At least that’s how it works when you’re dealing with the legendary mind of Carl Reiner. In his 2013 memoir, “I Remember Me,” Carl treated us to ninety years of professional and personal anecdotes, ranging from witty, weird and heartwarming to insightful, informative, and always funny – usually a combination of at least two, sometimes three or four, of the aforementioned. Carl had taken us on a nostalgic trip through every corner, every nook and cranny, of his life. Or so we thought. But over the next two years, new “old memories” kept coming… and coming… and coming… until, before too long, another book was born. In addition to the above adjectives, “I Just Remembered” adds a whole new batch: the mysterious saga of the gold money clip and the rubber bands; the beautiful and bizarre Joyce Kuntz; the shocking story of Jack Parr and Fidel Castro; never before heard revelations about William Shakespeare; whimsical journeys down the information superhighway via Twitter, Google and YouTube; and for good measure, truly useful health tips for a long and happy life. “I Just Remembered” is the perfect companion to “I Remember Me,” and it will have you asking, over and over, “How could he have forgotten that?!” He didn’t. He just remembered.

    He served as editor in chief of Marvel Comics for three decades and, in that time, launched more pieces of internationally recognizable intellectual property than anyone other than Walt Disney: Spider-Man, the Avengers, the X-Men, Black Panther, the Incredible Hulk, Iron Man, Thor... the list seems to never end. On top of that, his carnival-barker marketing prowess more or less single-handedly saved the comic-book industry and superhero fiction. Without him, the global entertainment industry would be wildly different—and a great deal poorer.But Lee's unprecedented career was also pitted with spectacular failures, controversy, and bitter disputes. Lee was dogged by accusations from his long-time collaborators Jack Kirby and Steve Ditko over who really created Marvel's signature characters—icons for whom Lee had always been suspected of taking more than his due share of credit. A major business venture, Stan Lee Media, resulted in stock manipulation, bankruptcy, and criminal charges. And in his final years, after the death of his beloved wife, Joan, rumors swirled that Lee was a virtual prisoner in his own home, issuing cryptic video recordings as a battle to control his fortune and legacy ensued.Abraham Riesman is a veteran culture reporter who has conducted extensive new interviews and research, turning up never-before-published revelations about Lee's life and work. Lee's most famous motto was: "With great power comes great responsibility." True Believer chronicles every triumph and every misstep of an extraordinary life, and leaves it to readers to decide whether Lee lived up to the responsibilities of his own talent.

    Reporters ambush you, and across the country, strangers gossip about your personal loss.Welcome to the circus.No one understands better than Kim Goldman the complex emotions of individuals suffering a personal tragedy under the relentless gaze of the media. During the famed O.J. Simpson trial, Kim, whose brother, Ron Goldman, was brutally murdered, became the public poster child for victims suffering in the public eye.In Media Circus, Goldman, now a dedicated victims’ advocate who works with families across the country, presents the first collective look at these ordinary, grieving victims—forced to manage their very private trauma and despair in a very public way.Through candid interviews and detailed, original reporting, Media Circus delivers riveting, humanizing, and inspiring stories from the victims and survivors of violent crimes who found themselves the focus of national media attention. Its heartfelt narratives showcase the unique challenges of coping with and healing from grief when the whole world is watching.In these pages, the families of other victims tell their stories, including:Esaw And Emerald Garner, wife and daughter of police brutality victim Eric Garner (2014)Scarlett Lewis, mother of six-year-old Newtown tragedy victim Jesse Lewis (2012)Debra Tate, sister of Charles Manson murder victim Sharon Tate (1969)Judy Shepard, mother of gay hate-crime victim Matthew Shepard (1998)Mildred Muhammad, ex-wife of the DC Sniper (2002)Tere Duperrault Fassbender, survivor of family’s brutal murder at sea (1961)Collene Campbell, sister of murdered NASCAR driver Mickey Thompson (1988)Marie Monville, wife of the Amish Shooter (2006)Dave And Mary Neese, parents of teen murder victim Skylar Neese (2012)Scott And Kathleen Larimer, parents of Aurora theater shooting victim John Larimer, andShirley Wygal, mother of Aurora theater shooting victim Rebecca Wingo (2012)Media Circus goes beyond the names and faces to show the real victims behind the stories.

    Running from the shipwreck of her glamorous and unstable childhood with a volatile mother, Wendy Lawless landed in the center of it all. With an open heart and a thrift store wardrobe, Wendy navigated this demi-monde of jaded punk rockers, desperate actors, pulsing parties, and unexpected run-ins with her own past as she made every mistake of youth, looked for love in all the wrong places, and eventually learned how to grow up on her own.With the same “biting humor” (People) that made her “powerful” (USA TODAY) and “illuminating and inspiring” (Reader’s Digest) New York Times bestseller Chanel Bonfire so captivating, Wendy turns her brutally honest and often hilarious spotlight on herself, recounting her tumultuous and giddy twenties trying to make it in the creative underbelly of New York City, all the while searching for love, a paying job, and occasionally, a free meal.

