In this sumptuous group portrait of the six daughters of "Mad" King George III, acclaimed biographer Flora Fraser takes us into the heart of the British royal family during the tumultuous period of the American and French revolutions.Drawing on their extraordinary private correspondence, Fraser gives voice to these handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary, the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, "the most turbulent and tempestuous of all the Princesses." Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family.

    As Moriarty himself puts it: 'We are closer than brothers - and further apart than any two beings can be.' This non-Doyle pastiche continues the Sherlock Holmes tradition as the reader, following crumbs left by Dr. Watson in bequest, is led to Sherlock's brother Mycroft, past 221B Baker Street, and through the enigmatic Diogenes Club to ultimately view the inevitable showdown between Holmes and Moriarty that reveals their true identities and the underlying meaning of their lifelong duel.

    This story is brutal and shockingly unpredictable. In the year 1823, at the height of the British Empire and the colonization of Australia, Pat Roche sits on board a convict ship, sentenced for the term of his natural life to the New Colonies. All hope of ever seeing his wife and child again appeared to be lost. The ship is a fraught with tension under such a strict military guard; with one hundred and fifty criminals confined to a small space, it can only mean trouble. By the time the ship arrives at Van Dieman’s Land, there will be fighting, flogging, rape, murder and mutiny. Pat Roche will find himself involved in it all. Sarah Roche has now been shunned by the local community and is struggling to fend for herself and her little boy. There is a terrible turn of events and she is soon to follow in her husband’s footsteps. So too will a desperate voyage begin for her on board the female convict ship, otherwise known as ‘Floating Brothels’. She arrives in Hobart a broken woman, only regaining her strength after a fleeting moment with her husband. Pat is being taken away to a place of unbearable torment; the notorious Sarah Island settlement, where escape is punishable by death. Many colourful characters weave their way through the pages, creating a plot intertwined with deceit, retribution, murder, tragedy and enduring love, resulting in a heart wrenching climax.For Pat Roche, when there is nothing more worth living for, a chance to escape and find his family is worth dying for.

    With frontispiece by Walter DeMaris. Rohmer (Arthur Henry Sarsfield Ward) was a prolific English mystery writer, best known for his character the master criminal Dr. Fu Manchu and his opponents Denis Nayland Smith, Dr. Petrie (named after the Egyptologist Flinders Petrie) and the beautiful Karamaneh (the source of Petrie's daydreams). He also wrote under the name Michael Furey. The book begins: I was not the only passenger aboard the s.s. Mandalay who perceived the disturbance and wondered what it might portend and from whence proceed. A goodly number of passengers were joining the ship at Port Said. I was lounging against the rail, pipe in mouth, lazily wondering, with a large vagueness. See other titles by this author available from Kessinger Publishing.

    Few doubt that she has a past, but no one can possibly predict how it will return to haunt her. When an old friend is brutally murdered by the unlikeliest of assailants, Sarah Tanner is the only witness. Unable to turn to the police, she reluctantly finds herself drawn back into the dark underworld of the Victorian metropolis.Assisted by unlikely friends, dogged by the criminal machinations of the greatest gamester, felon, villain, swindler, and scoundrel in London, she must unravel a web of treachery and deceit that takes her from the gaming hells of Regent Street to the suburban heights of Upper Holloway, from the slums of St. Giles to the fast-flowing waters of the Thames. Relying on her wits and trading on her past, Sarah Tanner risks gambling her own life upon a desperate quest for justice and vengeance.

    Case in point: The Collard and Vandervent families, who for decades have shared a large estate in the elegant London suburb of Blackheath. It's now the 1890s, and over the years, the families? near-incestuous entanglement has grown into a toxic web of lies and bitterness. While mama keeps an iron grasp on the purse strings, an unmarried daughter sucks greedily on her own disappointment, a son raises corruption to an art form, and an ethereal daughter-in-law casts come-hither glances at anything in pants.

    . . "Beauty and the Brute" by Virginia Henley It's been three years since Lady Sarah Caversham set eyes on arrogant Charles Lennox--the husband her father chose for her to settle a gambling debt. Now Charles has returned, unaware that the innocent ingénue he wed is determined to turn their marriage of convenience into a blissfully passionate affair. . . "How to Seduce a Wife" by Kate Pearce Louisa March's new husband, Nicholas, is a perfect gentleman in bed--much to her disappointment. She longs for the kind of fevered passion found in her beloved romance novels. But when she dares him to seduce her properly, she discovers that Nicholas is more than ready to meet her challenge, over and over again. . . "Not Quite a Courtesan" by Maggie Robinson Sensible bluestocking Prudence Thorn has been too busy keeping her cousin Sophy out of trouble to experience any adventures of her own. But when Sophy begs Prudence's help in saving her marriage, Pru encounters handsome, worldly Darius Shaw. And under Darius's skilled tutelage, Pru learns just how delightful a little scandal can be. . .

