In riveting prose, Shacochis builds a complex and disturbing story about the coming of age of America in a pre-9/11 world.When humanitarian lawyer Tom Harrington travels to Haiti to investigate the murder of a beautiful and seductive photojournalist, he is confronted with a dangerous landscape riddled with poverty, corruption, and voodoo. It’s the late 1990s, a time of brutal guerrilla warfare and civilian kidnappings, and everyone has secrets. The journalist, whom he knew years before as Jackie Scott, had a bigger investment in Haiti than it seemed, and to make sense of her death, Tom must plunge back into a thorny past and his complicated ties to both Jackie and Eville Burnette, a member of Special Forces who has been assigned to protect her.From the violent, bandit-dominated terrain of World War II Dubrovnik to the exquisitely rendered Istanbul in the 1980s, Shacochis brandishes Jackie’s shadowy family history with daring agility. Caught between her first love and the unsavory attentions of her father—an elite spy and quintessential Cold War warrior pressuring his daughter to follow in his footsteps—seventeen-year-old Jackie hatches a desperate escape plan that puts her on course to becoming the soulless woman Tom equally feared and desired.Set over fifty years and in four countries backdropped by different wars, The Woman Who Lost Her Soul is a magnum opus that brings to life, through the mystique and allure of history, an intricate portrait of catastrophic events that led up to the war on terror and the America we are today.

    Almost immediately he sets about beguiling the three women and five teenage girls stranded in this outpost of Southern gentility, eliciting their love and fear, pity and infatuation, and pitting them against one another in a bid for his freedom. But as the women are revealed for what they really are, a sense of ominous foreboding closes in on the soldier, and the question becomes: Just who is the beguiled?

    Working in the kitchens of the upper class, she left a trail of disease in her wake, until one enterprising and ruthless “medical engineer” proposed the inconceivable notion of the “asymptomatic carrier”—and from then on Mary Mallon was a hunted woman. In order to keep New York’s citizens safe from Mallon, the Department of Health sent her to North Brother Island where she was kept in isolation from 1907-1910. She was released under the condition that she never work as a cook again. Yet for Mary—spoiled by her status and income and genuinely passionate about cooking—most domestic and factory jobs were heinous. She defied the edict.Bringing early twentieth-century New York alive—the neighborhoods, the bars, the park being carved out of upper Manhattan, the emerging skyscrapers, the boat traffic—Fever is as fiercely compelling as Typhoid Mary herself, an ambitious retelling of a forgotten life. In the hands of Mary Beth Keane, Mary Mallon becomes an extraordinarily dramatic, vexing, sympathetic, uncompromising, and unforgettable character.

    When Hitler came to power in 1933, one Jewish family refused to be destroyed and defied the Nazis only to come up against another struggle-confronting apartheid in South...

    Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author. Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the lost love who, sixty years ago in Poland, inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives...

    To do so, he had to fight a system that seemed paradoxically intent on keeping him alive long after it had sentenced him to death.Norman Mailer tells Gilmore's story--and those of the men and women caught up in his procession toward the firing squad--with implacable authority, steely compassion, and a restraint that evokes the parched landscapes and stern theology of Gilmore's Utah. The Executioner's Song is a trip down the wrong side of the tracks to the deepest sources of American loneliness and violence. It is a towering achievement--impossible to put down, impossible to forget.Winner of the 1980 Pulitzer Prize

    Their marriage, forged in the fervor of anti-Vietnam-war protests, now bears the fractures of time, both personal and historical, with the couple trapped in an existence of morning coffee and solitary jogging and separate offices. For Robert and Darla, the cracks remain under the surface, whereas the divisions in Robert’s own family are more apparent: he has almost no relationship with his brother Jimmy, who became estranged from the family as the Vietnam War intensified. Robert and Jimmy’s father, a veteran of WWII, is coming to the end of his life, and aftershocks of war ripple across their lives once again, when Jimmy refuses to appear at his father’s bedside. And an unstable homeless man whom Robert at first takes to be a fellow Vietnam veteran turns out to have a deep impact not just on Robert, but on his entire family.

    The book opens with the girl at age 16 leaving her home in southeastern Poland and posing as a gentile from the Ukraine named Katya. The story follows Eva as she works as a maid in the home of a prominent Austrian family in Linz (the husband is an SS officer), and then as an office worker in a German munitions factory. When she is eventually discovered to be a Jew, she is sent to Auschwitz. After the evacuation of the camp she manages to escape, finding refuge with a Polish family. At the end of the novel she is trying to find her family and home, difficult because so many Jewish communities in Eastern Europe had been destroyed. In real life, Ida Loew made her way to Israel after the war where she settled in Tel Aviv.

