For over 200 years, the route of the Vladimirka Road has been at the centre of the nation's history, having witnessed everything from the first human footsteps to the rise of Putin and his oil-rich oligarchy. Tsars, wars, famine and wealth: all have crossed and travelled this road, but no-one has ever told its story. In pursuit of the sights, sounds and voices both past and present, Jeremy Poolman travels the Vladimirka. Both epic and intimate, The Road of Bones is a record of his travels - but much more. It looks into the hearts and reveals the histories of those whose lives have been changed by what is known by many as simply The Greatest of Roads. This is a book about life and about death and about the strength of will it takes to celebrate the former while living in the shadow of the latter. Anecdotal and epic, The Road of Bones follows the author's journey along this road, into the past and back again. The book takes as its compass both the voices of history and those of today and draws a map of the cities and steppes of the Russian people's battered but ultimately indefatigable spirit.

    The foremost Jewish family of Russia, the single voice of their people to the Tsar, the Gunzburgs stand on the threshold of cataclysmic change as their proud by fragile world is threatened, then crushed by the surging forces of the Great War and the Revolution.

    The story of these men and women - as diverse as the lands they governed - is, in many ways, the story of Russia itself. From the birth of the Kievan state in the second half of the ninth century to the murder of Czar Nicholas II and his family in 1918, historians James P. Duffy and Vincent L. Ricci trace the long and twisted line of imperial rule in Russia, offering many insights into the uses and abuses of absolute power, as well as a glimpse at world history through the eyes of those who made it. The Czars is a vital page in the literature of Russian history.

    Most people of the current generation lack a sense of the historical sweep of the intellectual side of the right-wing collectivist position. Jeffrey Tucker, in this collection written between 2015 and 2017, argues that this movement represents the revival of a tradition of interwar collectivist thought that might at first seem like a hybrid but was distinctly mainstream between the two world wars. It is anti-communist but not for the reasons that were conventional during the Cold War, that is, because communism opposed freedom in the liberal tradition.Right-collectivism also opposes traditional liberalism. It opposes free trade, freedom of association, free migration, and capitalism understood as a laissez-faire free market. It rallies around nation and state as the organizing principles of the social order—and trends in the direction of favoring one-man rule—but positions itself as opposed to leftism traditionally understood.We know about certain fascist leaders from the mid-20th century, but not the ideological orientation that led to them or the ideas they left on the table to be picked up generations later. For the most part, and until recently, it seemed to have dropped from history. Meanwhile, the prospects for social democratic ideology are fading, and something else is coming to fill that vacuum. What is it? Where does it come from? Where is it leading?This book seeks to fill the knowledge gap, to explain what this movement is about and why anyone who genuinely loves and longs for liberty classically understood needs to develop a nose and instinct for spotting the opposite when it comes in an unfamiliar form. We need to learn to recognize the language, the thinkers, the themes, the goals of a political ethos that is properly identified as fascist."Jeffrey Tucker in his brilliant book calls right-wing populism what it actually is, namely, fascism, or, in its German form national socialism, nazism. You need Tucker’s book. You need to worry. If you are a real liberal, you need to know where the new national socialism comes from, the better to call it out and shame it back into the shadows. Now."— Deirdre McCloskey

    The book is mainly an analysis of capitalism, achieved by critiquing the writings of the leading theoretical exponents of capitalism at that time: these were the political economists, nowadays often referred to as the classical economists; Adam Smith (1723–90) and David Ricardo (1772–1823) are the foremost representatives of the genre.Much of the Critique was later incorporated by Marx into his magnum opus, Capital (Volume I), published in 1867; and the Critique is generally considered to be of secondary importance among Marx's writings. This does not apply, however, to the Preface of the Critique. It contains the first connected account of one of Marx's main theories: the economic interpretation of history. Briefly, this is the idea that economic factors – the way people produce the necessities of life – conditions the kind of politics and ideology a society can have.

    

    In little more than a decade the Romanov dynasty was toppled, and its time-honored institutions repudiated. How did it happen? How could Nicholas and Alexandra, the nobility, middle class anarchists—even Lenin himself—not foresee the catastrophic changes that were shaking the empire? Why could nothing be done? And why were the efforts so ineffectual? Black Night, White Snow captures the rich drama of this whole period. With the artistry of a Balzac, Harrison Salisbury exposes the strata of Russian society, with its decedents, prophetic poets, religious fanatics, and newly liberated serfs. From archival sources within the Soviet Union, interviews, and his personal photography collection, he recreates the story as it happened. Hard data on Russia's economy, a first-hand knowledge of the county, and a historian's gift of compression are combined in a fast-paced narrative that reads with the ease of a good novel and the urgency of a newspaper headline.

