It’s clear she’s not his normal type, but Noah can’t stop thinking about her—which doesn’t bode well for the blind date he’s already late for.Convinced by his friend (and self-professed dating expert) Marlon that thirteen dates is all you need to fall in love, Noah decides to give it a try with Angel. They should be incompatible: she’s impulsive and he’s a planner; he wants to settle down and she doesn’t ‘do’ relationships—or anything, for that matter—the way Noah is used to. But there’s something about Angel, and Noah can’t shake the idea that all they need is twelve more dates.Despite some near-disasters involving rock climbing, saddle sores and jellied eels, it seems his plan may actually work. But even if they do reach the magic number, can that really mean they’ll just fall into their happily-ever-after?

    This brilliant comic trilogy details the amorous exploits of Norman, assistant librarian, whose one aim is to make the women of his life happy—these women being, as it happens, three sisters, one of them his wife, who can’t wear contact lenses because “life with Norman is full of unexpected eye movements.” Each play stands uproariously on its own yet interlocks with the others to form an ingenious Chinese puzzle of successive relations.

    An invaluable reference for film students and fans, this book details the evolution of the epic romance from script to screen, including scenes and dialogue cut from the final film, as well as annotations explaining footage seen in the final cut, yet not contained in the screenplay. Never-before-seen photographs of the stars, storyboards for sequences never filmed, and an in-depth interview with Cameron make Titanic: James Cameron's Illustrated Screenplay an essential companion to the #1 bestseller James Cameron's Titanic.

    Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal.Nearly thirty years later, Hugo’s estranged daughter, Joanna, has returned home to the English countryside to arrange her father’s funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.Still dealing with the emotional wounds of her own personal trauma, Joanna embarks on a healing journey to Tuscany to understand her father’s history—and maybe come to understand herself as well. Joanna soon discovers that some would prefer the past be left undisturbed, but she has come too far to let go of her father’s secrets now…

    After George's encounter with Violet - a sweet old lady dying with cancer - and the sinister ghostly soldier who accompanied her, he suddenly finds himself back in war torn France in 1918, fighting for his life. Wounded, but finally managing to escape the horrors of Flanders, George faces an arduous and hair raising journey through France, England and Scotland before he finally arrives home. He discovers that he is in fact married to the younger Violet, whom he has never met, and falls madly in love with her. Happy at last, George then finds their whole existence is threatened again by a sinister figure intent on killing them both. Why was George transported from 1984 to war torn Flanders in March 1918?Who is the ghostly figure following George?Who wants him dead and why?A romantic, time travelling, historical drama with a real twist. Filled with accurate accounts of life in the trenches on the Western Front in 1918, you will be saddened, horrified and thrilled in equal measures as you share George's amazing adventures. If you like romance, if you like accurate historical drama, if you like time travel and if you are interested in the events of the First World War, this is a ‘must-read’ for you.

    And with their success is launched a brave new world that is in some ways better than ours--but in most ways even worse. Fry's experiment in history makes for his most ambitious novel yet, and his most affecting. His first book to be set mostly in America, it is a thriller with a funny streak, a futuristic fantasy based on one of mankind's darkest realities. It is, in every sense, a story of our times.

    Adapted from the James M. Cain novel by director Wilder and novelist Raymond Chandler, it tells the story of an insurance salesman, played by Fred MacMurray, who is lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal femme fatale role. From its grim story to its dark, atmospheric lighting, Double Indemnity is a definitive example of World War II-era film noir. Wilder's approach is everywhere evident: in the brutal cynicism the film displays, the moral complexity, and in the empathy we feel for the killers. The film received almost unanimous critical success, garnering seven Academy Award nominations. More than fifty years later, most critics agree that this classic is one of the best films of all time. The collaboration between Wilder and Raymond Chandler produced a masterful script and some of the most memorable dialogue ever spoken in a movie. This facsimile edition of Double Indemnity contains Wilder and Chandler's original -- and quite different -- ending, published here for the first time. Jeffrey Meyers's introduction contextualizes the screenplay, providing hilarious anecdotes about the turbulent collaboration, as well as background information about Wilder and the film's casting and production.

