fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    (“May be the best account ever written of life behind the badge.” —Time) In Red on Red, Edward Conlon tells the electrifying and suspenseful story of two NYPD detectives, Meehan and Esposito: one damaged and introspective, the other ambitious and unscrupulous. Meehan is compelled by haunting and elusive stories that defy easy resolution, while Esposito is drawn to cases of rough and ordinary combat. A fierce and unlikely friendship develops between them and plays out against a tangle of mysteries: a lonely immigrant who hangs herself in Inwood Hill Park, a serial rapist preying on upper Manhattan, a troubled Catholic schoolgirl who appears in the wrong place with uncanny regularity, and a savage gang war that erupts over a case of mistaken identity. A literary thriller about the twisted dynamic of a successful police partnership—the tests of loyalty, the necessary betrayals, the intersections of life and work—Red on Red tells an unrelenting and exciting story that captures the grittiness, complexity, ironies, and compromises of life on the job.

    Joyland is a brand-new novel and has never previously been published.

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    Her most chilling feature—her face is frozen in a ghastly smile.At first it seems as though a deranged psychopath is reenacting the gruesome murders from The Witch Hunter, the bestseller written by the victim’s husband. But investigator Jessica Niemi soon realizes she’s not looking for a single killer but rather for dozens of believers in a sinister form of witchcraft.They know her every move and are always one step ahead. As the bodies start piling up, Jessica knows they won’t stop until they get what they want. And when her dark past comes to light, Jessica finds herself battling her own demons while desperately trying to catch a coven of killers before they claim their next victim.

    When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders. When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random. To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.

    The Given Day tells the story of two families—one black, one white—swept up in a maelstrom of revolutionaries and anarchists, immigrants and ward bosses, Brahmins and ordinary citizens, all engaged in a battle for survival and power.Beat cop Danny Coughlin, the son of one of the city's most beloved and powerful police captains, joins a burgeoning union movement and the hunt for violent radicals. Luther Laurence, on the run after a deadly confrontation with a crime boss in Tulsa, works for the Coughlin family and tries desperately to find his way home to his pregnant wife.Here, too, are some of the most influential figures of the era—Babe Ruth; Eugene O'Neill; leftist activist Jack Reed; NAACP founder W. E. B. DuBois; Mitchell Palmer, Woodrow Wilson's ruthless Red-chasing attorney general; cunning Massachusetts governor Calvin Coolidge; and an ambitious young Department of Justice lawyer named John Hoover.Coursing through some of the pivotal events of the time—including the Spanish Influenza pandemic—and culminating in the Boston Police Strike of 1919, The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.

    A dismembered handN47° 48.022 E013° 10.910 Two severed earsN47° 26.195 E013° 12.523 A mutilated corpseA woman is found murdered. Tattooed on her feet is a strange combination of numbers and letters.Map co-ordinates. The start of a sinister treasure hunt by a twisted killer.Detective Beatrice Kaspary must risk all she has to uncover the killer in a terrifying game of cat-and-mouse

    The killer is still at large, and there’s only one surviving witness—the boy whose family was killed before his eyes. Whoever committed the crimes wanted this boy to die: he’s suffered more than one hundred knife wounds and lapsed into a state of shock. Desperate for information, Linna sees only one option: hypnotism. He enlists Dr. Erik Maria Bark to mesmerize the boy, hoping to discover the killer through his eyes.It’s the sort of work that Bark has sworn he would never do again—ethically dubious and psychically scarring. When he breaks his promise and hypnotizes the victim, a long and terrifying chain of events begins to unfurl.An international sensation, The Hypnotist is set to appear in thirty-seven countries, and it has landed at the top of bestseller lists wherever it’s been published—in France, Holland, Germany, Spain, Italy, Denmark. Now it’s America’s turn. Combining the addictive power of the Stieg Larsson trilogy with the storytelling drive of The Silence of the Lambs, this adrenaline-drenched thriller is spellbinding from its very first page.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    A series of murders brings Denver to its knees in this wonderfully voice driven, dark, wry, and wholly original page-turning debut.The last victims of an infamous serial killer on death row may be the ones he didn't kill. Seven years ago, Detective Paul Hoskins and his larger-than-life partner solved one of the biggest serial murder cases of the decade. They dug up 33 bodies in a crawl space belonging to the beloved Jacky Seever, a pillar of the community and a successful businessman. Sammie Peterson was the lead reporter on the case. Her byline was on the front page of the newspaper every day. Seever’s wife, Gloria, claimed to be as surprised as everyone else.Today, Hoskins has been banished to cold cases, Sammie is selling make-up at the mall, and Gloria is trying to navigate a world where she can’t escape condemnation. And Seever? He’s watching the show.But when a series of new murders occur, and the victims are all somehow connected to Seever, Gloria is once again thrust into the spotlight, while Hoskins and Sammie realize this may be their chance to get their lives back, even if it means forfeiting their humanity in the process.

