A short story of the Dresden Files which introduced Harry Dresden and his world for the very first time.(Also included in Side Jobs)

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    A beckoning mansion in a dark clearing. A short modern-day retelling of Hansel and Gretel by the #1 New York Times bestselling author of Dear Martin.It’s bad enough that Hazel and Gray have defied the demands of Hazel’s foul stepfather. The Monster has forbidden their romance. Now they’ve awakened in the forest, phones dead, hours past curfew. But not far away is a grand estate in the middle of nowhere. The door is open. In this short story about choosing your own path, the fury of the Monster that awaits them back home may be nothing compared to what lies ahead.

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    Anderson, and Rob Thurman—nothing is as simple as black and white, light and dark, good and evil..Unfortunately, that’s exactly what makes it so easy to cross the line.In #1 New York Times bestselling author Jim Butcher’s Cold Case, Molly Carpenter—Harry Dresden’s apprentice-turned-Winter Lady—must collect a tribute from a remote Fae colony and discovers that even if you’re a good girl, sometimes you have to be bad...New York Times bestselling author Seanan McGuire’s Sleepover finds half-succubus Elsie Harrington kidnapped by a group of desperate teenage boys. Not for anything “weird.” They just need her to rescue a little girl from the boogeyman. No biggie.In New York Times bestselling Kevin J. Anderson’s Eye of Newt, Zombie P.I. Dan Shamble’s latest client is a panicky lizard missing an eye who thinks someone wants him dead. But the truth is that someone only wants him for a very special dinner...And New York Times bestselling author Rob Thurman’s infernally heroic Caliban Leandros takes a trip down memory lane as he deals wih some overdue—and nightmarish—vengeance involving some quite nasty Impossible Monsters .ALSO INCLUDES STORIES BYTanya Huff * Kat Richardson * Jim C. Hines * Anton Strout * Lucy A. Snyder * Kristine Kathryn Rusch * Erik Scott de Bie *From the Trade Paperback edition.

    Ajax Penumbra seeks a book--the single surviving copy of the Techne Tycheon, a mysterious volume that has brought and lost great fortune for anyone who has owned it. Late one night, after another day of dispiriting dead ends, he stumbles across a 24-hour bookstore, and the possibilities before him expand exponentially.

    Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

    He lives in Maryland with his wife and children. Something has landed in Armie Puglian's yard. Something not from here. What is it? What's it looking for? And what happens when Armie decides to keep it? Cover Design by Adil Dara Kim

    Malcolm Pomerantz is twelve, geeky and socially awkward, while his seriously bright sister, Amalia, is spirited and beautiful. Each is the other’s best friend, united by a boundless interest in the world beyond their dysfunctional parents’ unhappy home. But even the troubled Pomerantz household will seem to be a haven compared to the house next door, after an enigmatic and very secretive new neighbor takes up residence in the darkest hours of the night.

    Sara and Deacon are Guild Hunters, their life's work is catching and capturing - or killing - rogue angels. It's dangerous work and sometimes life or death decisions must be made in a moment. And when a judgement has to be made, should love be allowed to get in the way . . . ?

    Corey. Set two hundred years in the future, where man has colonized the outer asteroid belt, The Expanse follows the case of a missing girl that brings together a hardened detective and a rogue ship captain in a race across the solar system to expose the greatest conspiracy in human history. "Drive" highlights a key moment in The Expanse universe whose ramifications set the foundation for the show.The story is a prequel taking place approximately 150 years prior to the main series, concerning Solomon Epstein and his invention of the Epstein drive.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    Emily is a member of a family in the antebellum Southern aristocracy; after the Civil War, the family has fallen on hard times.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    The system worked this way: When a man committed a crime important enough to interest the king, notice was given that the fate of the accused person would be decided, on a given date, in the arena of the amphitheater. When the date arrived and everyone had assembled in the galleries, the king gave a signal, a door beneath him opened, and the accused stepped out into the arena. Two doors, exactly alike and side by side, faced the accused, and it was his duty to open one of them. He could open either door he pleased. If he opened the one, a hungry tiger would spring upon him and tear him to pieces. But, if he opened the other door, a beautiful lady came out and the accused was immediately married to her, as a reward for his innocence.The king had a beautiful daughter, with whom a young man of common blood fell in love. The king's daughter was also in love with the young man. The love affair went on for some time before the king discovered its existence. Immediately, the king had the youth placed into prison and set a day for the trial in the arena. The appointed day arrived, and the galleries of the arena were filled. The signal was given, a door beneath the royal party opened, and the lover of the princess walked into the arena. The princess, through the use of her position and money, had learned behind which door stood the lady and behind which waited the tiger. The youth expected her to have learned this information, and he looked toward her for a signal. Her signal was toward the right, and the youth went to the door on the right and opened it. The story leaves it up to the reader to decide which came out of the door--the lady or the tiger. Which did the princess decide? Was it to let her lover to live and love another woman, or did she decide that if she couldn't have him no one would?