Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

    Nick Hammond and Anastasia Collins are the Mystery Society -- and bring new meaning to "underground cult" status! Stealthily avoiding the authorities, this skulduggery duo spend their time and money righting wrongs committed in the world's underbellies.

    Medical science and governments around the world scramble in an effort to solve the problem, but twenty-five years later there is no cure, and an entire generation grows up with a population of fewer than a thousand women.Zoey and some of the surviving young women are housed in a scientific research compound dedicated to determining the cause. For two decades, she’s been isolated from her family, treated as a test subject, and locked away—told only that the virus has wiped out the rest of the world’s population.Captivity is the only life Zoey has ever known, and escaping her heavily armed captors is no easy task, but she’s determined to leave before she is subjected to the next round of tests…a program that no other woman has ever returned from. Even if she’s successful, Zoey has no idea what she’ll encounter in the strange new world beyond the facility’s walls. Winning her freedom will take brutality she never imagined she possessed, as well as all her strength and cunning—but Zoey is ready for war.

    And nobody talks about their past.But when a face from Captain Ichabod Drift’s former life send them on a run to Old Earth, all the rules change.Trust will be broken, and blood will be spilled.

    An inveterate womaniser and rogue, he and his gang make a living on the wrong side of the law, avoiding the heavily armed flying frigates of the Coalition Navy. With their trio of ragged fighter craft, they run contraband, rob airships and generally make a nuisance of themselves. So a hot tip on a cargo freighter loaded with valuables seems like a great prospect for an easy heist and a fast buck. Until the heist goes wrong, and the freighter explodes. Suddenly Frey isn't just a nuisance anymore - he's public enemy number one, with the Coalition Navy on his tail and contractors hired to take him down. But Frey knows something they don't. That freighter was rigged to blow, and Frey has been framed to take the fall. If he wants to prove it, he's going to have to catch the real culprit. He must face liars and lovers, dogfights and gunfights, Dukes and daemons. It's going to take all his criminal talents to prove he's not the criminal they think he is ...

    With his powerful (and unpredictable) telekinetic abilities he could be one if he wanted to, but he doesn’t. He’s unambitious, selfish, and cowardly, and he doesn’t want to have to deal with all the paperwork required to become a professional superhero. But since the money, fame, and women that come with wearing the cape are appealing, he decides to become the first supervillain the world has seen in more than twenty years: Apex Strike.However, he soon finds villainy in a world where the heroes have long since defeated all the supervillains. While half the world’s heroes seem to want him dead, the other half want to hire him as their own personal villain to keep them relevant. Choosing the latter course, Aidan enters a world of fame, fortune, and staged superhero fights that is seemingly everything he ever dreamed of . . . at least until he sees what truly hides behind the cape-and-mask lifestyle.

    Living on the outskirts of a city and scavenging for whatever supplies remain after civilization died two years ago, Gus knows that every time he goes down into undead suburbia could be his last.A novel of the zombie apocalypse. *First book of a completed 4-book series.* Contains graphic language and scenes of violence. Complete series order:Book 1: Mountain ManBook 2: SafariBook 3: HellifaxBook 4: Well FedAlso :The Hospital (a single short story, also part of the collection "CauldronGristle." This story happens six months before the events of "MountainMan." )

    Until one morning, after a dangerous fall lands him in the emergency room, he discovers that a tumor is pressing against his brain.Unable to afford experimental but potentially life-saving surgery, Moxon takes drastic action; he volunteers for Arena Mode: 2041's most vicious sporting event, where thirteen superhumans fight in an urban combat zone for a multi-billion dollar prize.Moxon is forced to battle opponents possessing ungodly speed, strength, and abilities once thought to exist only across the pages of superhero comics - and he's armed with nothing more than his rapidly-diminishing brain cells.With the odds stacked impossibly against him, Moxon fights to not only survive the wrath of the other competitors, but to unlock the mysteries buried within the Arena itself.Discover the series that has been nominated for the prestigious BSFA Award (Arena Mode, Best Novel of 2013), has been ranked #1 on Amazon in the US and the UK (Arena Mode, Superhero and Dystopian categories, May 2015) and is currently part of the high school curriculum in the state of Florida.

