Everyone else calls it a nightmare. Locked doors don't stop him. He leaves no trace behind. He only takes little girls. His nickname... The Iceman. A deranged serial killer roams wintry rural Nebraska with a demented purpose no one can fathom. Special Agent EMMA KANE, a former DC cop and damaged goods now with the FBI, is assigned to babysit burnt-out profiler JACOB THORNE, once the best in the business but now said to have lost his edge, as they both fly to Nebraska to catch this maniac. Thorne is erratic, abrasive and unpredictably brilliant, but what he and Kane find in the heartland is much more than anyone bargained for, especially when the Iceman challenges them personally. The clock is ticking and a little girl's life is on the line. And maybe even more with that, once they find out what he's really up to.NOTE FROM THE AUTHOR: This book has frank and profane adult language within... this is often how many a law enforcement officer speaks, in my experience. Not all, but many, very many. The book also has violence and adult situations, but the profanity is the only thing that some folks have been noting, for some odd reason, so I'm warning you now that it has profanity. I totally understand that not everyone wants to read curse words. However, to write a book like this without a cop cursing would not, in my mind, be authentic. Therefore, if you can't handle HBO-style language, (a la THE WIRE, etc.) this book is not for you. If fictional bad language bothers you more than the fictional murder of young people, this book is definitely not for you, but I thank you for your time and consideration.

    But she doesn’t consider herself lonely. She has two dogs, a wide network of friends and the support of her best friend, Sophie.When an old acquaintance, Aiden Beck, needs somewhere to stay for a while, Sarah’s cottage seems ideal; and renewing her relationship with Aiden gives her a reason to smile again. It’s supposed to be temporary, but not everyone is comfortable with the arrangement: her children are wary of his motives, and Will Brewer, an old friend of her son’s, seems to have taken it upon himself to check up on Sarah at every opportunity. Even Sophie has grown remote and distant.After Sophie disappears, it’s clear she hasn’t been entirely honest with anyone, including Will, who seems more concerned for Sarah’s safety than anyone else. As the weather closes in, events take a dramatic turn and Kitty too goes missing. Suddenly Sarah finds herself in terrible danger, unsure of who she can still trust.But she isn’t facing this alone; she has Aiden, and Aiden offers the protection that Sarah needs. Doesn’t he?

    Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn.Source: gillian-flynn.com

    One luxury getaway. The perfect murder.French Alps, 1998Two young men ski into a blizzard… but only one returns.20 years laterFour people connected to the missing man find themselves in that same resort. Each has a secret. Two may have blood on their hands. One is a killer-in-waiting.Someone knows what really happened that day.And somebody will pay.

    In musty old St. Blaise House, where he is the lodger, there are thirteen steps down to the landing below his rooms, which he keeps spick and span. His elderly landlady, Gwendolen Chawcer, was born in St. Blaise House, and lives her life almost exclusively through her library of books, so cannot see the decay and neglect around her.The Notting Hill neighbourhood has changed radically over the last fifty years, and 10 Rillington Place, where the notorious John Christie committed a series of foul murders, has been torn down.Mix is obsessed with the life of Christie and his small library is composed entirely of books on the subject. He has also developed a passion for a beautiful model who lives nearby — a woman who would not look at him twice.Both landlady and lodger inhabit weird worlds of their own. But when reality intrudes into Mix’s life, a long pent-up violence explodes.

    Now thirty years old, she is a reclusive bestselling true crime writer and investigative consultant whose intuitions never lie. The latest case to capture her attention is the disappearance of three adults, each the kind of loner whose sudden absence isn't missed-they have no family, few friends. The Santa Fe Police don't see a pattern, just three people who left their empty lives behind. But when another woman turns up missing, her apartment streaked with blood, even the police have to admit that something is wrong in their usually quiet town. Lydia and P.I. Jeffrey Mark, the ex-FBI agent who solved her mother's murder, begin a relentless investigation. But it is only when the killer ups the ante and goes after Lydia herself that, just like fifteen years ago when she put the FBI on the trail of her mother's killer, the real hunt begins...

    Upon the razor-thin edge between love and violence lives a pair of brothers, their bonds frayed by betrayals and guilt, their loyalty to each other their last salvation.Raised to pick a pocket before he could walk, Terry Rand cut free from his family after his older brother, Collie, went on a senseless killing spree that left eight dead. Five years later, only days before his scheduled execution, Collie contacts Terry and asks him to return home. Collie claims he wasn’t responsible for one of the murders—and insists that the real killer is still on the loose.Dogged by his own demons, Terry is swept back into the schemes and scams of his family: His father, Pinsch, a retired cat burglar, brokenhearted because of his two sons. His card-sharp uncles, Mal and Grey, who’ve incurred the anger of the local mob. His grandfather, Shep, whose mind is failing but whose fingers can still slip out a wallet  from across the room. His teenage sister, Dale, who’s flirting dangerously with the lure of the family business. And Kimmie, the woman Terry abandoned, who’s now raising a child with Terry’s former best friend.  Terry pieces together the day his brother turned rabid, delving into a blood history that reveals the Rand family tree is rotten to the roots, and the secrets his ancestors buried are now coming furious and vengeful to the surface.A meditation on how love can confine a person just as easily as it can free him, juxtaposing shocking violence and sly humor, The Last Kind Words is the brilliantly inventive family saga that only a singular talent like Tom Piccirilli could conjure.

