The time: December 1944. Although the fields of battle are far away, World War II has shaken the very bedrock of this close-knit community. Jake Tibbetts, editor of the local newspaper and the town's self-proclaimed conscience--who has been entrusted with the care of his young grandson while the boy's father serves on the front lines--is struggling to come to terms with the way "everything" seems to be changing, and the entire town finds itself uncomfortably straddling the threshold of a new era.

    Disfigured and demoralized, he deserts from France's famed Lafayette Escadrille, only to be captured, convicted, and sentenced to twenty years in the Foreigh Legion. He serves in Africa, where, along with a motley group of convicts and outcasts, Halifax is forced to fly illegal arms shipments to the very tribesmen they have been sent to fight. But a dream keeps Halifax alive even as his companions fall to harm or misery-the relentless determination to become the first pilot to fly nonstop from Paris to New York.

    Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door—his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts with her adoptive, avowedly WASP family, and her quest to track down her birth mother. The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas—and the most profound questions of her own identity—the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self— “I have no idea what it means to say ‘I’m a Jew’”—the patient finds her search stalled. Armed with the few details he’s gleaned, the professor takes up the quest and quickly finds the patient’s mother in records from a German displaced-persons camp. But he can’t let on that he’s been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and—most troubling of all—of the Nazi Lebensborn program. With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

    For Colt, the house will become a trophy representing his enormous success at trading stocks. For Francie, a blocked poet, the house seems to whisper hints for reawakening her creativity.Picking up the house for a song, the couple begins the transition from city dwelling to country life and find for the first time in too long that they have something to work on together. Yet the more the Harts learn about the house, its history, and its previous inhabitants, the more it drives them apart. And when Francie discovers an old family cemetery hidden on the property, it somehow brings out qualities in each of them that come as a total surprise to the other.Events that conspire to destroy their marriage could just as easily bring the couple together again in this story of two people who, in looking for a place to call home, find themselves instead.

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    But now Jen's life seems to be crumbling around her. Her husband Adam is suddenly without a job, her sister is moving far away, and people increasingly describe her two-year-old daughter as a difficult child. This is not the way Jen dreamed parenthood would be, especially with her youngest daughter.In the middle of each night, Kaye wakes up screaming. Human interactions and parental guidance have little meaning for her. Jen makes jokes about Kaye's public behavior to push away the pain. Marie, her four-year-old daughter, wants to know, "Why won't Kaye play with me?" Then Jen's new visiting teacher asks if Kaye is autistic. In Faraway Child, Amy Maida Wadsworth shares her most personal novel to date with a story about a family who faces shattered expectations, and then learns to reach out to family, ward members, and to God.

    But as he enters his parents home, what he finds will change his life forever. A devastating tragedy quickly turns into a nightmare when police detectives find it impossible to come to any single conclusion except that Brad is a cold-blooded murderer. Unwilling to become the third victim of the terrible wrong that has been done to his family, Brad, with the help of a sympathetic detective, must find the real killer.

    He has an ultra-pious mother, a brother who is more than just a little touched in the head, and a comfortable Lutheran girlfriend who knows she has been saved. This is a story about sin and salvation, written with raunchiness and reverence. It is an extraordinary landmark in Mormon fiction -- the first novel to consider the ubiquitous tension between religious guilt and sexual frustration.Set against the backdrop of southern Utah's canyon country, the protagonist manifests exuberance and innocence that is constrained only by strict moral education. The sometimes humorous, sometimes tragic posturing required of Frank in concealing his humanity behind a mask of forced righteousness makes for comic, painful, and moving scenarios.For instance, he punishes himself for lapses of self-denial by fasting and tying his hands to the bedpost. He comes to see dating as an evil indulgence in sensual fantasy and his work on the ranch as a tool of avarice. His attempt to exorcise this hypocrisy and the confusion about how to atone for it result in an epiphany that restores equilibrium to the world.

    His childhood friend, Sarai, is betrothed to him. Sarai’s future also stretches securely before her. She will marry the boy she loves and they will live together in their beloved homeland. But outside the city gates waits Judah’s conqueror, Nebuchadnezzar, prince of Babylon, who demands a heavy price for peace. He takes treasures from the great temple of Jerusalem and hostages from among the promising young scholars, who will serve him in the court at Babylon. Daniel’s dreams are filled with strange images of things he has never seen. When Daniel’s father ensures that he is one of the young men selected, the dreams become frighteningly real. The prophet Jeremiah’s dire warnings have come to pass for Daniel, Sarai and for all of Judah--The voice of mirth and gladness are taken; the voice of the bride and bridegroom, and the sound of the millstones and the light of the candle.Sarai in Jerusalem and Daniel in Babylon will face the same challenge: to keep hope bright as darkness closes in.

    But with the help of some friendly neighbors and eccentric coworkers, Chris uncovers a truth that stitches together his lost heritage in a way he never imagined. This hilarious, moving novel illuminates how we recognize truth even in the most trying of circumstances.

    When the neighborhood's corrupt police force shows no interest, Elder Toronto and Elder Schwartz decide to investigate Marco Aurelio's disappearance themselves.Breaking mission rule after mission rule, the elders doggedly pursue any clues that might lead them to their friend. As they interview the people who knew him--his short-tempered, bodybuilding brother; his gun-toting ex-wife; his mercurial former business partner--a tangled portrait emerges of an enigmatic con artist in over his head. At the edges of the investigation lurks a shadowy, mythical figure known only as the Argentine, a man who poses an increasingly dire threat to the two young missionaries as they plunge recklessly forward.

    

    Not with his mother's new family. Not as a weekend guest with his father and his father's wife. Not at school, where he's an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he's tamed and to a blind ninety-two-year-old woman in his building who's introduced herself with a curious question: Have you seen Luis Velez?Mildred Gutermann, a German Jew who narrowly escaped the Holocaust, has been alone since her caretaker disappeared. She turns to Raymond for help, and as he tries to track Luis down, a deep and unexpected friendship blossoms between the two.Despondent at the loss of Luis, Mildred isolates herself further from a neighborhood devolving into bigotry and fear. Determined not to let her give up, Raymond helps her see that for every terrible act the world delivers, there is a mirror image of deep kindness, and Mildred helps Raymond see that there's hope if you have someone to hold on to.

    There he falls in love with his Queen Alexandra Corps nurse, Louise, and she with him.The story moves back and forth from their time at the field hospital to the west highlands of Scotland where Donald grew up. As they talk in the quiet hours he tells her the stories of the coast and glens, how his family lived and the fascinating life of a century ago: bagpiping, sheep shearing, celidhs, illegal distilling, his mother saving the life of the people of St Kilda, the navvies building the west highland railway and the relationship between the lairds and the people. Louise in turn tells her own story of growing up in the Welsh valley: coal mining, a harsh and unforgiving upbringing.They get cut off from the allied troops and with another nurse are forced to make their escape through Turkey to Greece, getting rescued by a Coptic priest and ending up in Malta. By this time their love is out in the open, but there is still another tragic twist to their story waiting on the way back to Donald’s beloved highland home . . .

    Then she meets one of them—a young man named Nathan Fox. Never did she imagine he would be so handsome, so charming, especially after Mama and Papa’s warnings to stay away. Though she knows she should obey her parents, Camilla can’t refuse her heart. But even Nathan’s promises cannot prepare her for what she will face in Utah.