The "Handmaid's Tale" by Margaret Atwood (York Notes Advanced - NOT THE NOVEL)

    Aranya discovers that her family has been fighting a decade-long legal battle over her grandfather’s expansive estate, all the while not only keeping her in the dark, but also keeping her very existence out of the court’s knowledge!A cesspool of emotions, half-truths, betrayals, and the unspooling of long buried dirty family secrets threaten to overpower Aranya and disrupt what modicum of peace and balance she has in her life as a single mother of two children. At the centre of this storm is the one woman who, ever since the day Aranya was born, has had nothing but curses and abuses for her; who has deliberately kept her name out of the court; who has wished her dead for every day of her life; who refuses to now remember her birth. The woman who is her mother. Her own mother.This is the story of a woman fighting against power, money, deceit, and treachery for her right to be recognised as a daughter. A daughter by court order . . .

    Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.Contributors include Kendare Blake (reimagining “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

    In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    K. Rowling, Harry Potter and the Chamber of Secrets. The film was released on 15 November 2002 in the UK and North America and 28 November in AUS. Returning to work on the film were director Chris Columbus, screenwriter Steven Kloves, and producer David Heyman. Most of the major cast and crew from Philosopher's Stone (known as Sorcerer's Stone in the United States) returned for Chamber of Secrets, including child stars Daniel Radcliffe, Emma Watson, and Rupert Grint. However, it was the last appearance by Richard Harris as Dumbledore and the last Harry Potter film directed by Columbus. New key actors included Kenneth Branagh as Gilderoy Lockhart and Jason Isaacs as Lucius Malfoy.

    Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly.The Wasp Factory is a work of horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; compulsive, because the humour and compassion of that mind reach out to us all. A novel of extraordinary originality, imagination and comic ferocity.

    Even his friend Mr Satterthwaite is unable to understand how the man seems to appear and disappear almost like a trick of the light - and when he does appear it's usually in the sparkle of sunshine, or surrounded by a spectrum of coloured light pouring through a stained glass window.Indeed, he is Harlequin. The only consistent thing about the Mysterious Mr Quin is that his presence is always a harbinger of love ... or death.Quin and Satterthwaite appear in a string of short stories by the incomparable Agatha Christie. She often said that some of them are among her personal favourites. They'll be yours too.The stories are: 1 The Coming of Mr. Quin; 2 The Shadow on the Glass; 3 At the "Bells and Motley", 4 The Sign in the Sky; 5 The Soul of the Croupier; 6 The Man from the Sea; 7 The Voice in the Dark; 8 The Face of Helen; 9 The Dead Harlequin; 10 The Bird with the Broken Wing; 11 The World's End; and, 12 Harlequin's Lane.Librarian's note #1: besides those in this collection, there are two more Mr. Quin stories found in other collections: 'The Love Detectives', and 'The Harlequin Tea Set'.Librarian's note #2: this is the entry for the collection of 12 short stories, "The Mysterious Mr. Quin'. Entries for each of them are located elsewhere on Goodreads. All 14 stories can be found by searching Goodreads for: 'a Harley Quin Short Story'.

    With peace in their lands, Levi and Reece have been living a life of serenity and peace, raising their three young children at Oxley Manor. Everything seems perfect and well until Levi realizes something: a holiday he knows his wife as always loved on her home planet of Earth has never been celebrated in his realm. In fact, Reece hasn't had the privilege of enjoying her favorite holiday in over six years, and Levi vows to change that. But can he? With his sister's wedding at hand, his own daughter professing her love for another as well, and wanting to have a new holiday introduced to Pemdas...Levi is determined to find a way to make all of this work no matter the sacrifices he must make.