    G. Wells’ The War of the Worlds established numerous conventions for the genre, including the threat of an invasive extraterrestrial species, space travel and intergalactic conflict, inspiring directors, gamers, producers and writers alike with its sobering story of struggle and survival. Marrying the suspense, drama and urgency of Wells’ original novel with Jeff Wayne’s rousing and flamboyant score, Audible’s new and exclusive dramatisation uses action, narration, original music and evocative sound design to immerse listeners in a world that’s as thrilling as it is desolate. Jeff Wayne’s The War of the Worlds: The Musical Drama stars Michael Sheen, Taron Egerton, Adrian Edmondson, Theo James and Anna-Marie Wayne. Also featuring: Rachel Atkins, Pippa Bennett-Warner, Josh Bond, Nicholas Boulton, Philip Bulcock, Jessica Dennis, Stephen Fletcher, Pete Gold, David Holt, Roger May, Harry Myers, Richard Reed, Mark Straker, Ben Whitehead and Sarah Whitehouse.

    It was called the Cultural Cross-Contamination Unit, and the idea was that it would hothouse new thinking and new patents. Five actual geniuses, all probably crazy, very eccentric, put in one place and given carte blanche to think about ways to approach and change the future. What Could Possibly Go Wrong?They did A Crazy Thing, which was referred to as The Injection. A mysterious Thing that they did in order to make the 21st Century better and stranger. It got out. It got loose into the fabric of the 21st Century, whatever it was, and now things are getting weird and ugly, faster and faster.So a few years have passed. They've all gone their separate ways, into separate "jobs" that allow them to follow and sometimes deal with the repercussions of The Injection. We are in the period where the toxic load of The Injection is at such a level that events that are essentially paranormal in nature are coming faster and faster, headed towards a point where humanity won't easily be able to live on the planet any more. Not a Singularity of glory, but an irretrievable constant blare of horror coming too thick and fast for anything to deal with.From the creators of Moon Knight: From the Dead: the story of five mad geniuses trying to save us all from themselves.Collecting: Injection 1-5

    They can do stuff ordinary people can’t.Take Ethan, a.k.a. Scam. He’s got a voice inside him that’ll say whatever you want to hear, whether it’s true or not. Which is handy, except when it isn’t—like when the voice starts gabbing in the middle of a bank robbery. The only people who can help are the other Zeroes, who aren’t exactly best friends these days.Enter Nate, a.k.a. Bellwether, the group’s “glorious leader.” After Scam’s SOS, he pulls the scattered Zeroes back together. But when the rescue blows up in their faces, the Zeroes find themselves propelled into whirlwind encounters with ever more dangerous criminals. And at the heart of the chaos they find Kelsie, who can take a crowd in the palm of her hand and tame it or let it loose as she pleases.Filled with high-stakes action and drama, Zeroes unites three powerhouse authors for the opening installment of a thrilling new series.

    The new Thanatos is superbly competent, ends pain when he ends lives. But Satan is forging a trap for Luna, the woman Death loves.

    Jesse dies for a living, literally. As a Necronite, she is one of the population’s rare 2% who can serve as a death replacement agent, dying so others don’t have to. Although each death is different, the result is the same: a life is saved, and Jesse resurrects days later with sore muscles, new scars, and another hole in her memory. But when Jesse is murdered and becomes the sole suspect in a federal investigation, more than her freedom and sanity are at stake. She must catch the killer herself—or die trying.

    Clandestine Ministry of Peculiar Occurrences is forbidden to investigate. But Eliza Braun, with bulletproof corset, fondness for dynamite, remarkable devices, drags along timorous new partner Wellington Books, of encyclopedic brain, against Phoenix intent on enslaving Britons.

    Reminiscent of the illustrated tales of old, here is a lyrical, atmospheric novel of the paranormal—and a chilling allegory for the nature of war. “Why do dead men rise up to torment the living?” Captain Henry Baltimore asks the malevolent winged creature. The vampire shakes its head. “It was you called us. All of you, with your war. The roar of your cannons shook us from our quiet graves…. You killers. You berserkers…. You will never be rid of us now.”When Lord Henry Baltimore awakens the wrath of a vampire on the hellish battlefields of World War I, the world is forever changed. For a virulent plague has been unleashed—a plague that even death cannot end.Now the lone soldier in an eternal struggle against darkness, Baltimore summons three old friends to a lonely inn—men whose travels and fantastical experiences incline them to fully believe in the evil that is devouring the soul of mankind.As the men await their old friend, they share their tales of terror and misadventure, and contemplate what part they will play in Baltimore’s timeless battle. Before the night is through, they will learn what is required to banish the plague—and the creature who named Baltimore his nemesis—once and for all.