Dewhurst reveals not only that North America was once ruled by an advanced race of giants but also that the Smithsonian has been actively suppressing the physical evidence for nearly 150 years. He shows how thousands of giant skeletons have been unearthed at Mound Builder sites across the continent, only to disappear from the historical record. He examines other concealed giant discoveries, such as the giant mummies found in Spirit Cave, Nevada, wrapped in fine textiles and dating to 8000 BCE; the hundreds of red-haired bog mummies found at sinkhole “cenotes” on the west coast of Florida and dating to 7500 BCE; and the ruins of the giants’ cities with populations in excess of 100,000 in Arizona, Oklahoma, Alabama, and Louisiana. Dewhurst shows how this suppression began shortly after the Civil War and transformed into an outright cover-up in 1879 when Major John Wesley Powell was appointed Smithsonian director, launching a strict pro-evolution, pro-Manifest Destiny agenda. He also reveals the 1920s’ discovery on Catalina Island of a megalithic burial complex with 6,000 years of continuous burials and over 4,000 skeletons, including a succession of kings and queens, some more than 9 feet tall--the evidence for which is hidden in the restricted-access evidence rooms at the Smithsonian.

    Were humans created by God as Slaves? Was Abraham the first human Spy? Was Jesus an accidental Messiah? This work takes readers on a odyssey of the origins of humankind drawing on analogies between discoveries in genetic engineering and ancient archaeological finds.

    The Dogon’s creation story describes how the one true god, Amma, created all the matter of the universe. Interestingly, the myths that depict his creative efforts bear a striking resemblance to the modern scientific definitions of matter, beginning with the atom and continuing all the way to the vibrating threads of string theory. Furthermore, many of the Dogon words, symbols, and rituals used to describe the structure of matter are quite similar to those found in the myths of ancient Egypt and in the daily rituals of Judaism. For example, the modern scientific depiction of the informed universe as a black hole is identical to Amma’s Egg of the Dogon and the Egyptian Benben Stone. The Science of the Dogon offers a case-by-case comparison of Dogon descriptions and drawings to corresponding scientific definitions and diagrams from authors like Stephen Hawking and Brian Greene, then extends this analysis to the counterparts of these symbols in both the ancient Egyptian and Hebrew religions. What is ultimately revealed is the scientific basis for the language of the Egyptian hieroglyphs, which was deliberately encoded to prevent the knowledge of these concepts from falling into the hands of all but the highest members of the Egyptian priesthood. The Science of the Dogon also offers compelling new interpretations for many of the most familiar Egyptian symbols, such as the pyramid and the scarab, and presents new explanations for the origins of religiously charged words such as Jehovah and Satan.

    So, on October 1, 1966, McNamara lowered mental standards and inducted thousands of low-IQ men. Altogether, 354,000 of these men were taken into the Armed Forces and a large number of them were sent into combat. Many military men, including William Westmoreland, the commanding general in Vietnam, viewed McNamara’s program as a disaster. Because many of the substandard men were incompetent in combat, they endangered not only themselves but their comrades as well. Their death toll was appallingly high. In addition to low-IQ men, tens of thousands of other substandard troops were inducted, including criminals, misfits, and men with disabilities. This book tells the story of the men caught up in McNamara’s folly.

    Sufferers report feeling suffocated, held down by some "force," paralyzed, and extremely afraid.The experience is surprisingly common: the author estimates that approximately 15 percent of people undergo this event at some point in their lives. Various cultures have their own name for the phenomenon and have constructed their own mythology around it; the supernatural tenor of many Old Hag stories is unavoidable. Hufford, as a folklorist, is well-placed to investigate this puzzling occurrence.

    

    Best known as one of the world's greatest painters, he sketched the foundations for inventions that would not come to fruition for centuries. Born a bastard in a hillside village in northern Italy, Leonardo became the protégé of princes, popes, and kings. He mastered so many branches of science that scholars still debate whether he was greater as an anatomist, botanist, cartographer, engineer, geographer, or naturalist. Nevertheless, he died unhappy, believing he had failed to work the miracles of which he had dreamed. Here, from New York Times bestselling author Anna Abraham, is his extraordinary story.

    People literally put themselves into the skin of the "savage," in masquerades that stretch back centuries. By becoming a bear, a goat, a stag, a wild boar, a man of straw, a devil, or a monster with jaws of steel, these people celebrate the cycle of life and seasons. The costumes amaze with their extraordinary diversity and prodigious beauty. Work on this project took leading French photographer Charles Fréger to eighteen European countries in search of the mythological figure of the Wild Man.