               Told with Clive James's trademark dry wit, The      Silver Castle is a tragicomic morality tale for our time. Part Candide, part Oliver Twist, part Huckleberry Finn, The Silver Castle defies its reader to remain aloof from the suffering of the world's swarming poor while it inspires laughter over the human condition generally. It is a novel of wonder despite its unrelenting realism--      indeed, only wonderment is possible in the face of Sanjay's knack for survival and more than occasional good fortune.           In his astonishing odyssey from the gutter to the soundstages and salons of Bollywood, Sanjay meets up with every variant of sinner and would-be savior, and along the way he trades on his "heart-breaking" physical beauty and canny lingual facility to grab at luck wherever it may be had--in the pocket of a tourist, as a guide for the Western news crews who regularly descend on Bombay to update their stock footage of grinding poverty, or in the bed of an older male protector or a past-her-prime cinema princess.           Throughout, Sanjay's spirit is sustained by the movies, and by his first behind-the-scenes glimpse, as a young trespasser on the set of the Silver Castle, of the magical artifice of filmmaking. It is a true vision of an utterly false reality, the source of Sanjay's subsequent triumphs and of his ultimate misfortune. But what happens to Sanjay in the end is not a singular event. As this deeply humane novel convincingly argues, Sanjay's fate is the world's.Back Ad:Perhaps it would have been better for [Sanjay] if he had never seen the Silver Castle, never felt a guiding hand, never blinked at an unstained smile. Then he would not have missed these things. It is just possible, however, that the memory of his first visit to Long Ago sustained him. Imagination and energy are part of each other, and few of us, even though we live in circumstances far more favourable, would ever get to where we are going unless a picture of it, however inaccurate, was already in our minds. If we had to, we too would have to dodge the rain between rubbish dumps, on the long journey back to the taste of a cheese roll, the tang of sparkling water, trumpets that crackle and toe-nails stained with plums. We don't have to, but Sanjay did.

    Its ceilings need plastering and some of the toilets leak appallingly, but its residents are far from desperate, though sometimes contentious and unforgiving. In these witty, poignant stories, Mistry charts the intersecting lives of Firozsha Baag, yielding a delightful collective portrait of a middle-class Indian community poised between the old ways and the new.

    This selection includes ten of his best, bearing testimony to the author's remarkable range and his ability to create unforgettable characters out of everyday lives.

    Each begins in a quietly factual way, making all the more dramatic the crescendo of fear and puzzlement that ensues as each new circumstance is revealed. Even without his supremely logical brain child, Sherlock Holmes, Conan Doyle shows that his tales are unbeatable for thrills and excitement.Contents:Tales of terror:The horror of the heightsThe leather funnelThe new catacombThe case of Lady SannoxThe terror of Blue John GapThe Brazilian catTales of mystery:The lost specialThe beetle-hunterThe man with the watchesThe japanned boxThe black doctorThe Jew's breastplateThe nightmare room.

    Clarke is the most celebrated science fiction author alive. He is—with H. G. Wells, Isaac Asimov, and Robert A. Heinlein—one of the writers who define science fiction in our time. Now Clarke has cooperated in the preparation of a massive, definitive edition of his collected shorter works. From early work like "Rescue Party" and "The Lion of Comarre," through classics like "The Star," "Earthlight," "The Nine Billion Names of God," and "The Sentinel" (kernel of the later novel, and movie, 2001: A Space Odyssey), all the way to later work like "A Meeting with Medusa" and "The Hammer of God," this immense volume encapsulates one of the great SF careers of all time.

    . . Thunderous and touching.'Financial TimesAfter drinking an elixir that bestows immortality upon him, a young Indian named Flapping Eagle spends the next seven hundred years sailing the seas with the blessing -- and ultimately the burden -- of living forever. Eventually, weary of the sameness of life, he journeys to the mountainous Calf Island to regain his mortality. There he meets other immortals obsessed with their own stasis and sets out to scale the island's peak, from which the mysterious and corrosive Grimus Effect emits. Through a series of thrilling quests and encounters, Flapping Eagle comes face-to-face with the island's creator and unwinds the mysteries of his own humanity. Salman Rushdie's celebrated debut novel remains as powerful and as haunting as when it was first published more than thirty years ago.'A book to be read twice . . . [Grimus] is literate, it is fun, it is meaningful, and perhaps most important, it pushes the boundaries of the form outward.'Los Angeles Times

    Still above is Vaikuntha, heaven, abode of God.The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean 'victory'. One keeps you in Swarga; the other raises you into Vaikuntha.In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chhattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu and Yakshagana of Karnataka.Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data.With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.