    Ari Thór Arason: a rookie policeman on his first posting, far from his girlfriend in Reykjavik – with a past that he’s unable to leave behind. When a young woman is found lying half-naked in the snow, bleeding and unconscious, and a highly esteemed, elderly writer falls to his death in the local theatre, Ari is dragged straight into the heart of a community where he can trust no one, and secrets and lies are a way of life. An avalanche and unremitting snowstorms close the mountain pass, and the 24-hour darkness threatens to push Ari over the edge, as curtains begin to twitch, and his investigation becomes increasingly complex, chilling and personal. Past plays tag with the present and the claustrophobic tension mounts, while Ari is thrust ever deeper into his own darkness – blinded by snow, and with a killer on the loose.

    But the evil that does occasionally rear its head is the jurisdiction of Guido Brunetti, the suave, urbane vice-commissario of police and a genius at detection. Now all of his admirable abilities must come into play in the deadly affair of Maestro Helmut Wellauer, a world-renowned conductor who died painfully from cyanide poisoning during an intermission at La Fenice. But as the investigation unfolds, a chilling picture slowly begins to take shape--a detailed portrait of revenge painted with vivid strokes of hatred and shocking depravity. And the dilemma for Guido Brunetti will not be finding a murder suspect, but rather narrowing the choices down to one. . . .

    Grace thinks she knows who it is, but when she looks out her bedroom window, she sees a woman she doesn't recognize walking on the trails behind her home. The woman isn't alone for long before a man emerges from the dark of the surrounding woods and stabs her, then retreats into the shadows, leaving her to die in the snow. Frantic, Grace calls the police but knows they'll never arrive in time, so she herself goes to the woman and is shocked to find she's not a stranger--and that only raises more questions.Badly shocked, Grace is taken to the hospital, and Detective Macy Greeley is called back to the small town of Collier, Montana, where she worked a case once before. She needs to track down the killer and find out what the murder has to do with Grace, a troubled young woman whose harrowing past may have finally come in from the cold. But the town of Collier is just as hard-bitten now as it was years ago, and Macy will have to reopen old wounds as she investigates a murder that looks like it took eleven years to come to pass.Karin Salvalaggio's outstanding crime fiction debut, Bone Dust White, is an absolutely stunning work that signals the entrance of a major new talent.

    Crime is rising in every major city. Financial institutions across the world have collapsed, and most governments are now in debt to The Bank, a company created by the world's wealthiest men. But Detective Inspector Cass Jones has enough on his plate without worrying about the world at large. His marriage is crumbling, he's haunted by the deeds of his past, and he's got the high-profile shooting of two schoolboys to solve - not to mention tracking down a serial killer who calls himself the Man of Flies. Then Cass Jones' personal world is thrown into disarray when his brother shoots his own wife and child before committing suicide - leaving Cass implicated in their deaths. And when he starts seeing silent visions of his dead brother, it's time for the suspended DI to go on the hunt himself - only to discover that all three cases are linked ...As Jones is forced to examine his own family history, three questions keep reappearing: what disturbed his brother so badly in his final few weeks? Who are the shadowy people behind The Bank? And, most importantly, what do they want with DI Cass Jones?