    They evoke E.B. White's life in New York and in Maine at every stage of his life. They are full of memorable characters: White's family, the New Yorker staff and contributors, literary types and show business people, farmers from Maine and sophisticates from New York–Katherine S. White, Harold Ross, James Thurber, Alexander Woolcott, Groucho Marx, John Updike, and many, many more.Each decade has its own look and taste and feel. Places, too–from Belgrade (Maine) to Turtle Bay (NYC) to the S.S. Buford, Alaska–bound in 1923–are brought to life in White's descriptions. There is no other book of letters to compare with this; it is a book to treasure and savor at one's leisure.As White wrote in this book, "A man who publishes his letters becomes nudist–nothing shields him from the world's gaze except his bare skin....a man who has written a letter is stuck with it for all time."

    In thinking about her native land, Julia Reed quotes another Southern writer, Willie Morris, who said, “It’s the juxtapositions that get you down here.” These juxtapositions are, for Julia, the soul of the South and in her warmhearted and funny new book, South Toward Home, she chronicles her adventures through the highs and the lows of Southern life—the Delta hot tamale festival, a masked ball, a rollicking party in a boat on a sand bar, scary Christian billboards, and the southern affection for the lowly possum. She writes about the southern penchant for making their own fun in every venue from a high-toned New Orleans dinner party to cocktail crawls on the streets of the French Quarter where to-go cups are de rigeur. And with as much hilarity as possible, Julia shines her light on the South’s more embarrassing tendencies like dry counties and the politics of lust. As she puts it, “My fellow Southerners have brought me the greatest joy—on the page, over the airwaves, around the dinner table, at the bar or, hell, in the checkout line.” South Towards Home, with a foreword by Jon Meacham, is Julia Reed’s valentine to the place she loves best.

    No other city in any of his travels was as significant, professionally or emotionally, as was Paris. And it remains there, all of the complexity, beauty, and intrigue that Hemingway described in the pages of so much of his work.It is all still there for the reader and traveler to experience—the history, the streets, and the city. Restaurants, hotels, homes, sites and favorite bars are all detailed here. The ninety-five black and white photographs in Hemingway’s Paris are of the highest caliber. The accompanying text reveals Wheeler’s deep understanding of the man; his torment, talent, obstacles and the places of refuge needed to nurture one of the preeminent writers of the twentieth century. Moved by the humanistic writing of the man—a writer capable of transcending his readers to foreign settings and into the hearts and minds of his protagonists—Wheeler was inspired to travel throughout France, Italy, Spain, Africa, and Cuba, where he has sought to gain insight into the motivation behind Hemingway’s books and short stories. As a teacher, lecturer, and photojournalist, he set out to capture and interpret the Paris that Ernest Hemingway experienced in the first part of the century. Through his journal and photographs, Wheeler portrays the intimate connection Hemingway had with the woman he never stopped loving, Hadley, and with the city he loved most, Paris.

    As Sam Apple embarks on his own journey into parenthood, he decides to put his background in journalism to good use by talking to a wide range of experts. Along the way, Apple visits with the mohel who circumcised him, enters a trance with a childbirth hypnotist, goes on a stakeout with a nanny spy, and attends a lecture on Botox for new mothers. Apple is full of questions, and none is left unexplored: Is the Lamaze method a Stalinist plot? (Yes.) Are newborns really fetuses that are born too soon? (Sort of.) Is there a universal theory that can explain the origins of circumcision in many diverse cultures? (Maybe.) Does it sting when you pour baby shampoo into your own eyes? (Big-time!) And yet for all the unusual twists in this story–at one point Apple fantasizes about a father losing his mind and refusing to remove his BabyBjörn–the strangest twist of all might be that at its core American Parent is a deeply serious and personal book about the way emotionally vulnerable and confused new parents can get lost in the increasingly complex labyrinth of baby products, classes, and fads. Parenthood is the oldest subject of all. In American Parent, Sam Apple makes it feel entirely new.

    Whenever he could, he returned to his beloved fishing cruiser, to exult in the sea, to fight the biggest fish he could find, to drink, to entertain celebrities and friends and seduce women, to be with his children. But as he began to succumb to the diseases of fame, we see that Pilar was also where he cursed his critics, saw marriages and friendships dissolve, and tried, in vain, to escape his increasingly diminished capacities.Generally thought of as a great writer and an unappealing human being, Hemingway emerges here in a far more benevolent light. Drawing on previously unpublished material, including interviews with Hemingway’s sons, Hendrickson shows that for all the writer’s boorishness, depression, and alcoholism, and despite his choleric anger, he was capable of remarkable generosity—to struggling writers, to lost souls, to the dying son of a friend.We see most poignantly his relationship with his youngest son, Gigi, a doctor who lived his adult life mostly as a cross-dresser, and died squalidly and alone in a Miami women’s jail. He was the son Hemingway forsook the least, yet the one who disappointed him the most, as Gigi acted out for nearly his whole life so many of the tortured, ambiguous tensions his father felt. Hendrickson’s bold and beautiful book strikingly makes the case that both men were braver than we know, struggling all their lives against the complicated, powerful emotions swirling around them. As Hendrickson writes, “Amid so much ruin, still the beauty.”Hemingway’s Boat is both stunningly original and deeply gripping, an invaluable contribution to our understanding of this great American writer, published fifty years after his death.