     Germany, 1939: Thirteen-year-old Magda is devastated by the loss of her best friend, shy and gentle Lotte, cruelly snatched from her and sent to a concentration camp – the Star of David sewn on her faded, brown coat. As the Nazi’s power takes hold, Magda realizes she’s not like the other girls in her village - she hates the fanatical new rules of the Hitler Youth. So Magda secretly joins The White Rose movement and begins to rebel against the oppressive, frightening world around her. But when an English RAF pilot lands in a field near Magda’s home she is faced with an impossible choice: to risk the lives of her family or to save a stranger and make a difference in the war she desperately wants to end. England, 1939: Fifteen-year-old Imogen is torn from her family and evacuated to the Lake District, a haven of safety away from the war raging across Europe. All she has to connect her to the bombs and the battles are the letters she writes to her loved ones. Little does she know, on the other side of the enemy line, her fate rests on the actions of one girl who will change her life forever…

    Her brother, Asa is dead — killed by the King’s army, so when she stumbles across a wounded British soldier, her sense of right and wrong is challenged. Should she help a soldier of the enemy who took her brother’s life, or let him die, cold and alone?The war has also broken British soldier Daniel Lowe’s spirit. A severely wounded prisoner of war, he escaped his rebel captors while on a death march to Boston. As the pain in his injured leg worsens, he wonders if the young woman looking down at him is an angel or the enemy.Need and compassion bring these two young lives together, but will the bitterness of war keep them apart? Or can they find their way to love and forgiveness on the Road to Deer Run?

    Isabelle Vanderschelden provides analysis and social context for the film and the reasons behind its success.

    Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.

    The evening consisted of six Durang one act plays. It was directed by Walter Bobbie; set was by Derek McLane, costume by David C. Woolard, lighting by Brian Nason, sound design by Tony Meola; production stage manager was Perry Cline, stage manager was Greg Fletcher. Durang/Durang is an evening of six one acts. It is thus not a full length play, but it is a full evening.

    All Lucius wants is to recapture the Rome of earlier days, when one could enjoy a relaxing bath without the pressure of merchants and roughhousing patrons. Slipping deeper into the warm water, Lucius is suddenly caught in the suction and dragged through the drainage at the bottom of the bath! He emerges coughing and sputtering amid a group of strange-looking foreigners with the most peculiar bathhouse customs...over 1,500 years in the future in modern-day Japan! His contemporaries wanted him to modernize, and so, borrowing the customs of these mysterious bath-loving people, Lucius opens what quickly becomes the most popular new bathhouse in Rome-Thermae Romae!

    At first the Sycamore family seems mad, but it is not long before we realize that if they are mad, the rest of the world is really verklempt.

    When the spirited coalminer’s daughter discovers a family secret, she makes a choice that overshadows her teenage years. Rose tries to make the most of post-war opportunities but family tragedy pulls her back to a life in the colliery rows. She relinquishes her bright future for domestic duties because her family comes first. Will family ties get in the way of her dreams?Readers love Chrissie Bradshaw's books“I was captivated from the start and wanted to keep on reading and reading. The author knows how to fill this book to the brim with emotions…in my opinion this was a very fluently written work of art.” Els Ebraert B for Book Review“Chrissie has a lovely writing style that is full of warmth and charm. Her description was seamless and instantly drew me in. The storyline flowed perfect;y, it was tender and engagingwhich made for a compelling and addictive read.’ Dash fan“I was waiting patiently for the second novel by Chrissie Bradshaw and it was certainly worth the wait. Another novel packed with great characters and stories.” Blue“ A really enjoyable story that flows naturally. Lovely characters and descriptions.Highly recommend.” AnneMarie Brear -saga writer“As always her writing was well researched and the storylines so believable…’'I knew, as soon as i started taking to the characters, I was hooked' Poppy“...lovely storyline and likeable characters. It will make you laugh and cry in equal measure. This is a very accomplished debut novel. I am really looking forward to her next book.” - Book literati“This is a very well written story and the characters are so well rounded that you really feel for themand hope that everything will turn out right for them all.”Mick859