No more than eeny, meeny, miney, mo and who we were supposed to catch by the toe.Wish Mooney’s earliest memory in life is finding a corpse in the Waterford River. Jarring stuff for a four-year-old, yet far from the most shocking or bizarre he would witness growing up in west end St. John’s next door to the Waterford Hospital. Or, as it was unabashedly labelled before the advent of political correctness: the Mental.An unfortunate moniker, but one legitimately derived from the original name of the place—the Hospital for Mental and Nervous Diseases—when it opened in 1854. Not until 1972 would it be renamed after the river that runs by it. But in Mooney’s world, which revolved mostly in and around the asylum’s drab, depressing confines in the mid-1970s, it was colloquially the Mental, just as its largely despondent inhabitants were the mental patients.Thus was the oft-surreal environment that unavoidably enveloped Wish and the rest of the Irish Catholic Mooney clan, including the quietly acknowledged other realities of the place—the sad, the tragic, the maniacal. Little did Wish ever consider that any or all of that would come full circle later in life when, as the court reporter for the Daily News, he would be thrust into the middle of his own life story, replete with shocking conclusion.

    She was hailed and reviled as the first Indian woman to write an autobiographical cult classic about love and desire. Admirers dubbed her, "The First Feminist Emotional Revolutionary of Our Time." The tabloid press called her "The Love Queen of Malabar." Merrily Weisbord found Das's work so compelling that she flew to South India to meet her. The Love Queen of Malabar is the story of their decade-long friendship, an experiment in mutual revelation. Recounting the development of their relationship, Weisbord relates the dramatic events of Das's life, including her transition from celibacy to sexual awakening at age sixty-seven when, provoking the greatest scandal of her notorious life, she converted to Islam for love and renewal. Both observer and direct participant, Weisbord elegantly presents new biographical insights and cultural details about Kerala and India without exoticisation or stereotyping. The Love Queen of Malabar is an evocative and beautifully crafted work, as seamless as the finest novel, and will captivate readers across the globe.

    Unable to cope with the desperate conditions, she begins to fall apart.A moving tribute to the power of hope and resilience, Invisible North is an intimate portrait of a place that pushes everyone to their limits. Part memoir, part history of the Canadian reserves, Shimo offers an expansive exploration and unorthodox take on many of the First Nation issues that dominate the news today, including the suicide crises, murdered and missing indigenous women and girls, Treaty rights, First Nations sovereignty, and deep poverty.

    Ladies and gentlemen! Boys and girls! Step right up and prepare to be dazzled by this delightful debut from Claire Battershill, winner of the CBC Literary Award, co-winner of the  Canadian Authors Association’s Emerging Writer Award, and finalist for the inaugural PEN International/New Voices Award. As they transport us from a crowded airport departure lounge to the stillness of the British Museum, and from the spectacle of the Winter Olympics to the modesty of a local Miniatureland, these radiant stories explore the often surprising things we’re willing to do for love and human connection. Fed up with his long history of failed blind dates, a shy English bureaucrat gives himself thirty-one days to find love on the Internet. A father buys his daughter a blue plastic tent to ready her for outdoor adventure, but neither is prepared when the tent becomes a neighbourhood sensation. The world of competitive sports provides the backdrop for a young man’s coming of age in “Two-Man Luge: A Love Story.” And in the award-winning title story, the granddaughter of a former circus performer (who played the role of a man-wrestling bear) finds herself grappling with the capriciousness of life and love.At once witty, tender-hearted, and profound, these stories are filled with a memorable and all-too-human cast of characters on the cusp of enormous change – whether they’re ready or not. Written in spare yet startling language, Circus is a beautiful reminder that sometimes everyday life can be the greatest show on Earth.

    In six long poems, Schnackenberg's rhyme-rich blank verse, with its densely packed images, shifts effortlessly between the lyric and the epic, setting passion to a verbal music that is recognizably her own.An exceptional and moving new collection from one of the most talented American poets of our time, Heavenly Questions is a work of intellectual, aesthetic, and technical innovation—and, more than that, a deeply compassionate and strikingly personal work.

    Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street.Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.

    This one-person play works through bold juxtapositions and satiric reference points: Simón Bolívar and Speedy Gonzales; Columbus and Fodor’s travel guides; Ricky Ricardo and the Latin Lover; �La Bamba’ and Placido Domingo; Carlos Fuentes and American made-for-TV drug-wars movies. Verdecchia twirls stereotypes and clichés, offers comparative histories, examines myths and mysticism, and provides lessons in language and dancing.Cast of one man.

    Guest Edited by Catherine Leroux and Madeleine Thien.2017 marks the 150th anniversary of the Canadian Confederation, when the British colonies of Canada, Nova Scotia and New Brunswick were united.In this special issue of Granta, we celebrate the diversity of social, political and literary life in Canada, the largest country in the western hemisphere, and one of the few where the experiment of multiculturalism appears to have workedBringing you the best new fiction, reportage, photography, poetry and memoir from Canada, this issue showcases the best of both the English and French literary communities, throwing a spotlight on an enigmatic nation with a rich literary heritage.

    His father prefers the love of horses and good books, while his mother is guided by practicality and her faith. Bev, his rough-edged brother, chooses action over thinking. Among them is the solitary Arthur - intelligent, curious, garrulous, romantic and at odds with his surroundings and his religion. His one ally is his adopted cousin, the fearless Isobel. Their mutual admiration for the land, for literature, all things French and each other sustain Arthur. When Bev goes to fight in Vietnam and returns emotionally broken, relationships within the family change and tensions between the two brothers rise. With a secret between them, Arthur leaves for Paris, where he pursues his passions for writing and women and at last claims the life he has always wanted. But dreams and reality don’t always match, and it takes going away for Arthur to appreciate the push and pull of both home and love.With his trademark elegant prose and incisive characterizations, David Bergen has created a wise and hopeful character, and an emotionally powerful story of being young and finding oneself.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging. Through lucid detail, sparkling imagery and illumination, Peters' individual characters and the collective of The Town leap vividly, fully formed off the page. A hybrid in form, I Become a Delight to My Enemies is an awe-inspiring example of the exquisite force of words to shock and to move, from a writer of exceptional talent and potential.

    Infused with a close and present danger, these stories tighten the knot around power, identity, and sexuality, and draw the reader into the pivotal moments where - for better or for worse - we see ourselves for what we truly are.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    While her almost-but-not-quite ex-boyfriend Adam is on a work assignment in Europe, Anna finds herself tricked into a ditch-the-loser intervention by her supportive yet meddling girlfriends. More frustrated than ever, Anna starts to smoke, asks Buddy, the backyard squirrel, for advice, and finally seeks out the help of a caring but fashion-challenged therapist. Adding to the emotional overload, Anna's beautiful but rash sister decides to move to the Middle East. Luckily, Anna has a resource even better than Buddy or the therapist: her devoted grandmother, who tells it like it is, refuses to conform to anyone's expectations, and who continues to live on her prairie farm all alone, half-blind, and completely happy. In her richly rewarding debut novel, Daria Salamon explores the bonds that make and break family, friendship, and love with warmth and good humor.

    Structured like a classic novel of legal suspense, The Child explores what happens when Stew, a lonely fifteen-year-old boy, looks for and finds an adult boyfriend online. In short order his lover is arrested in an Internet pedophilia sting and Stew's world is turned upside down. He's exposed to his family and community, leaving the outcast to fend for himself against forces intent on his destruction. Desperate and enraged, the confused Stew murders his nephew in a panic. Schulman's novel considers the impact of these events on all those involved — from the parents of the murdered child, to Stew's staunchly Catholic parents, and the attorneys working on his case. Carefully untangling the actions of an isolated teenager denied a natural outlet for his feelings during a critical time in his life, The Child is a haunting meditation on isolation and the prejudices of culture and family.