This time it could be theirs . . .It isn’t safe. That’s what Joe tells her when he ends their affair—moments before their car skids off an icy road in a blinding snowstorm and hits a tree. Desperate to keep her life intact—her job, her husband, and her precious daughter, Lily—Dorrie will do everything she can to protect herself, even if it means walking away from the wreckage. Dorrie has always been a good actress, pretending to be someone else: the dutiful daughter, the satisfied wife, the woman who can handle anything. Now she’s going to put on the most challenging performance of her life. But details about the accident leave her feeling uneasy and afraid. Why didn’t Joe’s airbag work? Why was his car door open before the EMTs arrived? And now suddenly someone is calling her from her dead lover’s burner phone. . . .Joe’s death has left his wife in free fall as well. Karen knew Joe was cheating—she found some suspicious e-mails. Trying to cope with grief is devastating enough without the constant fear that has overtaken her—this feeling she can’t shake that someone is watching her. And with Joe gone and the kids grown, she’s vulnerable . . . and on her own.Insurance investigator Maggie Devlin is suspicious of the latest claim that’s landed on her desk—a man dying on an icy road shortly after buying a lucrative life insurance policy. Maggie doesn’t believe in coincidences. The former cop knows that things—and people—are never what they seem to be.As the fates of these three women become more tightly entwined, layers of lies and deception begin to peel away, pushing them dangerously to the edge . . . closer to each other . . . to a terrifying truth . . . to a shocking end.

    Your bones he'll keep. Twenty years ago, four teenagers went exploring in the local woods, trying to find to the supposed home of The Bone Keeper. Only three returned. Now, a woman is found wandering the streets of Liverpool, horrifically injured, claiming to have fled the Bone Keeper. Investigating officer DC Louise Henderson must convince skeptical colleagues that this urban myth might be flesh and blood. But when a body is unearthed in the woodland the woman has fled from, the case takes on a much darker tone. The disappeared have been found. And their killer is watching every move the police make.The brilliant new police procedural from Luca Veste, featuring series characters Murphy and Rossi - a guaranteed page-turner.

    I stood in front of the police, my friends and family, and made up a story, my best one yet. And all of them believed me. I wasn't surprised. Telling stories is what made me famous. Fifteen bestsellers. Millions of fans. Fame and fortune.Now, I have one last story to write. It'll be my best one yet, with a jaw-dropping twist that will leave them stunned and gasping for breath.They say that sticks and stones will break your bones, but this story? It will be the one that kills me. This book is not a romance. It is contemporary fiction, but very suspenseful in nature. It is about a famous romance author and a dark secret she keeps.

    But despite the distractions of her new life and the demands of single motherhood, her nerves continue to jangle. To make matters worse, during class a vicious debate about violence against women inflames the tensions and mounting rivalries in her creative writing group. When a troubled student starts turning in chapters that blur the lines between fiction and reality, the professor recognizes herself as the main character in his book--and he has written her a horrific fate. Will she be able to stop life imitating art before it's too late? At once a breathless cat-and-mouse game and a layered interrogation of the fetishization of the female body, The Body Lies gives us an essential story for our time that will have you checking the locks on your doors.

    A boy. His mother. And the lie she'll wish she'd never told.The Girlfriend by Michelle Frances is a gripping and chilling debut psychological thriller, based on the fall-out following an unforgiveable lie. It looks at the potentially charged relationship between girlfriend, boyfriend and his mother, which most women can identify with, and locates it in an extreme but believable setting.Laura has it all. A successful career, a long marriage to a rich husband, and a twenty-three year-old son, Daniel, who is kind, handsome, and talented. Then Daniel meets Cherry. Cherry is young, beautiful and smart but she hasn't had the same opportunities as Daniel. And she wants Laura's life.Cherry comes to the family wide-eyed and wants to be welcomed with open arms, but Laura suspects she's not all that she seems. When tragedy strikes, an unforgiveable lie is told. It is an act of desperation, but the fall-out will change their lives forever.

