Three women from different centuries meet in a modern doctor's waiting room. Forgiveness From Heaven is an eighteenth-century Chinese woman whose bound feet are causing her to lose her toes. Victoria is a nineteenth-century tightly corsetted English woman suffering from what is commonly known as "hysteria." Then there is Wanda, a modern gal from New Jersey who is having problems with her silicone breasts. Husbands, doctors, Freud, the drug industry and the FDA all come under examination. The play is a wild ride through medical and sexual politics, including the politics of the ever-present battle with breast cancer.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    Structured as the text of seven statements parents might say to their children either in response to the events or attempting to explain them, they express regret, anger, intelligence, blind hatred, fear, and compassion.

    A perfect evening of comedy. Scenes Include:ACT ONEWord Dance (Part One)The Night the Bed FellFables for Our Time (Part One)The Wolf at the DoorThe Unicorn in the GardenThe Little Girl and the WolfIf Grant Had Been Drinking at AppomattoxCasuals of the KeysThe Macbeth Murder MysteryGentleman ShoppersThe Last FlowerACT TWOThe Pet DepartmentFile and ForgetMr. Preble Gets Rid of His WifeTake Her Up TenderlyThe Secret Life of Walter MiddyWord Dance (Part Two) Only material authorized for the production of this play may be used."Of belly laughs there is abundance...Small, cozy, and completely captivating revue...a sheer delight... joyous, magnificently lunatic festival" - New York Daily News

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

     His sharp-eyed cousins and siblings refuse to let him lie to himself, even if he must deceive the ton to save the family from yet another scandal. The Rose of Ebony novelette is an introduction to the spin-off series following the historical romances of Scandalous Sirens.  Scandalous Scions brings together the members of three great families, to love and play under the gaze of the Victorian era’s moralistic, straight-laced society. Reader Advisory:  This story contains frank sex scenes and sexual language. This story is part of the Scandalous Scions series: 0.5 Rose of Ebony 1.0 Soul of Sin 2.0 Valor of Love 3.0 Marriage of Lies 4.0 Mask of Nobility 5.0 Law of Attraction …and more to come! A Sexy Historical Romance ___ Praise for Rose of Ebony This is a good start to a new series. I love reading any story Tracy Cooper-Posey writes. This one grabbed my attention and I couldn't put it down until I was done. Oh, how I wish this story was longer; goes without saying that I'm grabbing book two in the series. I love Victorian London books and this one was read with great expectations for a wonderful story, and it did not disappoint. Another great series is starting and it looks like it will be great just like all the other series by this author. Wow, As soon as I started Tracys Cooper Posey first book in her new spin off series Scandalous Scions I was hooked. Thank you Tracy for introducing me to this wonderful series. Ok here goes again! I never expected Tracy to leave me perched on the edge of a cliff, but she has succeeded. Having not read any historical romances before, I was amazed how quickly I immersed into this novella. Tracy describes the setting so beautifully that the imagery takes you back to that era in the past where traditions are so different from today. ___ Tracy Cooper-Posey is a #1 Best Selling Author.  She writes romantic suspense, historical, paranormal and science fiction romance.  She has published over 90 novels since 1999, been nominated for five CAPAs including Favourite Author, and won the Emma Darcy Award. She turned to indie publishing in 2011. Her indie titles have been nominated four times for Book Of The Year. Tracy won the award in 2012, and a SFR Galaxy Award in 2016 for “Most Intriguing Philosophical/Social Science Questions in Galaxybuilding”  She has been a national magazine editor and for a decade she taught romance writing at MacEwan University. She is addicted to Irish Breakfast tea and chocolate, sometimes taken together. In her spare time she enjoys history, Sherlock Holmes, science fiction and ignoring her treadmill.

    Cavendish is the author of many poems, short stories, biographies, memoirs, letters, philosophical and scientific works (including The Description of a New World, Called The Blazing World, the first work of science fiction by a woman), and nineteen plays."The Convent of Pleasure" and Other Plays collects four of Cavendish's dramatic works that are among the most revealing of her attitudes toward marriage and her desire for fame. Loves Adventures (1662) centers on a woman succeeding in war and diplomacy by passing as a man. Similarly, the heroine of Bell in Campo (1662) rescues her husband at the head of an army of women in this tale of a marriage of near equals. The Convent of Pleasure (1668) proposes a separatist community of women and has received attention for its suggestion of lesbian sexuality. The Bridals (1662), a more typical restoration comedy satirizing marriage, rounds out the collection.Edited with notes and annotation by Anne Shaver, "The Convent of Pleasure" and Other Plays also contains a timeline, biography and bibliography of the Duchess, an appreciation of Cavendish's life and work, and a bibliography of critical essays. Also included are all of Cavendish's epistles To the Reader as well as Other Preliminary Matter from Playes (1662), and Cavendish's original preface to Plays Never Before Printed (1668). A valuable collection from an extraordinary writer, "The Convent of Pleasure" and Other Plays raises important issues about women and gender.

