But investigating the murder of a cast member might be enough to make even him lose his head…1881. When the star and owner of the Lyceum, Mr. Henry Irving, is poisoned on Hamlet’s opening night, it’s up to stage manager Harry Rivers to make sure the show goes on. Fortunately for Harry, Mr. Irving is able to pull through and walk the boards as planned. But when his understudy is killed the very next day, Harry’s boss, Bram Stoker, becomes convinced that foul play is afoot.Mr. Irving has a list of enemies longer than a Shakespearean soliloquy, any of whom would have been happy for the curtain never to rise. It soon becomes clear that nefarious, possibly magical, methods are being employed to shut the play down. With more cast and crew members falling victim to the increasingly dangerous accidents on set, it’s up to Harry and Stoker to figure out which of Irving’s critics has a voodoo vendetta…

    One of the most beautiful and inspiring stories penned by Nar-Dos.

     Boston 1868...At the insistence of her parents, sixteen-year-old Katie O'Neil reluctantly left her beloved Galway. She joined her cousin, Moira Murphy to work as a nanny and domestic. In mid-nineteenth century Boston, Irish domestics were often referred to as Kitchen Canaries and considered property of their employers. The young women are violated by their employer, Charles Brennan. Their shame and guilt is so great, they keep the abuse a secret even from each. When Katie becomes pregnant, Charles Brennan's victims, Moira, his wife Rose, and the negro household help, bond together to hide the newborn. In this post-Civil War era, Boston is bustling with change as wealthy Englishmen and Boston Brahmins expand world trade routes, build railroads and develop land. Immigrants from Ireland, Italy and Poland establish neighborhoods, existing in overcrowded, disease-ridden shacks and tenements. They, and negroes flocking North, suffer hate, humiliation and rejection from the establishment. The only value they have to the rich Bostonians is their willingness to work for little money performing menial or back-breaking, dangerous jobs on the docks, and building railroads. This story is about the goodness of others, black, white, Irish and English whose strength prevails to overcome evil and guide Katie and Moira to true redemption. The sequel, Through the Open Door is now available.

    As social history, the tale is irresistible; as a love story with a painful and brutal ending, it is unforgettable.

     When a famous ex-general's daughter is kidnapped, Detective Simms is assigned with bringing her home. Forged in the Mexican War, this man of steel knows how to survive and how to kill. But he will need all of his skill and guile to survive this unforgiving land, and bring the general's daughter home. And then, it gets personal...

    Under the influence of the obese, loose-moraled Prince of Wales (to whom Jane Austen dedicated Emma), the Regency was the apex of British decadence, an era of lavish parties and relentless bed-hopping that set a standard for elegance and vulgarity. With wit and lively style, Venetia Murray chronicles the scandals, courtships, and daily life of these aristocrats, and evokes the tempestuous times of the early industrial and French revolutions. Sumptuously illustrated with rare contemporary cartoons, prints, diaries, and caricatures, An Elegant Madness is a book readers of social history and historical romance alike will devour.

     In trunks, under floorboards, in remote ravines — even in their own beds — the bodies of those for whom their lovers’ passion proved fatal have been found, and often through the stench of decay. One ingenious killer boiled down his wife’s remains in a vat at his sausage factory. Another throttled and incinerated a perfect stranger in order to stage his own death and thus escape the charge of bigamy. Then there were the lesbian schoolgirls who bludgeoned to death the mother of one of them with a brick in a stocking. Her crime: she had tried to keep them apart. Whilst one woman kept her lover in a secret attic for years until he shot her husband dead. A dark narrative, Adrian Vincent expertly brings together some of the world’s most notorious killer. In sixteen fascinating case histories, Fatal Passions tells the true stories of those who have literally loved someone to death. Praise for Adrian Vincent ‘A skilfully written account’ – Kirkus Reviews. Adrian Vincent worked in Fleet Street for twenty-seven years, becoming managing editor of IPC’s educational magazines. He is the author of many books on art and antiques, novels and true crime.

    Refuting the common understanding that in Georgian times the daughters of merchants, the wives of lawyers, and the sisters of gentlemen lost female freedoms and retreated into their homes, Vickery shows that these women experienced expanding social and intellectual horizons. As they embraced a world far beyond the boundaries of their own parishes through their tireless writing and ravenous reading, genteel women also enjoyed an array of emerging new public arenas—assembly rooms, concert series, theater seasons, circulating libraries, day-time lectures, urban walks, and pleasure gardens.Based on the letters, diaries, and account books of over one hundred women from commercial, professional, and gentry families, this book transforms our understanding of the position of women in Georgian England. In their own words, they tell of their sometimes humorous, sometimes moving experiences and desires, and of their many roles, including kinswoman, wife, mother, housekeeper, consumer, hostess, and member of polite society. By the nineteenth century, family duties continued to dominate women’s lives, yet, Vickery contends, the public profile of privileged women had reached unprecedented heights.