    Rather than reaffirm George III's reputation as “Mad King George,” Hibbert portrays him as not only a competent ruler during most of his reign, but also as a patron of the arts and sciences, as a man of wit and intelligence, indeed, as a man who “greatly enhanced the reputation of the British monarchy” until he was finally stricken by a rare hereditary disease.Teeming with court machinations, sexual intrigues, and familial conflicts, George III opens a window on the tumultuous, rambunctious, revolutionary eighteenth century. It is sure to alter our understanding of this fascinating, complex, and very human king who so strongly shaped England's —and America's—destiny.

    Days later, a pub owner, his wife, and a servant were similarly killed. No motive was found.P.D. James, collaborating with a former colleageue, police historian T.A Critchely, re-creates this infamous crime. Containing all the complex characters and outstanding detective work we've come to associate with James's novels - as well as a London so real we are immersed in its rich textures and menacing shadows - The Maul and the Pear Tree is an irresistible tale of suspense. As James and Critcheley scour old records for clues overlooked by the city police force, they prove the wrong man was arrested. Then they name the killer who went free.

    Now that the rogue has reentered her life, she seizes the opportunity to enact a poisonous revenge—but is abducted by the dashing villain before the deed can be done.Held prisoner in a secluded hunting lodge, she steels herself to resist the sensuous punishment her captor has promised—only to be betrayed by a heart that aches with desire for the handsome, tormented blackguard. For only in her enemy's arms will Gilly know the exquisite passion that can heal all wounds...and the rapture of a love powerful enough to restore a fallen woman's honor and a scoundrel's nobility.

    The Colonel had published far too many of Boston's highest caste's indiscretions in his gossip rag; those who had escaped such public ignominy had paid an equally high price, for Mann was not averse to a spot of genteel blackmail. The cast of suspects is large, and Peale's team of amateur sleuths is perfectly placed to ferret out the murderer. Addington Ames and his sister Caroline can trace their blue-blooded lineage back to the Ark, although their social standing teeters precariously when Addington is so gauche as to actually discover the Colonel's body. And unless Addington and Caroline can solve the crime, their beautiful young cousin Val's engagement (the ne plus ultra for a proper young Victorian woman) will be at risk—her future mama-in-law has a decided aversion to scandal.

    For reasons he can't begin to guess, he has become the victim of some unknown person's campaign of persecution.When the games move closer to home, almost forcing him to fight a duel … more particularly, when they draw in Frances Pendleton, a lady he never expected to see again … Max vows to catch the man behind them, no matter what the cost.The result is a haphazard chase involving ruined abbeys, a hunt for hermits, a grotesque portrait … and a love story which, but for this odd trick of fate, might never have been given a second chance.

    Lady Caroline Ross, rich, cold and beautiful, prepared a champagne breakfast to celebrate her marriage. How were the fates of these two people intertwined? And how were their lives changed by a shot through a bathroom window, a riot at the opera, a pistol duel at dawn, and a mysterious coachman whose cloak was stained with graveyard mold?John Dickson Carr, master of the detective novel, is also master of the historical mystery. This is a thrilling novel of London in 1815 and the incredible characters that make up its world of fashion, and its underworld.

    Passionate, witty and moving, the voices of the Lennox sisters reach us with immediacy and power, drawing the reader into their remarkable lives, and making this one of the most enthralling historical narratives to appear for many years

    It was, however, a period when those who argued that a British empire would be a disaster for liberty were eventually squashed by imperialists, just as those who railed against mindless materialism were in the end rolled over by industrialists and the promoters of luxury goods. "The Making of Victorian Values" reveals an era when people were obsessed with the need to appear authentic, and yet forever had doubts about who was and who wasn't-concerns familiar to the "me" age we know so well. Wilson begins with the libertine spirit inspired by Byron, Shelley, and the Romantics; he ends with the rise and eventual victory of stolid middle-class values. The result is a radical tour de force, a brilliant reworking of the pre-Victorian age. Once portrayed by Paul Johnson in his bestselling "The Birth of the Modern" as the years when virtue finally trumped corruption, Wilson reveals a far more compelling story-and a more engrossing and scandalous one, too. It is a story about hypochondriacs and cranks, killjoys and dandies, rakes and priests, advocates of free-speech and those against it-people who were made awe struck by Britain's emerging role as the economic and political powerhouse of the world, but who were also deeply anxious about the responsibilities a vast empire might require. Wilson is heir to the great radical historians of the twentieth century, E. J. Hobsbawm and E. P. Thompson, among them. He brushes aside scholarly politesse and refuses to join in unnecessary academic point-settling, and his invigorating literary abilities will win many admirers who would otherwise know this history only through the works of nineteenth-century fiction.