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    An intoxicating cocktail of loyalty and secrets, lies and betrayal, reminiscent of Rosamund Lupton’s Sister and Kimberly McCreight’s Reconstructing Amelia.A decade ago, Ella Brooke’s older sister, Miranda, vanished without a trace. With every passing year, Ella has come to resemble more closely the sister she lost—the same dark hair, the same piercing blue eyes—and now she’s the same age Miranda was when she disappeared.Ella has never let go of her sister. She can still feel Miranda’s presence, still hear her voice. She still talks to her. What holds Ella together is her love for her sister’s ten-year-old son and her work as a self-defense expert helping victims.Ella is certain that Miranda was taken, and that one man is key to her disappearance: Jason Thorne. The tabloids report that a new link has been found connecting Miranda to this sadistic serial killer locked away in a psychiatric hospital. Ignoring warnings from the police and the disapproval of her parents, she seeks Thorne out. Ella will do whatever it takes to uncover the truth—no matter how dangerous…

    Mysteriously ominous things began to happen—blood in the bed, periods of blackouts, a feeling of being watched—though Bec remained oblivious of what was to come.Eleven years later she is replaced.A young woman, desperate after being arrested, claims to be the decade-missing Bec.Soon the imposter is living Bec's life. Sleeping in her bed. Hugging her mother and father. Learning her best friends' names. Playing with her twin brothers.But Bec's welcoming family and enthusiastic friends are not quite as they seem. As the imposter dodges the detective investigating her case, she begins to delve into the life of the real Bec Winter—and soon realizes that whoever took Bec is still at large, and that she is in imminent danger.

    But Diane's academic brilliance lit a fire in Kit, and the two developed an unlikely friendship. Until Diane shared a secret that changed everything between them. More than a decade later, Kit thinks she's put Diane behind her forever and she's begun to fulfill the scientific dreams Diane awakened in her. But the past comes roaring back when she discovers that Diane is her competition for a position both women covet, taking part in groundbreaking new research led by their idol. Soon enough, the two former friends find themselves locked in a dangerous game of cat-and-mouse that threatens to destroy them both.

    When a violent storm leaves Sarah and her daughter stranded, Sarah finds herself tortured by the past—what really happened on that fateful day one of her daughters died?

    She'll have to face the whispers and the rumors that have haunted her family since she left. Because when Audrey was thirteen, she and her best friend Maggie killed Maggie's abusive father. Her first night back in town ends in a fight with a drunken Maggie, with her old crush Jake to witness it all. Audrey can't believe it can get worse. Then Maggie turns up dead.Now, Audrey has to find out who the murderer is - before everyone decides that she is to blame. And before the murderer can set their sights on her.

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

    They spend their days biking around their sleepy English village and looking for any taste of excitement they can get. The chalk men are their secret code: little chalk stick figures they leave for one another as messages only they can understand. But then a mysterious chalk man leads them right to a dismembered body, and nothing is ever the same.In 2016, Eddie is fully grown, and thinks he's put his past behind him. But then he gets a letter in the mail, containing a single chalk stick figure. When it turns out that his friends got the same message, they think it could be a prank . . . until one of them turns up dead.That's when Eddie realizes that saving himself means finally figuring out what really happened all those years ago.

    LEAST OF ALL HIMSELF.Most of the world knows Jerry Grey by his crime-writing pseudonym, Henry Cutter - a name that's been keeping readers at the edge of their seats for more than a decade. But now that he's been diagnosed with early-onset Alzheimer's at the age of forty-nine, Jerry's career is coming to an abrupt end.His twelve books tell stories of brutal murders, of a world out of balance, of victims finding the darkest forms of justice. As his dementia continues to break down the wall between his real life and the lives of his characters, Jerry confesses his most terrible secret: the stories are real. He committed the crimes himself. His friends, family, and caretakers insist that it's all in his head, just a side effect of the devastating disease - but is it?One of the most talented and trailblazing suspense writers at work today, Edgar-nominated author Paul Cleave takes us down a dark and clever path to determine the fine line between simple fact and dangerous fiction.

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?