     With the increasing disappearance of miners and a mysterious groan from deep under the earth, rumors begin to circulate of an ancient and deadly curse. When Mason’s friend goes missing, he leads the search for his good friend. He slips and falls, crashing into an old, disused segment of the pit. Surrounded by evil creatures in the pitch darkness, can he find his way out to warn the locals? Or will the monsters escape and wreak havoc before he gets the chance? Enjoy this thrilling page-turner FREE now! **Includes an exclusive behind-the-scenes peek at the best-selling post-apocalyptic series Resistant!**

    She meets the women of Lockerbie, who are fighting the U.S. government to obtain the clothing of the victims found in the plane s wreckage. The women, determined to convert an act of hatred into an act of love, want to wash the clothes of the dead and return them to the victim s families. THE WOMEN OF LOCKERBIE is loosely inspired by a true story, although the characters and situations in the play are purely fictional. Written in the structure of a Greek tragedy, it is a poetic drama about the triumph of love over hate. Winner of the silver medal in the Onassis International Playwriting Competition and the Kennedy Center Fund for New American Plays award.

    Mama, a sweet and capable manager, sees her children through childhood, manages to educate them and to see one of her daughters begin her career as a writer. Mama's sisters and uncle furnish a rich background for a great deal of comedy and a little incidental tragedy, while the doings of the children manage to keep everyone in pleasant turmoil. No description can do justice to the rich characterizations that fill the author's canvas. A High School version (ISBN 0-8222-0550-5) is also available at the same price. Groups interested should specify which version."

    The lifetime work of Professor Alexander Schmidt of Königsberg, this book has long been the indispensable companion for every person seriously interested in Shakespeare, Renaissance poetry and prose of any sort, or English literature. It is really two important books in one.Schmidt’s set contains every single word that Shakespeare used, not simply words that have changed their meaning since the seventeenth century, but every word in all the accepted plays and the poems. Covering both quartos and folios, it carefully distinguishes between shades of meaning for each word and provides exact definitions, plus governing phrases and locations, down to the numbered line of the Cambridge edition of Shakespeare. There is no other word dictionary comparable to this work.Even more useful to the general reader, however, is the incredible wealth of exact quotations. Arranged under the words of the quotation itself (hence no need to consult confusing subject classifications) are more than 50,000 exact quotations. Each is precisely located, so that you can easily refer back to the plays or poems themselves, if you wish context.Other features helpful to the scholar are appendixes on basic grammatical observations, a glossary of provincialisms, a list of words and sentences taken from foreign languages, a list of words that form the latter part of word-combinations. This third edition features a supplement with new findings.

    She understands and exploits the unique strengths of her medium: the ability to viscerally connect with an audience.” –The EconomistExperimental Korean American theatre artist Young Jean Lee has been called “one of the best experimental playwrights in America” (Time Out New York). This volume contains two of her recent works:In The Shipment, Lee provides a provocative look at African-American identity in our not-yet post-racial society. The New York Times calls this take on cultural images of black America “a subversive, seriously funny new theater piece… Ms. Lee wields sharp, offbeat humor to point up the clichés, distortions and absurdities” (Charles Isherwood, New York Times).LEAR is Lee’s own version of Shakespeare’s tragedy, focusing on the king’s three daughters. A production in which Lear himself never appears, LEAR is a “wacky blend of ‘To be or not to be,’ Beckett, and Pirandello…full of exhilarating, illuminating moments” (Village Voice).Young Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    Upon inspecting the peephole, the wary teenager decides not to answer. The person standing on the porch is wearing a dark jacket with a hood. Something about the mysterious unexpected visitor doesn’t feel right. A minute later as Dylan tries to pretend that no one is home, he hears, in the backyard, his German shepherd Murray barking and growling fiercely. Then to the adolescent’s horror, he hears the sound of a loud boom, reminiscent of a firecracker exploding. Suddenly the dog squeals like a stuck pig. Oh no! What just happened? What was Dylan suppose to do now? Hide! Yes. Hide. That was about all he could do. Especially since Dylan had forgotten to lock the back door.

    It argues for more audience-responsive approaches to what theatre does for those who witness, watch or participate.

    The audience must decide - did Dr Sherwood murder his wife? Was Jennifer Mitchell his mistress? Which of his alibis should they believe?