    Central to this is the question of evil. How did this phenomenon come into being? What do ancient legends have to tell us about the present state of decay?Born in Ireland Michael Tsarion has made the deepest researches into the comparative mythologies of the world and into his own countries ancient and mysterious Celtic Tradition. Michael's presentations on Atlantis, Lemuria and the prediluvian epoch have been acclaimed by veterans in the field of paranormal research. In the tradition of Comyns Beaumont, Immanuel Velikovsky, William Bramley, Barbara Marciniak, Laurence Gardener and Erich von Daniken, Michael considers the consequences to civilization of extra-terrestrial involvement and seeks to clarify many of the quandaries that other “visitation” experts have overlooked. His book seeks to clarify much of the disinformation about Atlantis and the lost continents of prehistory. He also concentrates on the orchestrated chaos of modern times and reveals how the political and military machinations of the present have their roots in the ancient past.

    And it's precisely this offbeat sense of curiosity that led the duo to create Weird N.J. and the successful series that followed. The NOT shockingly result? Every "Weird" book has become a best seller in its region! ((Series Sales Points)) This best-selling series has sold more than one million copies...and counting Thirty volumes of the Weird series have been published to great success since Weird New Jersey's 2003 debut

    Described as a large, hairy man-like creature, it’s said to haunt the vast Sulphur River Bottoms as it travels the secluded waterway known as Boggy Creek.Over the years, the creature has been seen by numerous witnesses including respected citizens, experienced hunters, famous musicians, and even a police officer. The encounters were often so shocking, they served as inspiration for the classic horror film, The Legend of Boggy Creek, by Charles B. Pierce.Tales of the creature have long existed in scattered pieces across news clippings, memoirs, police reports, and movies, but it is only now that the complete history of the Fouke Monster has been assembled in one place. This book collects all the facts, theories, and amazing sighting reports, and weaves them into a fascinating tale about this undeniable southern mystery, one that lives on, as frightening encounters with the Beast of Boggy Creek are still being reported today!

    His journey into the past follows the clues left by Plato, and they take him far beyond Crete and the Mediterranean, where scholars in recent times have located Atlantis. So do mummies in Egypt, Roman wreckage in the West Atlantic, the African features of great stone heads in Mexico, and the explosion of a comet 10,500 years ago. For two millennia the fate of Atlantis has fascinated historians, philosophers, and explorers who have debated its reality and searched in vain for a kingdom shrouded in myth and legend. Collins's final destination will shock the experts and amaze all readers. "A bold and imaginative attempt to understand the destruction of the legendary city of Atlantis."—Kirkus Reviews "Probably the most substantial and well researched book on Atlantis since Ignatius Donnelly."—Colin Wilson, author of From Atlantis to the Sphinx

    Colorado is blessed with all three! From the Frozen Dead Guy Days festival in tiny Nederland, to Fruitas annual commemoration of Mike (the rooster that lost its head but not its will to live), theres no shortage of bizarre happenings in this Rocky Mountain locale.

    While public attention was preoccupied with the Impressionists, many painters were reacting in a totally different...and more imaginative way...to the grim horrors of the new industrial society around them. The roots of the Decadents, as these artists came to call themselves, were to be found in the poetic visions of the English Pre-Raphaelites of the 1850s. Their first great Continental exponent was a brilliant and neglected painter of the fantastic, Gustave Moreau; their most obvious expression was 'Art Nouveau,' a style closely interwoven with sinuous and half-unconscious eroticism. Philippe Julian takes the reader on a conducted tour through the bizarre symbolism of this half-forgotten world, introducing him to a large number of writers and artists. Many of these artists...Moreau; Toorop, the brilliant half-Balinese, half-Dutch painter and draftsman; the French Odilon Redon, the great master of Symbolist art; the Viennese Klimt; and the Belgian Khnopff...have been known for some time to a few enthusiasts; In this lively study their inventiveness and skill are explored afresh, and their fantastic imaginings and weird symbolism exposed to a sometimes ironic light. Proud of their romantic appearance, extravagant habits, and outrageous conduct, the artists of the 'mauve nineties' drew on a wide range of writers for their ideas, including not only Poe, Baudelaire, Swinburne, and Wilde, but also less well-known and stranger poets. The book ends with a short anthology of Symbolist themes taken from these writers, and 149 pictures drawn from museums and collection in the Europe and the U.S.

    Many remained fresh and flexible for years, or even centuries. After explaining both natural and artificial mummification, the author shows that the incorruption of the saints' bodies fits neither category but rather constitutes a much greater phenomenon that is unexplained by modern science to this day. The author presents 102 canonized saints, beati, and venerables, summarizing their lives, the discovery of their incorruption, and investigations by Church and medical authorities.The incorruptible bodies of saints are a consoling sign of Christ s victory over death, a confirmation of the dogma of the Resurrection of the Body, a sign that the Saints are still with us in the Mystical Body of Christ, and proof of the truth of the Catholic Faith—for only in the Catholic Church do we find this phenomenon. Impr. 342 pgs 33 Illus, PB.