A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    Once upon a time,"there was an old lady who swallowed a fly"...Well, the fly is back!He's bigger.He's badder.And he wants revenge!

    

    A sassy young girl. Their audacious summer stunt could change their southern town forever.Charleston, 1964. Ida Trueluck is still adjusting to life on her own. Moving into her son's house creates a few family conflicts, but the widow's saving grace is her whip-smart granddaughter Trudy. Ida makes it her top priority to give the girl a summer she'll never forget.When a runaway truck nearly takes her life, Trudy makes fast friends with the boy who saves her. But since Paris is black, the racism they encounter inspires Trudy's surprising summer mission: to take down the Confederate flag from the South Carolina Statehouse. And she knows she can't do it without the help of her beloved grandmother.With all of Southern society conspiring against them, can Trudy, Ida, and their friends pull off the impossible?Trueluck Summer is a Southern historical women's fiction novel set in a time of great cultural change. If you like courageous characters, heartwarming humor, and inspirational acts, then you'll love Susan Gabriel's captivating tale.

    Outraged at his bad luck and determined to know if he wins (even though he's dead), he bargains with a heavenly gatekeeper to return to earth for the big night. Along the way, he drags his agent, his acting rival, his bombshell girlfriend and his ex-wife into the journey, in a wildly twisting tale of Hollywood, the afterlife, and how we are judged.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    In a converted barn, an indomitable teacher creates ballerinas as she has for more than half a century. In a monastic mirrored room, dancers from as near as New Jersey and as far as Mongolia learn works as old as the nineteenth century and as new as this morning. “Where Snowflakes Dance and Swear” zooms in on an intimate view of one full season in the life of one of America’s top ballet companies and schools: Seattle’s Pacific Northwest Ballet. But it also tracks the Land of Ballet to venues as celebrated as New York and Monte Carlo and as seemingly ordinary as Bellingham, Washington and small-town Pennsylvania. Never before has a book taken readers backstage for such a wide-ranging view of the ballet world from the wildly diverse perspectives of dancers, choreographers, stagers, teachers, conductors, musicians, rehearsal pianists, lighting directors, costumers, stage managers, scenic artists, marketers, fundraisers, students, and even pointe shoe fitters—often in their own remarkably candid words. The book follows characters as colorful as they are talented. Versatile dancers from around the globe team up with novice choreographers and those as renowned as Susan Stroman, Christopher Wheeldon, and Twyla Tharp to create art on deadline. At the book’s center is Peter Boal, a former New York City Ballet star in his third year as PNB’s artistic director, as he manages conflicting constituencies with charm, tact, rationality and diplomacy. Readers look over Boal’s shoulder as he makes tough decisions about programming, casting, scheduling and budgeting that eventually lead the calm, low-key leader to declare that in his job, “You have to be willing to be hated.” “Where Snowflakes Dance and Swear” shows how ballet is made, funded, and sold. It escorts you front and center to the kick zone of studio rehearsals. It takes you to the costume shop where elegant tutus and gowns are created from scratch. It brings you backstage to see sets and lighting come alive while stagehands get lovingly snarky and obscene on their headsets. It sits you down in meetings where budgets get slashed and dreams get funded—and axed. It shows you the inner workings of Nutcracker, from kids’ charming auditions to no-nonsense marketing meetings, from snow bags in the flies to dancing snowflakes who curse salty flurries that land on their tongues. It follows the tempestuous assembly of a version of Romeo and Juliet that runs afoul of so much pressure, disease, injury, and blood that the dancers begin to call it cursed. “Where Snowflakes Dance and Swear” uncovers the astounding way ballets, with no common form of written preservation, are handed down from generation to generation through the prodigious memories of brilliant athletes who also happen to be artists. It goes on tour with the company to Vail, Colorado, where dancers contend with altitude that makes their muscles cramp and their lungs ache. It visits cattle-call auditions and rigorous classes, tells the stories of dancers whose parents sacrificed for them and dancers whose parents refused to. It meets the resolute woman who created a dance school more than fifty years ago in a Carlisle, Pennsylvania barn and grew it into one of America’s most reliable ballerina factories. It shows ballet’s appeal to kids from low-income neighborhoods and board members who live in mansions. Shattering longstanding die-for-your-art clichés, this book uncovers the real drama in the daily lives of fiercely dedicated union members in slippers and pointe shoes—and the musicians, stagehands, costumers, donors and administrators who support them. “Where Snowflakes Dance and Swear: Inside the Land of Ballet” brings readers the exciting truth of how ballet actually happens.

    What's hiding behind those curtains on the stage? How does a huge set appear so quickly between scenes? Just two of the many questions answered in this visual compendium.