    Also available The late Judith Kitchen, editor of the perennially popular anthologies Short Takes, In Short, and In Brief, was greatly influential in recognizing and establishing flash creative nonfiction as a form in its own right. In Brief Encounters, she and writer/editor/actor Dinah Lenney expand this vibrant field with nearly eighty new selections: shorts—as these sharply focused pieces have come to be known— representing an impressive range of voices, perspectives, sensibilities, and forms. Brief Encounters features the work of the emerging and the established—including Stuart Dybek, Roxanne Gay, Eduardo Galeano, Leslie Jamison, and Julian Barnes—arranged by theme to explore the human condition in ways intimate, idiosyncratic, funny, sad, provocative, lyrical, unflinching. From the rant to the rave, the meditation to the polemic, the confession to the valediction, this collection of shorts—this celebration of true and vivid prose—will enlarge your world.

    The result is both a defense of freedom of speech and a critique of the likeability factor that can impede it.

    Here, in an unprecedented collection of thirty-two essays, artists and writers ranging from Ann Patchett to Chris Ware consider the deeper truths of Peanuts, its influence on their lives and on the culture more broadly, and the lessons it can teach us about disappointment, melancholy, and those fleeting moments of warm-puppy happiness. The contributors reflect on the experience of discovering Peanuts as a child, their identification with its characters and predicaments, and, for the artists in the book, the momentous effects of their encounters with the strip on their later careers. Taken together, the essays and comics of The Peanuts Papers enrich our understanding of the Peanuts gang and its world, with contributions not only about Charlie Brown and Snoopy but also Linus, Sally, Pigpen, and Peppermint Patty. The Peanuts Papers is an enchanting, poignant gathering of responses to the greatest American comic strip, enabling us to see it anew in fresh and revealing ways.

    As he did with classics of sports literature, Bums (a history of the Brooklyn Dodgers) and Dynasty (a history of the New York Yankees), Golenbock turns to a team that has won and broken the hearts of generations of fans; the Chicago Cubs. Utilizing dozens of personal interviews with players, coaches, fans, sportswriters, and clubhouse personnel, as well as out-of-print memiors by nineteeth-century players, Peter Golenbock has created a perfect gift for every baseball fan: a book that entertains, warms the heart, and touches the soul. This updated edition includes material from the team's past five years, such as Harry Caray's death, the magical seasons of Sammy Sosa and Kerry Wood, and the Cubs' 1998 playoff dive.

    With 1,000 contributions from celebrities like Molly Ringwald, Whoopi Goldberg, Lemony Snicket, and Gary Shteyngart, as well as everyday people who've learned a thing or two about a thing or two during their time on the planet, readers will pulled into the sometimes hilarious, often serious, occasionally reflective experience of the book.Don’t miss these amazing tips:“Never, ever refuse a breath mint.” –Lemony Snicket“You learn more from your failures.” –Piper Kerman“Does it need to be said?” –Julianne Moore“Be a doer, not a dreamer” –Shonda Rimes“Sometimes on low, sometimes on high.” – Mario Batali"Can't say something nice? Try fiction." - David Baldacci

    A welcome addition to the library of Mormon autobiography—educational and highly entertaining.” —Richard Packham, Dawning of a Brighter Day1987. A faltering missionary named Bill Shunn lands himself in a Canadian jail, facing charges of hijacking and the prospect of life behind bars.1844. A frontier prophet named Joseph Smith lands himself in an Illinois jail, facing charges of treason and the prospect of imminent lynching.What binds these two men together? This riveting memoir—by turns hilarious, provocative and thrilling—answers that question in style, weaving from their stories a spellbinding tapestry of deception, desperation and defiance. Answer its call and you’ll never look at a Mormon missionary the same way again.“You will read few other books as smart, funny, honest, and heartbreaking as The Accidental Terrorist, and I unreservedly recommend it to you as both a home-grown cautionary tale and a highly original coming-of-age saga.” —Michael Bishop, author of Ancient of Days“The book grabs you on page one and never lets go. Fantastically written, beautifully paced, The Accidental Terrorist reads like a novel instead of a memoir. Only in novel form, no one would have ever believed these events could have happened. Believe it. William Shunn lived every word of this book. That he can share it so eloquently is a tribute not just to his writing skill, but his strengths as a human being.” —Kristine Kathryn Rusch, USA Today bestselling author