In his second collection of poetry, The Dark Between Stars, he turns his attention to the dualities of our lived experiences—the inescapable connections between our highest highs and lowest lows. He captures the infectious energy of starting a relationship, the tumultuous realities of commitment, and the agonizing nostalgia of being alone again. While grappling with the question of how to live with purpose and find meaning in the journey, these poems offer both honest explorations of loneliness and our search for connection, as well as light-hearted, humorous observations. As Atticus writes poignantly about dancing, Paris, jazz clubs, sunsets, sharing a bottle of wine on the river, rainy days, creating, and destroying, he illustrates that we need moments of both beauty and pain—the darkness and the stars—to fully appreciate all that life and love have to offer.

    But mankind is too busy hating, stealing, scheming, and killing to care. As luminous green trails of cosmic dust and vapor stream across the heavens, blood flows beneath: nations wage all-out war, bitter strikes erupt, and jealous lovers plot revenge and murder. The earth slips past the comet by the narrowest of margins, but all succumb to the gases in its tail. When mankind wakes up, everyone is completely and profoundly different. An ill-fated romance between Willie Leadford and Nettie Stuart unfolds in a world buried in misery and bent on its own destruction. After the earth passes through the comet's tail, suffering, pettiness, and injustice melt away. Willie, Nettie, and everyone around them are reborn. They now see themselves and their world in a dramatically new and wonderful way.

    One of Paine's greatest and most widely read works, considered a classic statement of faith in democracy and egalitarianism, defends the early events of the French Revolution, supports social security for workers, public employment for those in need of work, abolition of laws limiting wages, and other social reforms.

    --Theodor W. Adorno Adorno was fascinated by his dreams and wrote them down throughout his life. He envisaged publishing a collection of them although in the event no more than a few appeared in his lifetime.Dream Notes offers a selection of Adornos writings on dreams that span the last twenty-five years of his life. Readers of Adorno who are accustomed to high-powered reflections on philosophy, music and culture may well find them disconcerting: they provide an amazingly frank and uninhibited account of his inner desires, guilt feelings and anxieties. Brothel scenes, torture and executions figure prominently. They are presented straightforwardly, at face value. No attempt is made to interpret them, to relate them to the events of his life, to psychoanalyse them, or to establish any connections with the principal themes of his philosophy.Are they fiction, autobiography or an attempt to capture a pre-rational, quasi-mythic state of consciousness? No clear answer can be given. Taken together they provide a highly consistent picture of a dimension of experience that is normally ignored, one that rounds out and deepens our knowledge of Adorno while retaining something of the enigmatic quality that energized his own thought.

    It's time for fun and flirting, snogs and shots.(And not tears or tantrums or terrible secrets)Because everything's going great for these girls - Spinster Club for ever! Right?

     Her marriage to Max was the first thing to come under scrutiny and on one sexless night in May, Mollie decided that their relationship was over. However, when a grouchy divorce lawyer convinces Mollie there’s a chance she could bow out of this life being eaten alive by a pack of cats, she starts to search for an alternative. Opening the can of worms that is her marriage makes Mollie realise she might not be as blameless as she initially thought… Will Mollie be able to rescue her marriage or has the lure of a life without wet towels on the bed turned her head? One thing is for sure… Mollie McQueen is NOT getting divorced. Praise for LACEY LONDON... "One of my favourite books of the year!" "An eye-opening, thoroughly enjoyable and very relatable read." "I honestly couldn't put this book down!" "Entertaining, sometimes desperately sad, very often uplifting and hugely life-affirming." "Another magnificent achievement for Lacey's remarkable pen. I'll never forget it." "A highly addictive roller coaster ride!"

    Ward presents an investigation of the history of ideas about God that is marked by radical views, erudition and wit. He provides a journey through the philosophical and cultural heritage of the last 2000 years, drawing on such rich and diverse sources as the myths of the Greek gods on Mount Olympus, through the philosophy of St Augustine and Sartre, to wet Sunday afternoons and the movie Alien. The intellectual and theological legacies of almost every renowned thinker - believers and non-believers alike - are considered, from Aristotle to Ayer, Hegel to Heidegger, Al Ghazali to Sankara.

    This might explain why she fell for a no good womanizer like Jason James. When their short painful marriage comes to a heartbreaking end, Delia must find the courage to start her life again. A new successful career as a high school teacher and a passionate summer romance with sexy Chase Donovan finally make her feel like she’s more than just a nobody. But her world is shattered once again when Chase turns out to be one of her students.

