget him. The following day she receives an urgent message to contact the local priest: he needs her help.   Miranda is a photography student in Berlin in 1989 as the Wall falls. Trapped in an abusive relationship, her one hope for escape is an old postcard of the village her grandmother, Detta, was born in. As Miranda flees through the rubble of the Berlin wall and into the East, she begins to suspect she’s being followed by the Stasi.  Two very different timelines; two women who share a history and a dark secret. Can they save each other now the time has come to reveal it?Acclaim for Clare Harvey's novels: 'Had me enthralled' Kate Furnivall ‘Will delight all those who love a good wartime story’ Dilly Court 'A gripping story' Julie Cohen 'An exceptional talent' Kate Rhodes 'A triumph' Jill Mansell 'Heartwarming, enjoyable and full of surprises' Elizabeth Chadwick ‘A real page-turner’ Ellie Dean