When first published, La Batarde earned Violette Leduc comparisons to Jean Genet for the frank depiction of her sexual escapades and immoral behavior. A confession that contains portraits of several famous French authors, this book is more than just a scintillating memoir. Like that of Henry Miller, Leduc's brilliant writing style and attention to language transform this autobiography into a work of art.Violette Leduc was born the illegitimate daughter of a servant girl and was encouraged to write by Maurice Sachs and Simone de Beauvoir. Her first novel, L'Asphyxie (In the Prison of Her Skin), was published by Camus for Gallimard and earned her praise from Jean-Paul Sartre, Jean Cocteau, and Jean Genet. She went on to write eight more books, including Ravages, L'Affamee, and La Folie en tete (Mad in Pursuit), the second part of her literary autobiography.

    Journeying across a resurgent and reputedly free land, Meier has produced a virtuosic mix of nuanced history, lyric travelogue, and unflinching reportage. Throughout, Meier captures the country's present limbo—a land rich in potential but on the brink of staggering back into tyranny—in an account that is by turns heartrending and celebratory, comic and terrifying. A 2003 New York Public Library Book to Remember. "Black Earth is the best investigation of post-Soviet Russia since David Remnick's Resurrection. Andrew Meier is a truly penetrating eyewitness."—Robert Conquest, author of The Great Terror; "If President Bush were to read only the chapters regarding Chechnya in Meier's Black Earth, he would gain a priceless education about Putin's Russia."—Zbigniew Brzezinski "Even after the fall of Communism, most American reporting on Russia often goes no further than who's in and who's out in the Kremlin and the business oligarchy. Andrew Meier's Russia reaches far beyond . . . this Russia is one where, as Meier says, history has a hard time hiding. Readers could not easily find a livelier or more insightful guide."—Adam Hochschild, author of King Leopold's Ghost and The Unquiet Ghost: Russians Remember Stalin "From the pointless war in Chechnya to the wild, exhilarating, and dispiriting East and the rise of Vladimir Putin, the former KGB officer—it's all here in great detail, written in the layers the story deserves, with insight, passion, and genuine affection."—Michael Specter, staff writer, The New Yorker; co-chief, The New York Times Moscow Bureau, 1995-98. "[Meier's] knowledge of the country and his abiding love for its people stands out on every page of this book....But it is his linguistic fluency, in particular, which enables Mr. Meier to dig so deeply into Russia's black earth."—The Economist  "A wonderful travelogue that depicts the Russian people yet again trying to build a new life without really changing their old one."—William Taubman, The New York Times Book Review.

    It reads the city as palimpsest and labyrinth, revealing unexpected lyricism in the heart of the familiar.As an added gem, a preface by Howard Eiland discusses the genesis and structure of the work, which marks the culmination of Benjamin's attempt to do philosophy concretely.

    Jamaica Kincaid's expansive essay candidly appraises the ten-by-twelve-mile island in the British West Indies where she grew up, and makes palpable the impact of European colonization and tourism. The book is a missive to the traveler, whether American or European, who wants to escape the banality and corruption of some large place. Kincaid, eloquent and resolute, reminds us that the Antiguan people, formerly British subjects, are unable to escape the same drawbacks of their own tiny realm—that behind the benevolent Caribbean scenery are human lives, always complex and often fraught with injustice.

    The autobiography of the first cosmonaut.

    As in Nothing to Declare, her celebrated travelogue of South America, Morris combines vivid portrayals of people and historical portraits of Soviet events with a more personal journey--her search for roots, family, and her ancestral home in the Ukraine.