Disturbing news footage floods the cable news channels. People are running scared, terrified. Frightened. Dana is oblivious. She’s in her final meeting with Miss Jenkins, her caseworker. Dana’s juvie record is an inch thick, a catalogue of misdemeanors. She’s destined to spend her life behind bars. Stressed out and looking for some much-needed distraction, Max turns up at her boyfriend’s apartment. But something is wrong. Darren is not alone. He’s in bed with another girl. Eating her, and not in a good way. He attacks Dana with savage violence. She puts him down, but not before his blood-stained teeth tear into her arm. This is the first part in a brand-new dystopian post-apocalyptic series, a tour-de-force in thrills and excitement. Resistant 0.5. Download Now FREE.

    Battling blistering heat, starvation, wild animals, and despair, he is not comforted by the company of a rough and ready sort named Morrison. Soon Durham begins to suspect he may never return home—and to top it all off the tea has almost run out. Tales from the Archives are short stories set in the world of the Ministry of Peculiar Occurrences. They explore events mentioned in the novels, characters seen and unseen and may include novel teasers of things to come.

    Dylan initially chalks it up to trauma, but that changes when he runs into a psychiatrist who claims he’s her patient. She says he has been undergoing a unique hypnotherapy treatment built on the idea that with every choice, he creates an infinite number of parallel universes.Now those parallel universes are unlocked—and Dylan’s doppelgänger has staked a claim to his world. Can Dylan use these alternate realities to get a second chance at the life that was stolen from him? Or will he lose himself…to himself?

    But when a terrified woman falls through his bathroom ceiling, he's forced back into a life of gunfights, double agents and paranormal research. The secret he's been keeping for nearly four decades might reunite him with his lost love, or kill millions.This new short story by John August falls into the genre of paranoid "spy-fi" popularized by writers like Jorge Luis Borges and shows like The Prisoner and The Man from U.N.C.L.E.== What Others Say =="I really dug the story. Gave it a glance just to see, got totally hooked, and blazed on through to the end."-- Michael Chabon (The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen's Union) "The Variant" is both a good, fun, smart story and an interesting experiment in indie self-publishing for fiction."-- John Gruber, daringfireball.net== About the Author ==An excerpt of The Variant is available at johnaugust.com/variant About the AuthorJohn August is the screenwriter of eight feature films, including Go, Big Fish, Charlie and the Chocolate Factory and Corpse Bride. He wrote and directed the 2007 movie The Nines.He can be found on Twitter, @johnaugust

    Part magic realism, part science fiction, part theater of the absurd, and part over-the-top, unrepentant spoof, this novel packs more into its few short pages than do most epic trilogies. Graziano has fabricated the rare kind of tale that the reader can honestly say ends much too quickly. Perfectly woven, self-enclosed, multifaceted . . . Kosinski’s Being There sprinkled with a strong dose of Frankenstein . . . the kind of simplicity that speaks volumes.”—Michael Mirolla, author of The Formal Logic of Emotion“An amalgam of fairy tale, satire, science fiction, medical thriller, and soap opera. . . . It is difficult to fathom that a novel so brief can be so epic in scope. Inventive and deftly crafted, The Love Song of Monkey is a tale no reader will soon forget.”—Eric Linder, Yellow Umbrella Books, Chatham, MassachusettsIn a surreal exile on the floor of the Atlantic, a young man faces his own death and his wife’s infidelity. The Love Song of Monkey is a meditation on the simple, inexplicable, and lasting power of love, cast in the metaphor of a journey to the depths of the ocean floor. Precise and beautifully crafted, this modern fable is rich with humor and deep thought.Michael S. A. Graziano, professor of neuroscience at Princeton University, is the author of the novella Hiding Places (New England Review), The Seclusion Zone (2007 fi nalist in the William Faulkner–William Wisdom Creative Writing Competition), and The Intelligent Movement Machine (2008, Oxford University Press).

    a secret so terrible that he must share it in order to find those who will help him protect the knowledge that will one day save humanity. He has chosen two brothers, both hermit monks, to join him in his quest. But time is short... and no man is ready to receive the news that Talus must now share with them both: That they are both already dead.THE KEEPER is the short story prequel to Forbidden, the first novel in The Books of Mortals series. First there was the Circle Trilogy. Now a new stunning epic begins.

    And while Doctor Varanus has never found tranquility much to her taste, even she cannot deny that the peace and quiet make for a pleasant diversion following the chaos of her recent adventures in London. Having left the horrors of bloodshed and wellness behind her, Varanus has thrown herself headlong into the study of the Shashavani condition, determined to learn the secrets of their undying power.But all is not as it seems in the House of Shashava. As winter snow covers the Shashavani valley and chokes the mountain passes, sinister events are unfolding in the shadows. Whispers of conspiracy echo through the halls. Soon loyalties will be tested and friendships betrayed. Blood will flow. For upon the frozen steppe, an ancient evil stirs and turns its gaze toward the House of Shashava, hungering for power and revenge.As darkness descends, one question remains:Do you serve the Winter King?

    This light novel explores what would have happened in the video game "Danganronpa: Trigger Happy Havoc", if Makoto Naegi had received the Escape Button from the MonoMono Machine in the beginning of the game, which helps him slowly regain his memories.

    But with every step toward freedom, Alex finds there will be no escaping the secret horrors and nightmarish creatures haunting his endless nights until he confronts and destroys the prison’s mastermind.This ebook bundle includes all five books in the series from author Alexander Gordon Smith: Lockdown, Solitary, Death Sentence, Fugitives, and Execution. Also included is the companion short story, The Night Children.“Fresh and ferocious . . . will hook boys with its gritty, unrelenting surprises.” —James Patterson, author of the Maximum Ride series “Furnace is hotter than hell and twice as much fun.” —Darren Shan, author of the Demonata series

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    with a peculiar talent.After years of destitution, Adam Eden's life is finally on the up. But, whilst out celebrating his recent good fortune, Adam unwittingly chooses death over embarrassment.Awaking in a future of leisure, luxury, and immortality, Adam suffers serious shrinkage and is branded an 'undesirable'. Shunned by family and neighbours for his first-life sins, can he find respect and redemption in this tightly controlled world? Facing a grim eternity, Adam wants out.A randomly chosen day trip changes everything.Though cruel and heartless, they always let you choose your weapon.

    Humor and a somewhat postmodern outlook carried over into his novels as well. One of his stories, "Arena," is officially credited for an adaptation as an episode of the landmark television series, Star Trek. With no more room left on Earth, and with Mars hanging up there empty of life, somebody hit on the plan of starting a colony on the Red Planet. It meant changing the habits and physical structure of the immigrants, but that worked out fine. In fact, every possible factor was covered -- except one of the flaws of human nature. . . ."

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    But Tom's demons return with a vengeance as he discovers the baby is possessed by the spirit of another girl, who went missing 10 years ago - the night Tom had his last drug-fuelled blackout.

    He returns to the Asylum adrift, unsure how to process the situation. But one thing is a constant: he's the Foul Mouth, he won't be grieving, he'll be GRIEFING, and it will be up to Ultra Class '09 to bear the brunt of the onslaught.