    But as she learns about the circumstances surrounding her sister's disappearance, she is stunned to discover how little she actually knows of her sister's life - and unprepared for the terrifying truths she must now face.The police, Beatrice's fiance and even their mother accept they have lost Tess but Beatrice refuses to give up on her. So she embarks on a dangerous journey to discover the truth, no matter the cost.

    She escapes through deserted woods with her life, but no one believes her story.And when she suspects her husband is lying to her, Chloe is forced to retrace her past, following in her own footsteps to find the truth and stay alive.But who is following Chloe?Look Behind You. You never know who’s out there.

    Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder—one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.

    Not only is his mother an escaped prisoner out to kill him, but he also suspects that his precocious half sister, four-year-old Neera, has inherited their mom's psychopathic tendencies. When Neera's father suddenly dies from a heart attack, Shane's even more convinced that Neera is a budding psychopath; after all, she triggered the deadly heart attack. The authorities reject the idea that Neera tried to hurt her father on purpose, but Shane sees increasing signs that something is wrong. He refuses to give up on her, though, believing he can fix her by raising her right. Before he can get far, Neera suddenly disappears and it turns out their mother has kidnapped the girl. Why, he can't be sure, but it's hardly for a good reason. Will Shane be able to find them before it's too late?NOTE: HUNT EVIL is the final book in the Evil Trilogy. While the books are stand-alones, they are best enjoyed in order. So start with BORN EVIL.

    He is in control. This is his revenge—and he’s only just begun.Three university scientists are found dead in a gruesome murder-suicide, and the only suspect in the case, Victor Lazar, is quickly captured. When the spate of violent suicides follows him to prison he is moved to solitary confinement, reserved for the highest-risk inmates. And then his assigned psychologist inexplicably takes his own life.Alex Madison, a former forensic psychologist turned private therapist, is brought in to interview Victor. He suspects that Victor is controlling his victims, somehow coaxing them into a suggestive trance. It seems like science fiction, but as Alex digs deeper he uncovers a frightening reality of secret research and cruel experimentation—and the perpetrators are closer to home than he could ever have imagined.Too late, Alex learns the true extent of what Victor is capable of—and who he’s after. With everything he holds dear at risk, can Alex take control of a dangerous mind—before it takes control of him?

    They're Watching reminded me what it's like to be in the thrall of a great story: helpless until the end, loving every minute of it."--Lisa Unger, New York Times bestselling author of Die for You Patrick Davis is a man with troubles. First his Hollywood dreams crumble and then his storybook marriage hits a snag. Now, DVDs start being delivered to his house--DVDs which show that someone is watching him and his wife, that the two of them are being stalked and recorded by cameras hidden in their house. Then the e-mails start, and someone offers to fix everything, to take the mess his life has become and make it all right. Patrick figures it's the offer of a lifetime. But Patrick couldn't be more wrong. With every step he falls deeper into a web of intrigue that threatens everything he values in this world. Before he knows it, he's in and in deep--and his only escape is to outwit and outplay his unseen opponents at their own game.

    Every day after school, while his classmates swap football stickers, Steven goes digging to lay to rest the ghost of the uncle he never knew, who disappeared aged eleven and is assumed to have fallen victim to the notorious serial killer Arnold Avery.Only Steven's Nan is not convinced her son is dead. She still waits for him to come home, standing bitter guard at the front window while her family fragments around her. Steven is determined to heal the widening cracks between them before it's too late. And if that means presenting his grandmother with the bones of her murdered son, he'll do it.So the boy takes the next logical step, carefully crafting a letter to Arnold Avery in prison. And there begins a dangerous cat-and-mouse game between a desperate child and a bored serial killer . . .

    Then he disappeared ... But Detective Angie Pallorino never forgot the violent rapist who left a distinctive calling card—crosses etched into the flesh of his victim’s foreheads. When a comatose Jane Doe is found in a local cemetery, sexually assaulted, mutilated, and nearly drowned, Angie is struck by the eerie similarities to her earlier unsolved rapes. Could he be back?​Then the body of a drowned young woman floats up in the Gorge, also bearing the marks of the serial rapist, and the hunt for a predator becomes a hunt for a killer. Assigned to the joint investigative task force, Angie is more than ready to prove that she has what it takes to break into the all-male homicide division. But her private life collides with her professional ambitions when she’s introduced to her temporary partner, James Maddocks—a man she’d met the night before in an intense, anonymous encounter. Together, Angie and Maddocks agree to put that night behind them. But as their search for the killer intensifies so does their mutual desire. And Angie’s forays into the mind of a monster shake lose some unsettling secrets about her own past . . . How can she fight for the truth when it turns out her whole life is a lie?