    As Frances tries to sell her work, she finds that editors are only interested in writing similar to that of the new renegade literary sensation Edgar Allan Poe, whose poem, “The Raven” has struck a public nerve.She meets the handsome and mysterious Poe at a literary party, and the two have an immediate connection. Poe wants Frances to meet with his wife since she claims to be an admirer of her poems, and Frances is curious to see the woman whom Edgar married.As Frances spends more and more time with the intriguing couple, her intense attraction for Edgar brings her into dangerous territory. And Mrs. Poe, who acts like an innocent child, is actually more manipulative and threatening than she appears. As Frances and Edgar’s passionate affair escalates, Frances must decide whether she can walk away before it’s too late...Set amidst the fascinating world of New York’s literati, this smart and sexy novel offers a unique view into the life of one of history’s most unforgettable literary figures.

    Hitler's triumphant Third Reich has crushed all Europe--except Britain. As Hitler launches a massive aerial assault, only the heavily outnumbered British RAF and the iron will of Winston Churchill can stop him. The fate of Western civilization teeters in the balance.Johnnie Shaux, a Spitfire fighter pilot, knows that the average life expectancy of a pilot is a mere five hours of operational flying time. Sooner or later, his luck will run out. Yet he must constantly summon up the fortitude to fly into conditions in which death is all but inevitable and continue to do so until the inevitable occurs...Meanwhile, Eleanor Rand, a WAAF staff officer in RAF headquarters, is struggling to find her role in a man's world and to make a contribution to the battle. She studies the control room maps that track the ebb and flow of conflict, the aerial thrust and parry, and begins to see the glimmerings of a radical strategic breakthrough...Breaking Point is based on the actual events of six days in the historic Battle of Britain. The story alternates between Johnnie, face to face with the implacable enemy; and Eleanor, in 11 Group headquarters, using 'zero-sum' game theory to evolve a strategic model of the battle.

    After her mother’s death, penniless May Kimble lives a lonely life until an aunt she didn’t know existed summons her to San Francisco. There she’s welcomed into the wealthy Sullivan family and their social circle.Initially overwhelmed by the opulence of her new life, May soon senses that dark mysteries lurk in the shadows of the Sullivan mansion. Her glamorous cousin often disappears in the night. Her aunt wanders about in a laudanum fog. And a maid keeps hinting that May is in danger. Trapped by betrayal, madness, and murder, May stands to lose everything, including her freedom, at the hands of those she trusts most.Then, on an early April morning, San Francisco comes tumbling down. Out of the smoldering ruins, May embarks on a harrowing road to reclaim what is hers. This tragic twist of fate, along with the help of an intrepid and charismatic journalist, puts vengeance within May’s reach. But will she take it?

    Little personal information is exchanged, and neither woman has any way of knowing that they have produced what will become the most iconic image of the Great Depression.Three vibrant characters anchor the narrative of Mary Coin. Mary, the migrant mother herself, who emerges as a woman with deep reserves of courage and nerve, with private passions and carefully-guarded secrets. Vera Dare, the photographer wrestling with creative ambition who makes the choice to leave her children in order to pursue her work. And Walker Dodge, a present-day professor of cultural history, who discovers a family mystery embedded in the picture. In luminous, exquisitely rendered prose, Silver creates an extraordinary tale from a brief moment in history, and reminds us that although a great photograph can capture the essence of a moment, it only scratches the surface of a life.

    She isn't so much running away as on a journey of discovery. She carries with her a packet of letters addressed to her mother from an old army buddy of her father's. She has only recently been told that Oliver, who she adores more than anyone, isn't her biological father. She hopes the letter's sender will have answers to her many questions.Before We Sleep moves gracefully between Katey's perspective on the road and her mother, Ruth's. Through Ruth's recollections, we learn of her courtship with Oliver, their marriage on the eve of war, and his return as a changed man. Oliver had always been a bit dreamy, but became more remote, finding solace most of all in repairing fiddles. There were adjustments, accommodations, sacrifices--but the family went on to find its own rhythms, satisfactions, and happiness. Now Katey's journey may rearrange the Snows' story.

    Yet it soon becomes clear that all is not as it seems, for the day after they arrive in England, Danny hastily sweeps the girls onto a huge ocean liner heading to New York, leaving no forwarding address.When their father vanishes mid-way across the Atlantic, the grieving sisters prepare themselves for a new life in the big city, far from home, friends and family. For whatever their father was running from has every chance of catching up with the girls, unless they can do their best to build new lives in New York . . .

    In her diary, along with innocent adolescent longings, she recorded what happened next: the humiliations and terrors, the murder of her beloved family and the startling story of her own survival. Leaving Europe after the war, Sabina forged a new life in Australia, juggling a thriving design business, her family, and an unorthodox love life. But as time wore on, she began asking herself why had she survived when so many died? And what kind of justice fitted such crimes? In May 2005, when Germany opened its controversial Memorial to the Murdered Jews of Europe, in Berlin, Sabina was chosen to speak as the voice of the six million dead. In her speech she noted that although the Holocaust had taken everything she valued, it had also taught her that hatred and discrimination are doomed to fail. Her ability to survive, to love, and to live well, has been her greatest triumph. 'I couldn't put down this engaging, honest story of love, loss and survival.' Diane Armstrong, bestselling author of THE VOYAGER OF THEIR LIFE 'important and wonderfully written' Australian Literary Review