A family. And that is exactly what she gets-a daddy and two "wifeys." So what if she has to go out and earn some coins to keep her place? It seems a fair enough exchange for love.Dime never meant to become a prostitute. It happened so gradually, she pretty much didn't realize it was happening until it was too late.But when a new "wifey" joins the family and Dime finds out that Daddy doesn't love her the way she thought he did, will Dime have the strength to leave? And will Daddy let her?

    One HELLO can save a life.Tricia: A girl struggling to find her way after her beloved grandma's death.Emerson: A guy who lives his life to fulfill promises, real and hypothetical.Angie: A girl with secrets she can only express through poetry.Brenda: An actress and screenplay writer afraid to confront her past.Brian: A potter who sets aside his life for Tricia, to the detriment of both.Linked and transformed by one phone call, Hello? weaves together these five Wisconsin teens' stories into a compelling narrative of friendship and family, loss and love, heartbreak and healing, serendipity, and ultimately hope.Told from all five viewpoints: narration (Tricia), narration (Emerson), free verse poetry (Angie), screenplay format (Brenda), narration and drawings (Brian).

    Yet, she develops the street smarts and survival skills to keep her addict mother out of the reach of the law and hidden from her stepfather, Lloyd, the man responsible for the explosion that killed three people.Shortly after Arlie’s 16th birthday, her mother overdoses, forcing an end to their nomadic lives. Social services steps in and rules suddenly exist where none had before. Soon, she’s living in a 31-foot Airstream trailer with an eccentric uncle and attending high school for the first time.While her facial scar makes it hard to fit in, Arlie begins to think a normal life might be possible – that is, until her stepfather tracks her down and insists she return drug money her mother had stolen. A final confrontation tests Arlie’s idea of right and wrong, and how far she’s willing to go to protect her new life.

    Their father has seemingly vanished into the baking Arizona desert. Their money is drying up and the rent is coming due, but it's a visit from a social worker and the prospect of being separated from Eddie that scares Dee enough to flee. She dupes her brother into packing up and embarking on the long road trip to Canada, their birthplace and former home. Lacking a driver's license and facing a looming interrogation at the border, Dee rations their money and food as they burn down the interstate in their ancient, decrepit car.

    But soon enough he finds himself starring in a drama of his own creation. Nothing in Jake's life is the same after Vanni, a whip-smart, wisecracking Indian-Irish-Canadian joins his class, and after Jake meets the unforgettable Alba, who is as stunning as she is unattainable. Jake is tongue-tied around Alba and enlists Vanni's help. All of a sudden — like the Shakespeare play Jake's school is putting on — Jake finds himself entwined in a love triangle of sorts, complete with secrets and suppressed passions, contrived plots, miscues and misunderstandings. By the end, as in any good comedy, tensions are resolved and Jake's world has been re-made, though in a way he could not have anticipated.From the Trade Paperback edition.

    But this time it's different. This time the baby who needs help has an older brother -- a kid Jarrett's age named Kevon. Everyone thinks Jarrett and Kevon should be friends -- but that's not gonna happen. Not when Kevon's acting like he's better than Jarrett -- and not when Jarrett finds out Kevon's keeping some major secrets. Jarrett doesn't think it's fair that he has to share his room, his friends, and his life with some stranger. He's gotta do something about it -- but what? From award-winning author Coe Booth, KINDA LIKE BROTHERS is the story of two boys who really don't get along -- but have to find a way to figure it out.

    Accidentally. On purpose.

    She’s left picking up the pieces of her shattered world while the tabloids, pesky neighbors, and an eight-point buck seem to haunt her. The only thing keeping Morgan grounded is her recently discovered love for running. But everything changes when Morgan learns her husband was keeping secrets and he left her to run his successful gym with her newly acquired business partner, stoic MMA fighter Nick “The Strangler” Stacks. Will Morgan's second chance at love be a fight to the end?

    

    Lured by the hope of a better life for herself and her son, Celeste Vanek must deal with the emotional and physical resistance of her compulsive gambler husband when she asks for a divorce. Though she hopes she is on the verge of making a clean break, her husband demands his family back, and things getviolent. Jake Atwood, who witnesses the shocking scene between Celeste and her husband, struggles with his own emotional and ethical issues while attempting to help Celeste escape her marriage. At the same time, Jake is involved with Sara, amarried and childless police detective who has a private agenda to pursue when a crime is committed that links all of these characters together and changes their lives forever. With heart-pounding suspense and brilliant psychological insight, CLEAN BREAK will leave readers breathless.

    Feeling ill at ease with her family and in her own skin, she runs away repeatedly, gradually disappearing into a life of addiction and sex work. Meanwhile, her sister, Beth, escapes her own troubles with food and a rediscovered talent for magic tricks. Though both girls struggle through darkness and pain, they eventually find their way to a moment of illumination and healing.This powerful YA novel is rooted in the tragic life of the author’s sister, Sarah, a victim of serial killer Robert Pickton and the subject of Maggie de Vries’s Governor General’s Literary Award–nominated memoir for adults, Missing Sarah. Sarah’s tragic experiences inspired the character Kaya, as well as an adult sex worker she meets on the streets. Vancouver’s missing women form a chilling backdrop for the story.

    This too was a fixture on bestseller lists and earned her a wider audience.With Point Dume she has produced her most remarkable novel to dateA fast moving page- turner, with insights that Arnoldi has gleaned from years of on-the-ground research, this is a timely novel that seems timeless.

    Addison killed a baby.Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

    So when reports come in of a man camped on the corner of a local street, refusing to move until the girl who has jilted him takes him back, Ellie is on a mission to get the scoop. She arrives to meet Ben Kelly, a man she is instantly attracted to. But she has a job to do and an incredible story to write and has soon pledged to help him win back the girl of his dreams. With Ellie’s help, Ben’s plight captures the hearts and imaginations of the public. And when a TV film crew appears to make a feature on the most romantic gesture the town of Millrise has ever seen, Ellie’s mission gets its happy ending...But while Ellie has been busy fixing the lives of her wayward parents, providing shoulders for heartbroken friends to cry on, and worrying about her terminally-ill aunt, she hasn’t noticed that she has also been falling quietly in love – with the very man she has now ensured is hopelessly out of her reach.Ellie must choose between doing the right thing, and the thing that feels right. And whatever choice she makes, someone will get their heart broken.

    It’s a story that’s touching and funny, an authentic meditation on the pain of loss, and the challenge of getting paint to stick to cows.