    Coming December 29th. When Emily Wayborn goes home to visit her mom while on hiatus from her hit TV show, she receives a voicemail from her former best friend, Amber. Though the two were once notorious party girls, they haven't spoken in years. Although the message might sound benign to anyone else, Amber uses a safe word that Emily recognizes, a word they always used to get out of sticky situations during their wild days. And what's more chilling than the voicemail: it turns out that Amber has gone missing.Determined to track down her friend, Emily follows a chain of clues that lead her to the enigmatic billionaire Reeve Sallis, a hotelier known for his shady dealings and play boy reputation. Now, in order to find Amber, Emily must seduce Reeve to learn his secrets and discover the whereabouts of her friend. But as she finds herself more entangled with him, she finds she's drawn to Reeve for more than just his connection to Amber, despite her growing fear that he may be the enemy. When she's forced to choose where her loyalty lies, how will she decide between saving Amber and saving her heart?

    The word "sloth," however, can be misleading, for acedia is not laziness; in fact it can manifest as busyness or activism. Rather, acedia is a gloomy combination of weariness, sadness, and a lack of purposefulness. It robs a person of his capacity for joy and leaves him feeling empty, or void of meaningAbbot Nault says that acedia is the most oppressive of demons. Although its name harkens back to antiquity and the Middle Ages, and seems to have been largely forgotten, acedia is experienced by countless modern people who describe their condition as depression, melancholy, burn-out, or even mid-life crisis.He begins his study of acedia by tracing the wisdom of the Church on the subject from the Desert Fathers to Saint Thomas Aquinas. He shows how acedia afflicts persons in all states of life-- priests, religious, and married or single laymen. He details not only the symptoms and effects of acedia, but also remedies for it.

    In its scope and itnerest it can be compared with Freud's Totem and Taboo, the subtext Girard refutes with polemic daring, vast erudition, and a persuasiveness that leaves the reader compelled to respond, one way or another.This is the single fullest summation of Girard's ideas to date, the book by which they will stand or fall. In a dialogue with two psychiatrists (Jean-Michel Oughourlian and Guy Lefort), Girard probes an encyclopedic array of topics, ranging across the entire spectrum of anthropology, psychoanalysis, and cultural production.Girard's point of departure is what he calles "mimesis," the conflict that arises when human rivals compete to differentiate themselves from each other, yet succeed only in becoming more and more alike. At certain points in the life of a society, according to Girard, this mimetic conflict erupts into a crisis in which all difference dissolves in indiscriminate violence. In primitive societies, such crises were resolved by the "scapegoating mechanism," in which the community, en masse, turned on an unpremeditated victim. The repression of this collective murder and its repetition in ritual sacrifice then formed the foundations of both religion and the restored social order.How does Christianity, at once the most "sacrificial" of religions and a faith with a non-violent ideology, fit into this scheme? Girard grants Freud's point, in Totem and Taboo, that Christianity is similar to primitive religion, but only to refute Freud—if Christ is sacrificed, Girard argues, it is not becuase God willed it, but because human beings wanted it.The book is not merely, or perhaps not mainly, biblical exegesis, for within its scope fall some of the most vexing problems of social history—the paradox that violence has social efficacy, the function of the scapegoat, the mechanism of anti-semitism.

    The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion -- and indeed our future.

    H. Sin delivers gritty, impassioned truths on matters of loving, living, and leaving in his second book of poetry.  Sin's first book is a bestseller and continues to delight his one million followers.R.H. Sin’s second volume continues the passion and vigor of his previous publication. His stanzas inspire strength through the pure emotional energy and the vulnerability of his poems. Relationships, love, pain, and fortitude are powerfully rendered in his poetry, and his message of perseverance in the face of emotional turmoil cuts to the heart of modern-day life. R.H. Sin’s poems are often only a few lines long, and yet the emotional punch of his language gives these words an enduring power beyond the short page. He doesn't back away from the pains and struggles of life and love, and yet his determined, unapologetic voice provides a measure of comfort and a message of perseverance that is at once realistic and indomitable. This blend of determination and painful vulnerability gives his poetry a distinctive, engaging flavor.

    Eliot himself wished to preserve than this volume, published two years before his death in 1965.Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as 'The Waste Land' and 'Old Possum's Book of Practical Cats'.

    Exploration and Africa are two of his great passions - they drive him on and motivate his inquisitiveness and resolution not to fail, yet the challenges of the terrain, the climate, the animals, the people and his own psychological resolution will throw at him are immense.The dangers are very real, but so is the motivation for this ex-army officer. If he can overcome the mental and physical challenges, he will be walking into history...