    UNFORTUNATELY, SHE'S DEAD.Add the unflappable Julian Kestrel to the ranks of great sleuths of ages past. He's the very model of a proper Beau Brummell--except for his unusual willingness to plunge headlong into murder investigations. And an investigation's hard to avoid when, luring an elegant weekend at a friend's country estate, a murder victim turns up in his bed. With the help of his Cockney manservant, Dipper, Kestrel sets out to find the killer among the glittering denizens of 1820s London's social stratosphere.

    With the end of the French and Indian War and a new king on England's throne, it seems the colonies have entered a peaceful and prosperous new era. And though the fashionable ladies of Boston might find Bracebridge altogether too peaceful to be stimulating, young widow Charlotte Willett likes it just as it is. But the calm of the little village is about to be shattered by a wealthy stranger who bursts into flame by the side of the road--and then disappears!The townspeople begin muttering about witchcraft and the devil's hand, casting suspicious glances at a local Frenchman. But Charlotte, who has a keen interest in human nature, and her neighbor Richard Longfellow, gentleman farmer and scientist, have more earthly speculations about the merchant's disappearance. Was it murder, or an elaborate scheme? And, with two mysterious deaths to follow and a tavern full of superstitious rabble, will Charlotte and Longfellow uncover the answers before it's too late?

    But when the Prince Regent is taken ill after consuming Arianna’s special chocolate dessert, she finds herself at the center of a dangerous scandal. Because of his expertise in chocolate, the Earl of Saybrook, Alessandro De Quincy, is the ideal candidate to investigate this crime. When the Earl’s intuition leads to Arianna’s exposure, she convinces Saybrook to keep her secret in exchange for help in tracking down the real culprit. As their search takes them from the glittering ballrooms of Mayfair to the slums of St. Giles, it becomes clear that someone is looking to plunge England into chaos—and Arianna and Saybrook to the bottom of the Thames…

    He’s the very last man that Martin St. Vincent would choose to rely on—and the only one who can help.Martin is a wealthy merchant who finds himself obliged to put a stop to a young heiress’s romantic correspondence in the Matrimonial Advertiser. When she and her swain make a dash for Gretna Green, Martin drags Theo on a breakneck chase up the country to catch the runaway lovers before it’s too late.Theo guards his secrets. Martin guards his heart. But as the two of them are thrown irresistibly together, entanglements, deceptions, and revelations come thick and fast…

     Excerpt: John, who was ambitious, met her advances more than half way, and finally, encouraged by her father, offered her his heart and hand. Under other circumstances, Matilda would undoubtedly have spurned him with contempt; but having heard that her recreant lover was about taking to himself a bride, she felt a desire, as she expressed it, "to let him know she could marry too." Accordingly, John was accepted, on condition that he changed the name of Nichols, which Miss Richards particularly disliked, to that of Livingstone. This was easily done, and the next letter which went to Oakland carried the news of John's marriage with the proud Matilda. A few months later and Mr. Richards died, leaving his entire property to his daughter and her husband. John was now richer far than even in his wildest dreams he had ever hoped to be, and yet like many others, he found that riches alone could not insure happiness

    The ton explodes with malicious gossip.Where did Phoebe’s mysterious riches come from? Everyone wants to know—and so does she. But too many people in her glittering new world aren’t who they seem to be. And then there’s the confusing behavior of handsome Captain Anthony Grenville—the man who once ruined her.With scandalous rumors flying, Phoebe can’t afford to succumb to passion again. But can the newly-minted Heiress of Holborn discover the truth about her fortune... before her secret enemies can ruin her life?

    Saul is sending Josiah as far away as he can and hopes never to see him again. Josiah's wife is ill and knows she can never return to England.What will these people make of their new lives? As it often does, migration causes other people to follow the group out to the Peel Region of Western Australia, bringing new complications in their lives. Some will die, some will succeed, and others will move on from Western Australia, either back to England or across to Victoria. For Liza and Benedict, the central characters, there will be cruel disappointments before they can win their way through to a happier life.