    A week before Stalin's death, his final pogrom, "one that would forever rid the Motherland of the vermin," is in full swing. Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant.While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle. And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall.As hilarious as it is moving, as intellectual as it is violent, Paul Goldberg's The Yid is a tragicomic masterpiece of historical fiction.

    A few months later, Pussy Riot hit headlines around the world when they were arrested following their anti-Putin demonstration in a Russian Orthodox cathedral. The vicious battle for Russia's soul continues to this day.In the first book to take the reader straight to the beating heart of the opposition movement, journalist and long-time Moscow resident Marc Bennetts introduces a new generation of Russian dissidents, united by their hatred of Putin and his bid to silence all political adversaries. We meet a bustling cast of urban youth working to expose the injustices of the regime and a disjointed bunch of dissenters – from 'It Girl' hipsters to 21st-century socialists. Featuring rare interviews with everyone from Pussy Riot and top protest leaders to Kremlin insiders, Bennetts' compelling narrative is an astonishing journey through Russia's new protest movements.

    Routledge is an imprint of Taylor & Francis, an informa company.

    It views the thinkers in an historical context and examines them in terms of changing relationships of ethics and politics in Western political philosophy.

    on July 25, 1956, the luxurious Italian ocean liner Andrea Doria collided with the Stockholm forty-five miles south of Nantucket. Half a century later, the wreck of the Andrea Doria is still claiming lives. Professional and amateur divers the world round consider the Andrea Doria to be the Everest of diving. At 225 feet below the surface, the wreck lies at the very edge of human endurance and accomplishment; ordinary air becomes toxic and the divers who go there suffer nitrogen narcosis or "the rapture of the deep." Symptoms include confusion, lack of coordination, and perhaps most deadly of all, a loss of the ability to make clear decisions. As a result, divers use Trimix, an exotic blend of oxygen, nitrogen, and helium to descend through the strong currents, rusted metal, and twisted wires to the ultimate symbol of deep sea diving accomplishments: china teacups and plates from the wreck of the Andrea Doria. For serious wreck divers, these fragile artifacts are genuine proof of their abilities as divers. During the summers of 1998 and 1999, three elite divers lost their lives, all on separate dives from the top dive boat out of Montauk, the 65-foot Seeker. Craig Sicola was clearly suffering from "china fever" before he went down. He'd handled teacups brought up by veteran Doria diver Gary Gentile, and the gleam in Craig's eye was unmistakable. Craig dove on June 24, 1998. A few hours later, his body bobbed to the surface. He was carrying a plate. Joe Haberstroh, the award-winning Newsday reporter, watched events unfold during the summers of 1998 and 1999. In this remarkable and intriguing book he recreates what was the pride of the Italian fleet, how it sank, the dangers of the deep, and the gripping personal stories of the men who live or die for a teacup from its remains.

    Pius and idealistic, the young Sophie shed her cloak of innocence to become Catherine The Great. At the urging of her ambitious mother, Johanna, Sophie married Peter III, the only grandson of Russian legend, Peter I. After scandalous love affairs and the mysterious sudden death of her husband, Peter III, Catherine ascended the Russian throne. The most intriguing aspect of the story is the fact that Catherine had no moral or legal right to the Russian throne. During that era, the laws of succession were rigidly enforced. In Russia, there were three living heirs, each with a legitimate right to the throne; one of those heirs was her husband, Peter III, the grandson of Peter I, a giant in Russian history, known affectionately as The Father of Russia. Catherine was cautioned repeatedly that she would not be able to sidestep her husband, Peter III and Ivan VI (who was living but in prison), while at the same time ignoring the rights of her own son, Paul I. Highly placed members of the Russian aristocracy warned Catherine that the Russian people would take up arms against her solely for the fact that she was German, not Russian. The fact that Catherine was able to overcome so many obstacles to ascend the throne of Russia is a monument to her brilliance, strength and determination. Not only was she crowned Empress, her rule would last thirty years. Catherine's extraordinary success as a ruler has made her a legend in her own right.

    From Arthur Koestler’s take on the universe and Barbara Tuchman’s view on 14th-century life to F. Scott Fitzgerald’s impressions of American morality and Robert Fisk’s analysis of the West’s history of intervention in the Middle East, this engaging account is an idiosyncratic and endlessly interesting tour of the world through literature.