    A comprehensive book that covers all aspects of choreography from the most fundamental techniques to highly sophisticated artistic concerns.  The Intimate Act of Choreography presents the what and how of choreography in a workable format that begins with basics- - time, space, force -- and moves on to the more complex issues faced by the intermediate and advanced choreographer -- form, style, abstraction, compositional structures, and choreographic devices.The format of the book evolved from the idea that improvisation is a good way to learn choreography.  This approach is in harmony with widely accepted dance philosophies that value the unique quality of each individual’s creativity.  After discussing a concept, the authors provide improvisations, and choreographic studies that give the student a physical experience of that concept.  The language is stimulating an innovative, rich in visual images that will challenge the choreographer to explore new directions in movement.The book is for serious dance students and professionals who are interested in both the practical and theoretical aspects of the art, dancers who are just starting to choreograph, and teachers who are seeking fresh ideas and new approaches to use with young choreographers.  (A Teacher’s Addendum offers suggestions on how to use the material in the classroom.)  It is a guide, a text, and an extensive resource of every choreographic concept central to the art form.

    By the author of Dancing on My Grave. Reprint. AB. PW.

    A handful of the inhabitants discover the true power behind the ruling class, and the methods they use to remain above the law. Feeling like strangers in the land of their forefathers, Ethan and Wayne navigate the ethical minefield of violent revolution as they try to reclaim their nation from those who have subverted it.

    Theatre script, playbook

     What is a junkbox? A person who is just so all consumed by addiction and drugs that they do not care about what goes into their body. They don't shower, they barely eat, and the only sleep they get is a result from a high dose shot of some "high quality" heroin. Herb Stepherson was born in Jonesboro, Georgia. He is the middle child of three boys. He is thirty-one years old and spent his youth like most young boys in central Georgia, riding bikes and playing sports—baseball in particular. Since 2002, he has been involved in the fight for his life. He has been battling the nightmares of addiction for the past fourteen years. His first drug use was at fifteen, which was alcohol and from there quickly progressed to prescription pain medication and ultimately cocaine and heroin. Heroin and cocaine took him to the absolute edges of humanity. He ended up homeless, eating food out of dumpsters, and strung out in some of the roughest neighborhoods in Chicago, in the dead of winter. The winter months are brutal in the Midwest. Herb slept in abandon buildings, airport terminals, and under bridges clinging to two basic needs: more heroin and to be numbed from the wreckage that this drug was creating in his life. All the while trying his best to keep hope alive that maybe one day he would finally be able to conquer this demon of addiction and recover. Today, Herb celebrates life as a young man in recovery! He is an intervention coordinator, a budding young writer, a loving and active father to his five-year-old son, Lucas, and speaks on behalf of numerous agencies in his community hoping to shed some light on the true battles with heroin addiction. So, why are you doing this, Herb? Why are you displaying all these horribly intimate pieces of your life for all the world to see? Don't you know that the world looks down on the whole addiction thing? I am doing this because I hate the disease. I'm displaying all these things because someone has to. The silence, the taboo, and the shame have to end. Don't hate the addict. Hate the disease. I'm writing all this to expose what this thing is doing to people. To our brothers, sisters, moms, and dads. I'm doing this because I want everyone to know that I have indeed suffered from this thing. I'm doing this because there is too much focus on the problem and not enough on the solution. I know that the world looks down on the whole addiction thing, which is another reason I am doing this. For more information, visit: JunkboxDiaries.com HerbStepherson.com Dedication: This book is dedicated to many people. It is dedicated to anyone and everyone who has ever been touched by the nightmare the disease of addiction is. To all the mothers, fathers, brothers, sisters, sons, and daughters who have lost someone to the disease of addiction. This book is dedicated to the addicts out there—clean or using. There is hope. This book is for anyone and everyone who thinks that addicts are lost causes. This book is for the purpose of silencing the taboo, shame, and guilt that still shrouds the disease and the addict.

    From town to town, his Gospel train rides the rails of 1920s Appalachia, spreading the Good News with his daughter and a loyal group of roustabouts in tow. But Jedidiah's traveling revival company has a secret: in addition to offering the gifts of the Holy Spirit, it also delivers spirits of another kind. Prohibition is in full swing, but The Sword of the Lord train keeps the speakeasies in the towns it visits in business by providing the best that mountain stills have to offer. While beyond the gaze of federal agents, the operation eventually runs afoul of an overzealous small town sheriff and a corrupt judge, setting in motion a series of events that could land them all in chains. Told with haunting lyricism, this is the story of a preacher full of contradictions, a man for whom the way is never straight and narrow. It bends like the river, a river that leads him in the paths of a different brand of righteousness--and perhaps even to salvation.

    But after a failed assassination attempt on the world’s leading cybercrime specialist at a conference in Reykjavík, it is the only place left to hide. When the Icelandic State Police run out of resources, responsibility for hunting the assassins is given to the Polar Task Force, and it is native Icelander Hákon Siggurdsson’s job to lead a team into the interior. Plagued by political agendas of sovereignty and power, the Polar Task Force, including members chosen from each of the countries located in the Arctic, needs a win to ensure the survival of the unit. The pressure is on, and it is up to Hákon to choose his team, complete the mission, and bring them back alive. For any other task force, a winter pursuit of well-armed assassins into Iceland’s interior is nothing short of madness. For Hákon Siggurdsson and his team, it’s a question of survival. “Northern Light” is the first in the Polar Task Force series of Arctic thrillers.